Pressing On: The Letterpress Film has just released a trailer for their film that been screening at film festivals to great reviews. It's a beautifully shot homage to the art and craft of letterpress. Read the rest
Nicolas Damiens and Julien Sans thought it would be cool to offer inspiring fonts based on the scrawl of some of their favorite recording artists like Bowie, Lennon, and Cobain, whose handwriting appears on the cool cover of his published journals (above). IP lawyers put the kibosh on their SongwritersFonts project real quick-like. Read the rest
Nick Sherman, the author of the article, writes:
Both the packaging and contents of tương ớt sriracha hot chili sauce bottles from Huy Fong Foods, Inc. have become condiment icons in recent decades. Sometimes referred to as “rooster sauce” because of the rooster on its label (the illustrator of which is unknown), the chili sauce features a chaotic jumble of elements on its packaging in multiple writing systems.
The most prominent Latin text elements are rendered in a variety of informal script typefaces released by American Type Founders in the 20th century, namely Balloon and its shaded counterpart, Balloon Drop Shadow, as well as Brody. Smaller text on the back of the bottle is set in Impress and Tekton.
Unfortunately my skills with recognizing fonts for Chinese text aren’t good enough to identify those used on the label. Any insight is welcome.
For those that are interested. These are all the fonts used on the classic Huy Fong Sriracha Hot Sauce bottle. pic.twitter.com/eYWyNbDXJE
— James Cullen (@jamescullen123) February 22, 2018
Naturally the internet did its thing:
Imagine if they had used 1960’s psychedelic poster artists to have done the graphics... pic.twitter.com/prcF4o1VmN
— Mangoman (@69mangoman) February 23, 2018
Signato is a handsome, readable script typeface based upon the Lithuanian declaration of independence.
The whole project took more than 6 months. First of all, a high-resolution scan of the Act of Independence of Lithuania had to be obtained from the Ministry of Foreign Affairs. Then the person who wrote the Act had to be identified because some characters were missing in the resolution of February the 16th. When the handwriting was established as Jurgis Šaulys’s, the missing characters were created according to other documents written by J. Šaulys and found in the archives. It took a highly skilled typographer over 120 hours to construct the font.
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My goal isn’t to prescribe a number score or valuation on a typeface — rather, I want to celebrate, analyze, demystify and inform designers who are looking to improve their typographic choices. I won’t be reviewing any fonts here that I don’t personally use and see value in. Designing a typeface is a herculean effort that takes hundreds of hours and often years of time to refine and complete. My aim is to show appreciation for these works of art through thoughtful discourse, aesthetic studies and historical context. There is often a gulf in the communication between the type design community and the designers who put their work to use, and I hope this site serves as a sort of bridge to bring the two practices to a closer understanding of each other.
Selectrics get all the hype, but I love the typefaces available on Smith-Corona typewriters from the 1960s. From the samples posted by munk, I think my favorites are the futuristic but legible "Classic Elite No. 86" and the handwriting-style Artistic Script (pictured).
There are about 20 in the set. The only ones that seem to be available as fonts are Numode No. 61, and this set with Smith-Corona's Prestige, Mini gothic and the script, bu all in very roughly-scanned form.
(Via this conversation between @hacklib and Marcin Wichary, who is writing a book about the typewriter and mechanical keyboard community.) Read the rest
Pissjar Sans is a free typeface evoking the unique letterforms of urine on cotton fabric. What's remarkable about it is the fastidious attention to detail and workmanship evinced by type designers in pursuit of what could easily have been something dashed off and doomed to dafont.com obscurity. They really put their backs into it.
HOW WAS IT DONE? We built a custom frame and tried out loads of different fabrics, using some good pieces of worn bed sheets with the perfect absorbency to cover the frame. Then we just started to pee a lot, one letter per pee session. When the bladder was empty we had like 5 seconds to photograph the frame before it bled out. After that we vectorized the photo and edited it with a font software.
