Standing in the Mütter Museum of medical oddities, contemplating a neat row of jars, each containing a malformed fetus with spina bifida, Riva Lehrer realized just how easily she, too, could have ended up a specimen in a bottle, an object of curiosity, pathos, and, yes, revulsion. "Their spinal column failed to fuse all the way around their spinal cord, leaving holes (called lesions) in their spine," she writes, in a New York Times essay so scarifyingly honest it feels like self-anatomization. "Some extrude a bulging sac containing a section of the cord. These balloons make the fetuses appear as if they’re about to explode. This condition is called spina bifida. I stand in front of these tiny humans and try not to pass out. I have never seen what I looked like on the day I was born."
Born with Spina bifida, the survivor of scores of surgeries, Lehrer is "less than five feet tall." She writes, "I have a curved spine. I wear huge, clunky orthopedic boots." Yet as she notes in her Times essay, she no longer winces at her own reflection. Through her stunning, photorealistic portraits of people with disabilities—people like Mat Fraser, a.k.a. Sealo the Seal Boy from American Horror Story; Nomy Lamm, born with one leg smaller than the other; Lynn Manning, a blind actor and 1990 World Champion in Blind Judo shown brandishing his white cane like a katana—she has come to see "disabled bodies as unexpected and charming and exciting. Read the rest
People with disabilities tend to be drastically underrepresented in both culture and journalism. And one website is hoping to change that. Disabled Writers is a simple resource to help editors connect with writers with disabilities. As the site explains:
We are concerned about the lack of disability representation in media and pop culture, particularly with respect to multiply marginalized disabled people, such as disabled women of color and the transgender disability community. This resource aims to eliminate the “I couldn’t find anyone” barrier to hiring disabled writers and speaking with disabled sources.
When disability coverage appears in the media, it’s often developed for nondisabled people, by nondisabled people. 20 percent of the population, which includes media consumers and creators, is disabled, and it is important to put disabled people in charge of their own narratives. Hiring disabled writers will improve the breadth and depth of your coverage, and talking to disabled people as sources for your stories will improve the quality of your reporting.
Disabled journalists and sources aren’t just focused on disability. Disabled Writers highlights the incredible diversity of interests in the disability community, from the law to feminism. If you’re seeking to increase the diversity of your storytelling—and who is telling those stories—we hope you find this sourcing tool useful.
While the website is designed first and foremost for editors looking for writers to hire, its collection of writer profiles also contains links to the writers’ social media accounts. So consider diversifying your Twitter, Instagram, Tumblr, and more with some of these voices. Read the rest
I finally got around to checking out Tiszta Szívvel (Kills on Wheels), the Hungarian film about a paralyzed hit man. The opening titles really set the tone. Read the rest
BuzzFeed’s Louis Peitzman wrote a really great profile of Broadway’s new production of The Glass Menagerie, which stars newcomer Madison Ferris, an actor with a mobility disability, in the role of Laura, a character with a mobility disability. As Peitzman points out, casting actors with disabilities as characters with disabilities remains exceedingly rare both on Broadway and in Hollywood. But director Sam Gold wanted to change that and to reimagine The Glass Menagerie as a story where traditionally meek and shy Laura has more agency. Here’s an excerpt from the piece:
Read the rest
More to the point, [Gold] noted, much of [the criticism against the production] exposes the larger problem of ignorance about disability. “The theater community, the people who make it and the people who go see it and the people who write about it, are mostly people who think of themselves as open-minded, progressive people. They’re people who would like to be on the right side of identity politics and inclusion and diversity. And a lot of those people have a real blind spot when it comes to the disability community,” Gold said. “They’re not seeing that the way they’re perceiving the production is colored by an inability to look at that community with an open mind.”
About her role in making a statement, Ferris reiterated that she wants her acting to speak for itself so that she’s not known solely for “being an inspiration or being considered brave.” At the same time, she recognizes how few representations of disability there are onstage, and she’s willing to speak out about why she hopes to see that change.