Science fiction author, librettist, singer and historian Ada Palmer (previously), science and piracy historian Adrian Johns, and I have teamed up to create a seminar series at the University of Chicago called Censorship and Information Control During Information Revolutions, which compares and contrasts the censorship regimes and moral panics that flourished after the invention of the printing press with modern, computerized efforts to control and suppress information.
By a very happy coincidence, Ada Palmer and I are both passing through London on November 8 and we're doing a joint event at the Waterstones in Gower Street, starting at 6:30! The tickets (which include wine) are £6/£4 for students; you can book them here.
Conversational language is not the same as formal language: chatter over the dinner table does not follow the same rules as a speech from a podium. Informal language follows its own fluid, fast-moving rules, and most of what we know about historic informal language has been gleaned from written fragments, like old letters and diaries — but now, the internet has produced a wealth of linguistic data on informal language, which is explored in Canadian linguist Gretchen McCulloch's new book, Because Internet: Understanding the New Rules of Language.
I love Hugo and Nebula-Award winner Jo Walton's science fiction and fantasy novels (previously) and that's why it was such a treat to inaugurate my new gig as an LA Times book reviewer with a review of her latest novel, Lent, a fictionalized retelling of the live of Savonarola, who reformed the Florentine church in the 1490s, opposing a corrupt Pope, who martyred him (except in Walton's book, and unbeknownst to Savonarola himself, Savonarola is a demon who is sent back to Hell when he is martyred, then returned to 1492 Florence to start over again).
Censorship before or censorship after? The EU Copyright Directive rekindles the oldest fight in the history of free speech debates, first waged by John Milton in 1644. Then, like now, policy-makers were considering a radical change in censorship law, a switch from censoring material after it was published to requiring a censor's permission to publish in the first place.
Sinclair Target's long, deeply researched history of the format wars over RSS are an excellent read and a first-rate example of what Charlie Stross has called "the beginning of history": for the first time, the seemingly unimportant workaday details of peoples' lives are indelibly recorded and available for people researching history (for example, Ada Palmer points out that we know very little about the everyday meals of normal historical people, but the daily repasts of normal 21 centurians are lavishly documented).
Between September and December, I collaborated with science fiction writer and Renaissance historian Ada Palmer and science historian Adrian Johns on a series of interdisciplinary seminars on "Censorship and Information Control" with a rotating crew of academics and practitioners from several fields.
This year, I helped University of Chicago science fiction writer and renaissance scholar Ada Palmer and science historian Adrian Johns host a series of interdisciplinary seminars on "Censorship, Information Control, & Revolutions in Information Technology from the Printing Press to the Internet." — Read the rest
I have been collaborating with science fiction writer, singer, librettist and Renaissance scholar Ada Palmer and science historian and piracy expert Adrian Johns to put on a seminar series at the University of Chicago called Censorship & Information Control In Information Revolutions: every Friday, we gather a panel of interdisciplinary scholars to talk about parallels between censorship regimes during the Renaissance and the dawn of the printing press and the censorship systems that have arisen since in response to other new forms of information technology.
Ada Palmer is a University of Chicago Renaissance historian (and so much more: librettist, science fiction novelist, and all-round polymath); she has convened a series of seminars at the University in collaboration with science and piracy historian Adrian Johns, and me!
Every year, the readers of Locus Magazine collaborate with its editorial board to nominate and vote on their favorite science fiction and fantasy works; this year's finalist list came out today, and I'm pleased to see my novel Walkaway among some very good company indeed.
Charlie Stross explains that he's more-or-less stopped reading science fiction, no longer capable of stomaching the paper-thin worldbuilding that refuses to contemplate the profound ways in which technology changes human relations and motivations.
Every year, Locus Magazine's panel of editors reviews the entire field of science fiction and fantasy and produces its Recommended Reading List; the 2017 list is now out, and I'm proud to say that it features my novel Walkaway, in excellent company with dozens of other works I enjoyed in the past year.
In his book on the history of human progress, Our Kind, anthropologist Marvin Harris asked in the final chapter, "Will nature's experiment with mind and culture end in nuclear war?"
The book came out in 1989, in the final years of our Cold War nuclear paranoia, and his telling of how people developed from hunter gatherers all the way to McDonald's franchise owners, he said, couldn't honestly end with him gazing optimistically to the horizon because never had the fate of so many been under the control of so few. — Read the rest
This year's Hugo Award winners have been announced, and the prizes overwhelmingly went to brilliant women like NK Jemisin and Seanan McGuire, to the eminent satisfaction of all those who saw the right-wing, misogynist, racist campaign to make science fiction inhospitable to brown people and women, took countermeasures, and for two years in a row, demonstrated the field's inclusiveness and commitment to quality, rather than pandering to reactionary panic over the prospect of a future that breaks with the shameful past.
I've got an editorial in this month's Wired magazine about the relationship between the science fiction stories we read and our real-world responses to disasters: Disasters Don't Have to End in Dystopias; it's occasioned by the upcoming publication of my "optimistic disaster novel" Walkaway (pre-order signed copies: US/UK; read excerpts: Chapter 1, Chapter 2; US/Canada tour schedule).
Polymath historian-novelist Ada Palmer has just published Seven Surrenders, the long-awaited sequel to her astounding debut novel Too Like the Lightning, in which she continues to spin tales in an intricately devised, wonderfully original 25th century.
