Roland has announced the AX-Edge, a brand new keytar for synth players who want to "step into the spotlight." The AX-Edge, approximately $1000, features 49 full-sized keys, hundreds of preset tones, ribbon controller, and modulation bar, and Bluetooth MIDI. It's available in black or white and the "edge blades" on the instrument can be swapped to change the look.
The Apprehension Engine is a custom-made musical instrument designed to produce the scary, tension-building noises associated with horror movies, but without the all-too-obvious digital chopping and synthesizing invariably involved. The result is something organic and seamlessly natural—something that goes beyond fear and fright to nail you to some deep Jungian place so completely you become a part of it. And she says I'm hard to shop for!
Christopher Bickel at Dangerous Minds:
“The Apprehension Engine,” as it is called, was created by Canadian guitar maker Tony Duggan-Smith as a “one off” for Mark Korven, who is best known for his soundtrack work on The VVitch.
Compare to the classic analogue horror instrument, the waterphone:
The Marxophone is a 1912 toy instrument that combines a zither with a keyboard linked to flexible hammers that repeatedly strike the strings. The resulting sound, over the years, has earned a strange place in folk music. It's often used to evoke a mysterious carnie atmosphere, but Katherine Rhoda shows here how beautiful it can be.
Named for its inventor, Henry Charles Marx, they were sold new until the 1950s and can be found on eBay for about $300. You've heard it in many popular songs, such as The Doors' cover of Alabama Song (Whiskey Bar) and Portishead's Sour Times.
Marx also created the Celestaphone, a similar instrument with a more refined sound.