Here's a story that sums up a giant slice of the stuff that frustrates me about the British education system. The UK has no separation of church and state, so British state schools have mandatory "religious education" curriculum (which is often a survey of world religions, but which rarely, if ever, touches on atheism). So Littleton Green Community School, Cannock announced a religious education school trip to nearby Staffordshire University to "learn about different cultures," which is fine, but apparently provoked a bunch of parents who were alarmed that their kids were going to look at religious artifacts from religions other than Christianity, and gave rise to something of a panic.
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Type Hunting will overwhelm you with delightful typographical specimens. (via Daring Fireball)
Maybe it's just the intractable back-pain talking, but I would buy anything advertised in that font.
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, the version Firefox done with blink . Farewell, friend. will missed.
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Matthew Butterick offers Practical Typography
, a splendid introduction to practical typography. If you enjoy it, he suggests buying one of his fonts
. You've heard the name before: his last work was Typography for Lawyers
, an excellent guide to typography for lawyers. — Rob
A reader writes, "Someone was nice enough to scan the pages of a Cyrillic alphabet book from the 1930's. The book encouraged adult literacy through erotic drawings of figures in various acts of copulation. Note: flying penises, lesbian acts and cloven hoofed demons appear. Male homosexual acts, do not."
These images are obviously NSFK (not safe for Kremlin). The artist was Sergei Merkurov, who went on to become a People’s Artist of the USSR. As the accompanying text notes, it's a fascinating look at the libertine sexuality of the pre-Stalinist period.
Ross Wolfe comments, "There actually are a couple male homosexual acts in the Soviet erotic alphabet. Specifically, these occur in the letters Й and З, though you have to pay close attention. And the latter is potentially even more scandalous, with a small satyr fucking what looks to be either a young boy or dwarf from behind. No penis is actually shown, but the short hair and lack of tits suggest its masculinity."
Soviet-era erotic alphabet book from 1931 [Советская эротическая азбука 1931 года]
Andre Torrez has a cute and simple recipe for making your shell prompt into a hamburger (or other whimsical emoji character). Just type
export PS1="\w 🍔 "
into the terminal to try it out. Apparently some Macs ship with an Emoji font installed; if you need one, you can get a free, excellent one from the Unicode Fonts for Ancient Scripts page, by downloading the Symbola font (.ZIP file) and installing it with your font manager.
To make the change permanent, you need to add a line to .profile, .bash_profile or .bashrc (depending on your *nix flavor). There are lots of other ways to customize your prompt enumerated in the article, too.
happy notes* / april 2013 / put a burger in your shell
Darren sez, "Rising up in time for Halloween and el Dia de los Muertos, Póstumo is a deck of zombie playing cards by Colombian artist Obsidian Abnormal and American scallywag Darren J. Gendron. The deck features gruesome zombie art, one-eyed jacks, suicidal kings, and fun twists on the normal suits - human hearts, zombie-killing clubs and brains. So many brains."
Love the detail on these -- replacing the suits was a moment of genius. The face cards are AMAZING.
We remixed the suits into spades, clubs, hearts and brains, taking literal representations of each. Spades are now actual shovels, while clubs are shown as bats and other blunt objects. Hearts take on a fleshy connotation. Diamonds are replaced by the most valuable thing to a zombie - BRAINS.
The font is specially designed for Póstumo by Obsidian, creating a distressed and fleshed interpretation of Garamond. The final versions of each card have up to 10 different illustrations of brains, clubs, spades or hearts.
Póstumo - The Deck of the Dead
On the LJ Vintage Ads group, the always-reliable Man Writing Slash has assembled a collection of some of the finest illustrated peanut butter ads this writer has had the pleasure of seeing. It's a slice of idealized simulacrum straight from the collective unconscious of the American appetite.
Peanut Butter, food of the gods
A page on the Distributed Proofreaders project advises people who are trying to find typos in scanned and OCR'ed texts to try DPCustomMono, a font specifically designed to make it easy to catch common OCR errors. Distributed Proofreaders are volunteers who check out a page or more of scanned text from the Project Gutenberg archives and check it for typos, improving the quality of the text. DPCustomMono's characters are designed to maximize the difference between ones, lower-case ells, and upper-case eyes, as well as other lookalike glyphs.
Proofreading Font Comparison
(via Making Light)
Adobe's Paul D. Hunt announces the company's latest open-source typeface. This one's for coders and anyone else who loves legible monospaced figures—and who hates getting confused between l, 1 and I.
To my eye, many existing monospaced font suffer from one of three problems. The first problem that I often notice is that, many monospaced fonts force lowercase letters with a very large x-height into a single width, resulting in overly condensed letter forms which result in words and text with a monotonous rhythm, which quickly becomes tedious for human eyes to process. The second problem is somewhat the opposite of the first: many monospaced fonts have lowercase letters that leave too much space in between letters, causing words and strings to not hold together. Lastly, there is a category of monospaced fonts whose details I find to be too fussy to really work well in coding applications where a programmer doesn’t want to be distracted by such things.
Download the family at SourceForge. Previously.
Designer/woodworker/hand-drawn typographer Scotty Albrecht has several lovely new pieces hanging in a group show at Parlor Gallery in Asbury, New Jersey. We have two of Scotty's pieces in our home, including the wood heart/hands seen here, and they're truly beautiful and inspiring in person. The show, titled "We Find Our Way," runs until October 15 and you can view it online as well. "We Find Our Way"
Advertising supplements were a lot more fun to look at in 1880. Submitted as evidence: this issue of the Philadelphia Grocer.
If you have a thing for typography
Typography enthusiasts "moved by Dr Fabiola Gianotti's incredibly strange choice of font in announcing the recent results of Cern's ATLAS collaboration" are petitioning Microsoft to rename Comic Sans to "Comic Cerns." Cosmic Sans might work, too!
Do you love nameless, creeping horrors in the deep? Unnaturally! Do you love fonts? Of course, you do. Thomas Phinney, a veteran type designer, is attempting an unholy union of the two by resurrecting the moldering corpse of three typefaces: Columbus, Columbus Initials, and American Italic. Columbus was used for all the Call of Cthulhu role-playing game, in which Phinney played a hand (severed?), designing clues for "Masks of Nyarlathotep."
Back the project on Kickstarter for Phinney to create Cristoforo, modern renditions of these three fonts. Pledges at all but the lowest level come with licenses to use the fonts. Phinney's original work is terrific, and I have no doubt that he'll bring a sensitive hand to re-creating these classic faces.