Legendary designer Dieter Rams lays out the ten principles underlying his approach to "good design."
A scene from "Rams", Gary Hustwit's new documentary about legendary designer Dieter Rams, with original music by Brian Eno. Motion graphics by Trollback & Co.
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It hasn't been a good year for Apple. The company's had to confirm that they've been throttling speeds of older iPhones to maintain battery efficiency. They were caught throttling their latest MacBook Pros to well below their advertised base processor speeds in order to deal with the thermal demands of the chipset inside of them. iOS 11 was buggy as all get out. Worst of all, the keyboards that are baked into almost all of the laptop computers sold by Apple over the past few years are so delicate that dust or a crumb getting beneath a key cap could be cause for costly repair.
The problem was such that a class action lawsuit over it was launched and Apple, caught up in a PR nightmare, was forced to start offering free repairs for their faulty input devices to all comers. The release of the company's latest crop of iPad Pro tablets, unfortunately, seems to have fallen into line with this new quality control status quo.
A few days ago, The Verge contacted Apple over the online rumors, later reinforced with hands-on demonstrations, that the new iPad Pro was so thin that it proved hilariously easy to bend. Some owners of the tablet also complained that the tablet came to them ever-so-slightly warped, right out of the box. The Verge's Chris Welch was among the victims of the industrial design tomfoolery. He reported that he could personally vouch for the issue:
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...my 11-inch iPad Pro showed a bit of a curve after two weeks.
Sculptor/filmmaker/installation artist Tom Sachs, perhaps best known for his incredible recreations/reimaginations of NASA missions in gallery spaces, has revealed his next sneaker designed in collaboration with Nike. According to Hypebeast, "the Tom Sachs x Nike Mars Yard Overshoe is slated to release at DSM London on Oct. 11 and roll out with a global release in the future, at a retail price of £390 (around $511 USD)." From an interview in Vogue:
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As an artist and collaborator of many other artists and companies, what appeals to you about collaborating with Nike?
There’s a huge community with Nike, and I think probably the biggest thing that inspires me is that we have these shared ideals of: work first. It’s not just about winning the marathon, it’s about training for it. It’s not about finishing the sculpture, it’s the act of making things. For me, the advantage of being in the studio is I can make something one at a time, 19th-century-style. Nike doesn’t have that advantage, but has the ability to build thousands of products. As a result you have to make different kinds of decisions, and that process is very inspiring and challenging for me. I only do things that are interesting and keep me on my toes . . . . It’s a really major achievement, the shoe. I’m very, very proud of it. It’s something that I started working on in 2007 and just came to life this year. It’s something I didn’t know for sure if it was ever going really happen.
During its 1970s heyday, the Concorde, the commercial supersonic plane that did NYC to London in under three hours, wasn't just a revolution in aerospace engineering; it was an icon of industrial design, set the bar in luxury travel, and, quite literally, embodied the jet-set lifestyle. Now, my friend qnd colleague Lawrence Azerrad, the creative director of the Grammy-winning Voyager Golden Record vinyl box set we released last year, has created a glorious art book about the Concorde and its scene in the sky. The book, Supersonic: The Design and Lifestyle of Concorde, overflows with historical and technical information and stunning photos of the plane, its marketing materials, and amenities designed by the likes of Andrée Putman, Raymon Loewy, and Sir Terence Conran who wrote this book's foreword. From CNN:
Taking a branded item home was part of the experience. Anything that could be removed from the plane would be taken by passengers as a souvenir. Some of these items were particularly sought after, like those designed by Raymond Loewy, the father of industrial design who created cabin interiors for Air France.
"He used a very forward-thinking, futuristic approach for that time, down to the design of the seats, the headrests, the fabric and, probably more famously, the stainless steel flatware, which Andy Warhol would famously steal," said Azerrad. "There's a story where (Warhol) asked if the person sitting next to him was taking theirs, she said no and he took her set."
Supersonic: The Design and Lifestyle of Concorde is a magnificent celebration of the history of our in-flight future.
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Every second, 15,000 aluminum beverage cans are manufactured. This is a terrific video about how beverage cans are made, and why they look the way they do. Read the rest
The Design Museum in London just unveiled Mimus, Madeline Gannon's newest exploration of robot-human interdependence. From its enclosure, Mimus senses visitors and interacts with them. Read the rest
Objects of Desire: A Showcase of Modern Erotic Products and the Creative Minds Behind Them by Rita Catinella Orrell is a coffee table book that has photos of 100 design-centric sex toys and interviews with their designers. The cover features Crave's hit Vesper vibrator.
Design website Core77 interviewed the author, Rita Catinella Orrell about Objects of Desire, which out March 28 from Schiffer Publishing. Read the rest