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  • fonts NanoFont, a 3×4 pixel font with "legible" 2×2 lowercase glyphs Rob Beschizza
  • design Does "bionic" text read better to you? Rob Beschizza
  • happy mutants Inter UI: A free font for "high legibility of small-to-medium sized text on computer screens" Cory Doctorow
  • crime SLIM: An open, transparent, hand-computable sentencing algorithm Cory Doctorow
  • Kermit
    design Kermit is a typeface to help kids read Rob Beschizza
  • Photo: Sandisk
    design New Sandisk logo pretty good Rob Beschizza
  • fonts Analyzing the typeface trends of gentrification Thom Dunn
  • fonts The despised Comic Sans reincarnates as a redesigned programming font Mark Frauenfelder
  • color theory The fascinating reason why yellow dominates TV graphics Mark Frauenfelder
  • fonts Test-drive nice programming fonts live on the web Rob Beschizza
  • design Sans Forgetica, a font to make you remember Rob Beschizza
  • History English isn't uniquely expressive or fluid, but it is uniquely, dysfunctionally weird Cory Doctorow
  • computer science AI has a legibility problem Cory Doctorow
  • fonts Minima, a tiny 4px typeface, certain to annoy many Rob Beschizza
  • libraries Card catalogs had their own elegant standardized handwriting Andrea James
  • happy mutants Graffiti grammar cops prowl the night, spraypainting corrections Cory Doctorow
  • art New show of Scott Albrecht's exquisite deconstructed typographical art opening in L.A. David Pescovitz
  • design Popular design guides are responsible for plague of grey type Cory Doctorow
  • music The design of extreme heavy metal logos David Pescovitz
  • government U.S. Highway Administration orders return to vintage typeface Rob Beschizza

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