"The sponsors said it was going to be three days of peace and music. It was that alright, and much more." Read the rest

For more than 50 years, Roger Steffens has traveled the electric arteries of the counterculture embracing mind-expanding experiences, deep social connection, and unadulterated fun at every turn. And he’s captured it all on film. After serving in Vietnam during the final 26 months of the ‘60s, where he won a Bronze Star for founding a refugee campaign that raised over 100 tons of food and clothing, he spent a year lecturing against the war before settling in Marrakech. Finally returning Stateside in 1972, he immersed himself in the vibrant bohemias of Berkeley, Los Angeles, and beyond, touring his highly-acclaimed one-man show, “Poetry for People Who Hate Poetry.” A psychedelic polymath, Steffens worked as an actor, poet, editor, archivist, lecturer, author, NPR radio DJ and interviewer and, yes, photographer. Driven by his own insatiable curiosity and passion, he was on a perpetual quest for the eccentric, the outlandish, the transcendent. Just as often, it found him, smiling, a camera in one hand and a joint in the other.

Roger Steffens is an intrepid explorer of the fringe but he’s also a family man. He met his wife Mary under a lunar eclipse in a pygmy forest in Mendocino, California while on LSD. Soon after, they conjured up a daughter, Kate, and son, Devon. Family vacations took the foursome up and down the West Coast, from the gritty glam of Hollywood’s Sunset Strip to reggae festivals in Humboldt, fiery protests in Berkeley to the ancient redwoods of Big Sur and the wilds of Death Valley. Read the rest

Dig that, ya squares!

(via Weird Universe)

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For more than 50 years, photographer Roger Steffens has explored the electric arteries of the counterculture, embracing mind-expanding experiences, deep social connection, and unadulterated fun at every turn. After serving in Vietnam at the end of the 1960s, Steffens immersed himself in California’s vibrant bohemia. With his wife Mary and children Kate and Devon, he sought out the eccentric, the outlandish, and the transcendent. Just as often, it found him, grinning, a camera in one hand and a joint in the other.  

My Ozma Records partner Tim Daly and I are honored to share with you this new collection of Steffens’ spectacular snapshots taken between 1968 and 2015 during the foursome’s freewheeling adventures throughout the visionary state they call home. Think of it as a family album belonging to a very unconventional family. 

This is The Family Acid: California.

Based in Los Angeles, the Steffens family traveled up and down the West Coast, from the wilds of Death Valley and reggae festivals in Humboldt to fiery protests in Berkeley and the ancient redwoods of Big Sur. Along the way, they’d rendezvous with friends like Bob Marley, Timothy Leary, and war photographer Tim Page, the inspiration for Dennis Hopper’s character in Apocalypse Now. They’d take in the wonders of nature and, of course, the adults would occasionally lose their minds in psychoactive celebrations of creativity, freedom, and hope.   

The Family Acid: California is a 192-page, large format book manufactured with the finest materials and attention to design as you've come to expect from Ozma Records, producers of the Voyager Golden Record: 40th Anniversary Edition. Read the rest

In 1963 Attorney General Robert Kennedy prosecuted Eros magazine publisher Ralph Ginzburg for violating federal obscenity laws when Eros ran 8-pages of photos of a naked black man and naked white woman embracing each other (see page 72 of the fourth and final issue of Eros). After a long trial, which went to the Supreme Court, Ginzburg was found guilty and in 1972 was sent to federal prison. He was released on parole eight months later. (Arthur Miller said of the conviction, a man is going to prison for publishing and advertising stuff a few years ago that today would hardly raise an eyebrow in your dentist's office.")

In 1964, during his legal battles, Ginzburg launched a quarterly social commentary journal called fact:, and it was a masterpiece of design and content. Bringing to mind the best of Esquire, Rolling Stone, Spy, and The Realist, fact: was "dedicated to the proposition that a great magazine, in its quest for truth, will dare to defy not only Convention, not only Big Business, not only the Church and the State, but also — if necessary — its readers." (From the introduction to 1967's The Best of Fact, by Warren Boroson). The first issue had a delicious takedown of Time magazine, the titan of news magazines in 1964, with quotes from dozens of intellectual luminaries attesting to Time's treacherousness, propensity to lie, and prejudices (P.G. Wodehouse: "Time is about the most inaccurate magazine in existence."). The first issue also ran an Madison avenue advertising executive's "sojourns in heaven and hell while experimenting with peyote, belladonna, and marijuana," a profile of American Nazi Party founder George Lincoln Rockwell (titled "The Man Who Thinks Goldwater is a Communist"), a piece examining "The Sexual Symbolism of Christmas," and an essay by Bertrand Russell on the inadequacy of the nuclear test ban treaty. Read the rest

The Royal Ocean Film Society examines and contextualizes the beach party movie genre formula perfected and then milked dry by the genius marketers at schlock house American International Pictures. Read the rest

After quitting The East Village Other, John takes Art Kunkin up on an offer to manage editorial at the LA Free Press. Featuring Frank Zappa, Eve Babitz, Marcel Duchamp, and a phone cameo with Charles Bukowski. From John Wilcock, New York Years.

