The Facebook group Rock and Blues Club has a fun photo album of rock n' roll icons when they were youngins.

See baby Brian May clutching a teddy bear, Neil Young looking like Huckleberry Finn, and Charlie Watts and Ron Wood looking like... Charlie Watts and Ron Wood.

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Talking smack about bits of your anatomy that you've got no control over. Delighting generations with his clever arrangements and often hilarious, heartfelt lyrics. Showing modern musicians what a showman looks like. These are but a few of the services that Fat Waller has provided to humanity over the years.

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It is kind of hard to imagine that it's taken until 2020 for the identity of the woman on the cover of Black Sabbath's heavy metal masterpiece, Black Sabbath, to finally be known. The woman has been identified as Louisa Livingston. The image was shot by photographer and album designer, Keith "Keef" Macmillan.

The photographer opted for Oxfordshire's Mapledurham Watermill because it fit the band's sound in his opinion. Louisa told Rolling Stone:

"I remember it was freezing cold. I had to get up at about 4 o'clock in the morning. Keith was rushing around with dry ice, throwing it into the water. It didn't seem to be working very well, so he ended up using a smoke machine.

"It was just, 'Stand there and do that.' I'm sure he said it was for Black Sabbath, but I don't know if that meant anything much to me at the time."

As a teenage headbanger, I spent countless record-spinning hours poring over every inch of this haunting cover, completely enthralled by the creepy building and the beautiful green-skinned witch in front of it. It is probably a good thing that I (and every other pubescent teen listener) was ignorant of this fact:

"She wasn't wearing any clothes under that cloak because we were doing things that were slightly more risqué, but we decided none of that worked.

"Any kind of sexuality took away from the more foreboding mood. But she was a terrific model. She had amazing courage and understanding of what I was trying to do."

You might recognize Wilko Johnson's  as Ser Ilyn Payne from Game of Thrones, but that role's small potatoes compared to his musical legacy. As the lead guitarist and song writer for the British pub rock band Dr. Feelgood, Johnson's choppy, percussive style of playing is considered to be one of the earliest influences of the early UK punk scene. When you listen to Joe Strummer hacking away with his axe in The 101ers, you're hearing Wilko.

In this brief video filmed back in 2012, Wilko demonstrates the ins and outs of the fierce, economic playing style that helped give rise to The Sex Pistols and The Clash. I've been a fan of the man for decades and, last week, was fortunate enough to spend a good chunk of time chatting with him. Look for my interview with Wilko to pop up on the site at some point in the near future.

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