Woman World started life as a webcomic created by Canadian cartoonist Aminder Dhaliwal to explore the premise of a world where "men have gone extinct" and women have to "learn to talk again because they're not being interrupted" -- what could have been a one-panel joke turned into one of the most remarkable, funny, compassionate, ascerbic, hilarious comics of its day, and that day is now, because today is the day you can get Woman World, a book from Drawn & Quarterly collecting the comic so far.

Bruce Schneier (previously) has spent literal decades as part of the vanguard of the movement to get policy makers to take internet security seriously: to actually try to make devices and services secure, and to resist the temptation to blow holes in their security in order to spy on "bad guys." In Click Here to Kill Everybody: Security and Survival in a Hyper-connected World, Schneier makes a desperate, impassioned plea for sensible action, painting a picture of a world balanced on the point of no return.

Beautifully produced and incredibly satisfying, Brian Ashcraft's Japanese Whisky is more than a handsome primer about some of the world's best booze. It's also an assured and familiar exploration of the drink's history and culture in the world's fourth-largest whisky market, complemented by outstanding photography and dozens of tasting notes.

Top Shelf has reprinted the first volume of Anne Opotowsky and Aya Morton's groundbreaking 2011 book His Dream of Sky Island, an indescribably gorgeous graphic novel set in British-ruled Hong Kong: it's a tale that ranges over cruelty and dignity, love and venality, unspeakable crimes and unstoppable bravery.

In Gregory Scott Katsoulis's All Rights Reserved, we had a thrilling YA adventure in a world where ever word is copyrighted and every person over 15 wears an unremovable surveillance cuff to bill them for their speech; in the sequel, Access Restricted, we follow the surviving heroes outside the claustrophobic confines of the Portland dome and into the wider world, to DC, the wastelands beyond, and finally to Tejico, the semi-colonized, semi-independent nation made up of Mexico and Texas, where a way out of this terrible world may be found.

John Varley is one of my all-time favorite authors, whose "Eight Worlds" stories and novels have been strung out over decades, weaving together critical takes on Heinlein and other "golden age" writers with mindfuckingly great technological/philosophical speculation, genderbending, genre-smashing prose, and some of the most likable, standout characters in the field.

Sandman Slim is Richard Kadrey's runaway success antihero: a wisecracking sorcerer who's half-divine, erstwhile king of Hell, slayer of demons, stealer of cars, leader of armies, smoker of foul cigarettes -- and now, in volume ten of the longrunning series, Hollywood Dead, Sandman Slim enters a battle whose stakes are higher than ever, because of how very personal they've become.

On Monday, the Burning Man Webcast team shot some amazing high-res footage of this year's Burning Man using a drone. Read the rest

The year is 2031, and I'm going to see Avengers 7 in 8K-vision. I hop in my Goober self-driving car and notice something strange – my location is displayed on the Goober Dashboard, even though I opted out of Google AlwaysTrack™! There's a complete disconnect between what the user interface is telling me and what actually happens without my knowledge or consent.

Karl Schroeder's 2014 novel Lockstep featured tour-de-force worldbuilding, even by the incredibly high standards of Karl Schroeder novels: the human race speciates into cold-sleeping cicadas who only wake for one day in ten, or a hundred, or a million, allowing them to traverse interstellar distances and survive on the meager energy and materials available in deep space; with his new novella The Million, Schroder shows us how Lockstep is lived on Earth, the cradle of the human species, where a brutal murder threatens to blow apart the life of a very out-of-step protagonist.

Didier Ghez is a dedicated Disney historian who has embarked on a massive, multi-volume history of the art of Disney in his They Drew As They Pleased series from Chronicle Books; I enjoyed the first three volumes of the series, but volume 4, The Hidden Art of Disney's Mid-Century Era: The 1950s took my breath away.

So. You're trudging down the Royal Mile taking it all in. The World's largest festival of the performing arts, and in such a beautiful city, too. Detestably young actors with a dream in their heart and Starbucks in their veins approach from every angle, lunging flyers at you like fencers thrusting a blade. You dodge, parry, apologise and avoid – priding yourself on your fringe street savvy. But then your attention is piqued by a noise. The unmistakable sound of genuine spontaneous fun. Your lizard brain makes you perk up like a meerkat, on the balls of your feet, trying to get a look at what might be occurring ahead. There's a crowd. Could be anything. Could be something. You add yourself to their number, pushing in a little. Someone's doing something. Looks like you missed whatever amazing feat caused the crowd to erupt like that, but lets stick around to see what happens next, right?

Last week, my city became a garbage fire. Within 48 hours of a mass shooting on Toronto's Danforth Avenue, City Council had passed a motion to purchase the American acoustic surveillance system ShotSpotter, making Toronto the first Canadian municipality to adopt the technology. As Americans already know, the system is designed to monitor "at risk" (read: poor and black) neighbourhoods for potential gunshots, which it geolocates and pushes to local law enforcement personnel for a substantial fee. Of course, ShotSpotter would have done nothing to prevent the tragedy on the Danforth and there are real questions about its effectiveness as a gunshot detection system, but why let facts get in the way of a rash political decision?

Hardware reviews are a big part of how I put bread on the table. In order to do my job properly, I’ve got to be something of a platform agnostic.

While I do most of my writing using Apple devices, I also have to consider other platforms in my coverage: software that works well on a laptop running Windows 10 may be a dog’s breakfast on a MacBook once it’s been ported.

A bluetooth speaker that sound great when paired with my iPhone 7 Plus, for example, might sound like hot garbage when linked to another audio source. So I invest in other hardware that may not be used as part of my day-to-day life, but which I still need to think about when doing my job.

About six months ago, I came to the conclusion that maybe hauling the hardware out when it came time to test something and then throwing it back in a box when I’m done with it wasn’t enough: to really understand whether, say a pair of headphones that comes with an app to control their EQ or noise cancellation, without seeing how it fits into my day-to-day life using a given platform. So, I upped the amount of time that I spend working in Windows 10, I now read books on both Kobo and Amazon e-readers and, in a real shift in how I live my lift, I’ve spent more than half a year using Android-powered smartphones as my daily drivers. In the time since I last used an Android device as my go-to, things have improved so much, I was taken aback. Read the rest

When Donald Trump entered the election race, it brought Bloom County creator Berkeley Breathed out of a much-deserved retirement to lampoon Cheeto Hitler as only Milo, Opus, Bill and the gang could; the first collection chronicled the 2016 campaign, and a second collection, Brand Spanking New Day is a comic snapshot of one of the weirdest, worst years in living American memory.

Women Invent The Future is an anthology of science fiction stories written by leading women writers. We’re giving it away for free (as a print book and a download) because we want to challenge conceptions about who technology is for, what it does, and who gets to make it.

How an an indie cartoonist faced down prudes, pain and the patriarchy.