John Wilcock describes the circumstances behind his quitting The East Village Other over their review of Andy Warhol's 1966 film Chelsea Girls.

In 1966, John Wilcock contributed to ASPEN MAGAZINE, an arts project dubbed "The Magazine in a Box" for its unconventional format. This same issue featured design throughout by Andy Warhol and the first single to ever be released for the Velvet Underground, entitled "Loop".

Charles Manson, the mass murderer and musician, is reportedly close to death at a California hospital. USA Today:

The 83-year-old inmate, serving multiple life sentences at a prison in Corcoran, Calif., has struggled with gastrointestinal problems and been shuttled back and forth to hospitals in recent years. TMZ reports that he was brought to a Bakersfield hospital three days ago and is facing life-threatening ailments.

Manson was denied parole in 2012, at his twelfth hearing, and is not scheduled for another until 2027. Here's his most recent mugshot, from August. Read the rest

From NASA: "On November 9, 1969, the uncrewed Apollo 4 test flight made a great ellipse around Earth as a test of the translunar motors and of the high speed entry required of a crewed flight returning from the Moon. A 70mm camera was programmed to look out a window toward Earth, and take a series of photographs from "high apogee." Coastal Brazil, Atlantic Ocean, West Africa, Antarctica, looking west. This photograph was made as the Apollo 4 spacecraft, still attached to the S-IVB (third) stage, orbited Earth at an altitude of 9,544 miles."

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Before Cathy Lee Crosby (1974), Lynda Carter (1975), and Gal Gadot (2017), Ellie Wood Walker was Wonder Woman! In 1967, Batman producer William Dozier created this short film as a pitch to Warner Brothers. From IMDB:

Unlike "Batman," which was campy adventure, "Wonder Woman" was going to be a straight comedy series, along the lines of "Captain Nice." The resulting short written by several writers on the Batman series failed to win Dozier that approval.

(r/ObscureMedia)

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In 1967, John Lennon tooled around London in a Rolls-Royce Phantom V personalized with a psychedelic paint job. After years traveling around to various US museums, the car recently returned to London for a new Rolls Royce exhibit at Bonhams. Rolling Stone's Jordan Runtagh tells the story of the trippy whip:

Exactly how Lennon decided on the lurid Romany floral/zodiac hybrid is subject to some debate. Anthony recalls Ringo Starr planting the seed of the idea during a drive in early 1967. "We were passing the fairground one day and they were admiring the fairground decorations and gypsy caravans. Ringo said why not have the Rolls painted the same way. John thought it was a great idea." However, others say the idea was suggested by Marijke Koger of the Dutch design collective the Fool – who would also paint Lennon's piano that summer – after Lennon commissioned a refurbished 1874 gypsy caravan as a present for his young son, Julian. Either way, the chance to indulge his eccentric taste, while simultaneously delivering a massive "V-sign" to the staid British high society, proved too tempting to resist.

Doubtful that Rolls-Royce themselves would ever submit to such a drastic makeover of one of their prized vehicles, Lennon paid a visit to private coach makers J.P. Fallon Ltd. in Chertsey on April 8th, 1967, to discuss the design. After spraying the body of the car yellow, local artist Steve Weaver was tasked with painting the red, orange, green and blue art nouveau swirls, floral side panels and Lennon's astrological symbol, Libra, on the roof.

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The original name for The Beverly Hillbillies was The Hillbillies of Beverly Hillbillies. The core cast in this unaired pilot from 1962 didn't change with the new name, and it also features the amazing customized 1921 Oldsmobile Model 43-A touring car built by car customizer George Barris (who created Black Beauty from Green Hornet, the Batmobile from the 1966 Batman TV series, and the Munster's Koach).

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The Loop-a-Lot is described by this YouTuber as a "crummy toy." Is it really crummy? Well, it probably didn't keep kids amused for more that 45 seconds. So, it probably is crummy.

The purpose of the toy is to balance pennies on points inside cutouts of a paddle while you spin it around your finger. You could make one out of a piece of cardboard in a couple of minutes.

The manufacturers knew this toy would be a hard sell, so they resorted to the desperate ploy of incorporating a suit-wearing, roller skating monkey into the commercial. Read the rest

Liza Minnelli, John Byner, Aretha Franklin, William F. Buckley are the guests in this TV special, "Woody Allen Looks at 1967." The opening title sequence is 10 times too long for today's audience. Allen's opening monologue as a weird long joke about a hate crime. Aretha Franklin performs a couple of songs, including "Respect," Liza Minnelli lips syncs "The 59th Street Bridge Song" and "Up Up and Away" on a set that looks like she's in the clouds, and William F. Buckley provides comedic entertainment.

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"What's your handle, creep?" "Don't tell us to move to another channel!" "You sound like you're dying... why don't you go ahead and drop dead!" Trolling was alive and well on CB radios in the 1960s, as these vintage South Philly conversations from 1969 prove. Read the rest