The story goes that William Blake worked until the very day he died. His final drawing was said to be a portrait of his wife sitting by his deathbed. Earlier in the day, he had spent his last shilling on a pencil. He'd been commissioned two years earlier by friend and patron (and fellow painter) John Linnell to do a series of illustrations for Dante's The Divine Comedy. Friends would frequently give Blake work to keep him and his wife fed and to keep him creating art. It was these images that he was working on when, on August 12, 1827, he finally laid down his pencil and left his “mundane shell,” allegedly drifting away “signing songs of his own design.”
There have been other published editions of Blake's 102 sketches and watercolors in his Dante series, but nothing has ever come close to this stunning edition from Taschen. We've come to expect impressive art books from Taschen, but the “out of box experience” on this gem was off the charts. First, it's impressively big and heavy, at an outsized 18” x 12” and 324 pages. When I opened the shipping box and found a cardboard briefcase inside, I thought whatever was inside better be something special. Hefting this giant buckram-covered tome from the case and cracking it open soon had me gasping, squealing, and feeling as dizzy as a teenage girl at a Beatles' concert.
Anyone who knows me knows that I have a serious William Blake obsession. Read the rest