Now you can buy a mini version of that "Sorry to Bother You" man-boffing-horse sculpture

In Boots Riley's Sorry to Bother You, there's a protest scene where there's a 12-foot-tall "Steve Lift Fucking a Horse" sculpture. It's hard to miss!

Well, come to find out, my badass friend Spy Emerson (whose Hook Up Truck made international news a few years back) is the artist who created it. And now I've learned, on Boots' request, she's made a mini version of the sculpture to sell.

If you want to get on your hands it, you can find her on Instagram or Patreon. Or you can reach her through her website.

Spy shared with me that she clocked in 130 hours during filming last summer, as both an artist and a performer, and appears in the movie as a member of the Left Eye girl gang (in the photo below, she's the one in the goggles). In one scene she said that she's wearing an old punk t-shirt of hers from high school that reads, "Stay Warm, Burn the Rich."

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Must-see bizarro viewing: Boots Riley's 'Sorry to Bother You'

This isn't a review, but I'd regret not giving you a heads up about Sorry to Bother You, Boots Riley's first feature film. It's an absurd black sci-fi satire shot in Oakland and it's the off-the-wall dystopian summer indie flick we all deserve.

At the last minute last Friday, I put my hands on some tickets for its sold-out nationwide opening night at the Grand Lake Theatre in Oakland. And wow, am I glad I did.

It was a real happening. People cheered and laughed. Plus, the movie was simply fantastic. After the show, folks with tickets for the late show (which had the bonus of an after-show Q&A with Boots himself) were already lining up. Lots of people posed with the shitty Tercel featured in the film, which was parked right in front of the theatre.

Hilariously, you can buy that shitty Tercel for a mere $23,999.40 on the STBU website:

(I got my eye on that Mr. Bobo collectible plate myself.)

If you want to read what reviewers are saying, here's a good start:

Review: ‘Sorry to Bother You,’ but Can I Interest You in a Wild Dystopian Satire? by A.O. Scott of The New York Times:

"If Mike Judge’s “Office Space” and Robert Downey Sr.’s “Putney Swope” hooked up after a night of bingeing on hallucinogens, Marxist theory and the novels of Paul Beatty and Colson Whitehead, the offspring might look something like this."

Film Review: ‘Sorry to Bother You’ by Peter Debruge of Variety:

"Nearly as deranged as it is politically engaged, Boots Riley’s sui generis “Sorry to Bother You” is the kind of debut feature that knocks your socks off, tickles your bare tootsies with goose feathers for a while, then goes all Kathy Bates in the final stretch, ultimately taking a sledgehammer to your kneecaps."

This one might make more sense AFTER you've seen the movie:

In 'Sorry To Bother You,' an Alternate-Universe Oakland Rings True by Janelle Hessig of KQED Arts:

"The “don’t sell out” moral of the story is delivered with all of the subtlety of a circus clown with an erection, but appropriately so—there’s nothing subtle in being a person of color fighting to survive capitalism."

Go see it. Read the rest