70 or so South American animators were assembled by Brazilian animator Ivanildo Soares to recreate a 1961 Woody Woodpecker short, "The Bird Who Came to Dinner."
It's a late-era Woody cartoon, and it's pretty uninspiring. But somehow it inspired these animators to reimagine the entire cartoon, individually, and in intervals of only a few seconds that are weird, creative, and jarring. The soundtrack is exactly the same, but every cel has been replaced, in very diverse styles.
Here is the original 1961 cartoon.
And here is the new South American twist. It's pretty fun to watch.
What spurred these animators to this project? I can't seem to find the answer, but it may have something to do with this: Like France's inexplicable love for Jerry Lewis, and the theory that "Germans Love David Hasselhoff," South Americans apparently love Woody Woodpecker.
In this video [via Spacetwinks], Hanna-Barbera sound editor Paul Douglas's 10 favorite sound effects are presented for your amusement and transformative misuse. It's sadly missing the "running" sound, though, but it's not hard to find...
(There's an audio CD on Amazon purporting to offer a set of 100 official Hanna Barbera sound effects, and it's got good reviews, but YouTube surely has the lot anyway)
30. Boinks: Boink/Doink/Pixie And Dixie Boinks 31. Bongo Feet & Zip 32. Bonk, Zing, Crash & Zrit 33. Bonks & Conks
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also i found the specific sound effect i was looking for, which i love https://t.co/B7NOMNHcmP— Colin Spacetwinks (@spacetwinks) October 17, 2017
Released in Japan in 1989, Amada Anime Series: Super Mario Bros is a series of three fairy tale animations starring the Super Mario characters. From the Mario Wiki:
The series contains: Super Mario Momotarō, Super Mario Issun-bōshi, and Super Mario Shirayuki-hime. The two former episodes in the series are retellings of fairy tales of the same name, while Super Mario Shirayuki-hime is a retelling of the Western fairy tale Snow White
Cuphead is a strange and stunning video game (see the trailer below) that perfectly resembles a pre-war Grim Natwick cartoon. But seeing it in black and white on an old cathode ray tube (above) takes it to another level entirely.
Running a new console to an old monochrome TV requires a serious chain of dongles. First the composite HDMI adapter you know you need, but then an coax composite RF modulator because these things are so old they don't even have composite inputs, then maybe a twin-lead flat antenna plugs coax transformer as well, because these things are so old they don't even have coax.
P.S. black and white and technicolor filters are both available as in-game options, but you've got to beat it, and it's a very difficult game:
He makes the scene when things look mean. Read the rest
From Open Culture:
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While our country looks like it might be coming apart at the seams, it’s good to revisit, every once in a while, moments when it did work. And that’s not so that we can feel nostalgic about a lost time, but so that we can remind ourselves how, given the right conditions, things could work well once again.
One example from history (and recently rediscovered by a number of blogs during the AHCA debacle in Congress) is this government propaganda film from 1949—the Harry S. Truman era—that promotes the idea of cradle-to-grave health care, and all for three cents a week. This money went to school nurses, nutritionists, family doctors, and neighborhood health departments.
Three cents per American per week wouldn’t cut it now in terms of universal health coverage. But according to [John] Maher, quoting a 2009 Kingsepp study on the original Affordable Care Act, taxpayers would have to pay $3.61 a week.
The Magic of Oz, most likely from the early 1960s, is sometimes referred to as "the worst cartoon ever." I think that is hyperbolic but I appreciate the sentiment.
Animation historian Jerry Beck had this to say about it: "The film is a real mystery... and real awful."
In the 1970s, legendary Disney animator Art Babbitt, creator of Goofy, worked at Hanna-Barbera directing the studio's commercial division. His anti-drug PSA above, circa 1970, is a masterpiece of psychedelic cartooning.
"Oh Lord yeah."
With the classic 1980s Nintendo Entertainment System continuing to rack up extra lives thanks to the retro videogame resurgence, the thirty year-old game Castlevania has been ported to Netflix with a new animated series. Warren Ellis wrote it, which almost guarantees that it will be the best TV program based on a videogame ever, and that includes Hanna-Barbera's Pac-Man.
The Simpsons, SpongeBob Squarepants, Minions, Pikachu are yellow. So are many, many other popular cartoon characters. Why? The answer lies at the intersection of psychology, color theory, and, of course, aesthetics. (ChannelFrederator)
PS: In B4 "Christ, what an asshole" comment.