HOW LONG TIME DID IT TAKE? The peeing took approximately six months, plus about a month or so to finish up the font.
DID YOU CHEAT? Well, we worked on the R for like two weeks until we gave up and had to recreate it from three different peeing sessions.
Perfect for wedding invitations and children's birthdays. Read the rest
In March 1913, Thomas James Cobden-Sanderson threw the most beautiful typeface in the world off of London's Hammersmith Bridge to keep it out of the hands of his estranged printing partner. In this week's episode of the Futility Closet podcast we'll explore what would lead a man to destroy the culmination of his life's work -- and what led one modern admirer to try to revive it.
We'll also scrutinize a housekeeper and puzzle over a slumped child.
You may now enjoy the Tron Legacy Encom user interface in HTML. The original, as depicted in the movie, was designed by Bradley Munkowitz; the recreation defaults to github feeds, but has all sorts of possibilities to fool around with, such as Wikipedia (pictured) and the weather.
README .TXT END. PROGRAM
Hello User. This is a reproduction of the graphics in the boardroom scene in Tron: Legacy. If you have not seen that movie, check out this background material on the making of that scene before proceeding.
To make this a bit more fun, the boardroom is configured to visualize live updates from Github and Wikipedia, with more streams to come. Click on a stream in the window to the right to continue.
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This is a font created to exemplify everything sophisticated and elegant about postwar France. Yet over the course of the 21st century, Mistral has become positively unmoored a font just as likely to be used on a cheap tube of lip gloss or the flickering neon sign of an Amsterdam porn shop as it is on the label of your sandals, or the side of your uncle’s yacht.
Comic Parchment is a font combining the best elements of the world's two most widely-loved and respected faces: Comic Sans and Papyrus.
Comic Sans accurately and elegantly translates classic comic book charm to the digital context, and Papyrus adds a soulful, mouth-wateringly ragged contour to its otherwise classic serifs. But only Comic Parchment weds the two in a perfect pop-culture marriage of whitebread childishness and ersatz ethnic ambiguity.
Type designer Jonathan Hoefler's latest work, Inkwell, is a family of cute, hand-drawn imitations of distinctive type families of past and present. He fears that it will be compared to Comic Sans, popular with the people but reviled by the pros.
“Comic Sans is shooting for ‘informal’ but hits ‘amateurish,'” Hoefler says. “I wanted Inkwell to be informal, but proficient.” Indeed, Inkwell’s “tiny universe of fonts” contains both serif and sans versions, plus four decorative fonts including a cursive-like script, a blueprint-inspired all-caps set, even a blackletter. (“Think less ‘death announcement,’ more ‘country club invitation.'” Hoefler says.)
Inkwell's a lovely antidote to Comic Sans, but the fact you can pay $400 for it and yet find these anxieties and ironies in every line says something about the beast's power.
Sometimes I look at the dawn and I think Comic Sans may be the greatest typeface of all time. If there were another bloodsoaked civil war in this country, leaving it and half the world past it a wasteland scoured of life and beset by a heavensent grief and heartache that makes us pine for death even as we understand finally that the wrath of God lies sleeping, the armistice will be printed in Times New Roman and the new constitution in Comic Sans. Read the rest
Futuracha Pro is a typeface designed to take excessive advantage of alternatives, ligatures and other features of modern fonts, so much so that as you type, the words evolve into striking, but consistent new forms.[via Bored Panda]
Futuracha Pro is an Open Type Font, which magically adjusts and readjusts as you write. Its quirkiness and eccentricity are the two main features that made it one of the most beloved fonts in the whole world. Until today, nobody was able to just sit down and type with it. Featuring various combinations of letters and plenty of playful ligatures, Futuracha Pro gives creative people the opportunity to actually type and create, making their ideas extraordinary and unique!
Currently available as an elaborate nest of EPS files, a proper font's been in the works for years. You can preorder it for $50, but it's still cooking and will not be available until May.