"I INHABIT IMAGES" is the Instagram bio chosen by David Henry Nobody Jr., the playful yet apt moniker of New York artist David Henry Brown Jr. Nobody's artwork often involves being totally engulfed by food, pigments, advertisement cutouts, or household items, sometimes to the point where he is only recognizable by a glaring eye or wide smile. While this project has been documented on Instagram and ongoing for three years, David Henry Nobody Jr. has always been fascinated with ideas of representation and identity.
In 1999 Nobody, disguised as a fan, made it his mission to follow and meet Donald Trump as many times as possible over the course of a year. He totaled six interactions but decided to stick with the theme of impersonation for a new project in 2000 where he adopted the identity of Alex von Fürstenberg, VIP son of the fashion designer Diane von Fürstenberg. During this time, "Alex" was documented at numerous celebrity parties among figures like Puff Daddy and Bill Clinton.
Nobody's current Resemblagè art, from the terms "resemble" and "collage", is a series of images and videos posted to Instagram that record performances of the artist covering and immersing his face in foods, paints, magazine cutouts, toys, and other objects. His inexhaustible creativity keeps the posts new and exciting by exploring new objects and textures, or ways to affix and camouflage himself with his art. These Resemblagès reflect the landscape of social media itself and toy with conceptions of self image, intimacy, and reality while also highlighting its far-reaching and immediate influence. Read the rest
A few weeks ago, the Italian people finally broke the political framework that dates to the end of World War II. The M5S Five Stars Movement, a party without a heritage, won the most popular votes. The M5S has been on a wave of growth since winning mayoral control of some Italian cities.
Sara Varon is co-creator, with Cecil Castellucci, of Odd Duck
, the 2013 outstanding kids' picture book, and her latest solo venture, New Shoes
is a brilliant reprisal of the themes from Odd Duck: camaraderie among eccentric animals, charming small-town life, fascinating technical details, humor, and beautiful, engaging illustrations.
John Wilcock describes the circumstances behind his quitting The East Village Other over their review of Andy Warhol's 1966 film Chelsea Girls
Steven Brust is a literary treasure
and his longrunning Vlad Taltos series
, now nearing its final volume, is a good example of where his strengths lie: hardboiled plotting, snappy dialog, weirdly realistic and plausible depictions of magic, and a sensitive eye for power relationships and their depiction, all of which are on display in his latest, outstanding novel, Good Guys
, about the minimum-wage sorcerers who investigate magical crimes on behalf of a secret society.
In honor of the Library of American Comics' publication of For Better or For Worse: The Complete Library, Vol. 1
(Volume 2 is out this summer
), we are delighted to publish this essay by Lynn Johnston, contemplating the nature of writing a serial for decades and how she might approach her life's work today.
Rafael Rosado and Jorge Aguirre's middle-grades graphic novels Giants Beware!
and Dragons Beware!
are two of my family's favorite books: Rosado and Aguirre's character design, comedic dialog, plotting, and scenarios are so charming, so funny, so overwhelmingly, compulsively great
that we've re-read these dozens of times; now we've got Monsters Beware
, the third volume in the series, where the mysteries of Mont Petit Pierre and the intertwined lives of the huge cast of characters from the previous volumes come together.
Annie Duke dropped out of a PhD in cognitive psychology to become a professional poker player; now she runs a nonprofit devoted to improving decision quality by merging the practical cognitive tools of the world's greatest poker players with the leading edge of cognitive psychology, a method she describes in an excellent and charming new book called Thinking in Bets: Making Smarter Decisions When You Don't Have All the Facts
In the first volume of Briggs Land
Brian Wood set up a gripping scenario: a leadership struggle in a far-right separatist cult whose leader has languished in prison for decades. Now, in the second collection
Wood and his collaborators are playing out the story for all it's worth.
We've featured Angus McIntyre's short fiction here before (see 2015's Someone to Watch Over Me
), and now I'm delighted to recommend his debut between covers: a Tor.com novella called The Warrior Within
Black Candies: The Eighties
(published by So Say We All Press
) features 23 stories of analog horror that slice through the late-night whirr of VHS, the big hair, and neon parties to prove that nostalgia is the real murderer behind the mask.
Sarah LaBrie’s story "Survivor" from Black Candies: The Eighties reexamines the relationship between the masked killer and his victim, a lively take that usurps the "final girl" trope from ‘80s slashers. Enjoy!
Because you are a Boing Boing reader, you probably know who Jonathan Coulton is. He was a computer programmer who happened to be a wonderful singer/songwriter. In 2005 he quit his coding job and became a full-time musician, writing and recording catchy songs that won the hearts of nerds around the world.
Eight years ago, Coulton invited his fans to join him on a cruise ship. His idea was to have a week-long floating "summer camp" for geeks, with lots of tabletop gaming, cosplaying, music, comedy, comic books, science fiction readings, panels, presentations, and workshops. About 375 "Sea Monkeys" took him up on his offer. It turned out to be something people loved, and so the “JoCo Cruise” became an annual event. I was invited this year as a performer (doing talks, panels, and workshops), joining 1,600 other Sea Monkeys to take over an entire cruise ship (Holland America's ms Oosterdam) for a trip from San Diego to Baja California, Mexico. It was the eighth JoCo Cruise, and Carla and my daughter Jane came with me.
Photo: Jonathan Coulton, by John Scalzi, used with permission.
This was the second cruise in my life. I’d taken one with Carla about 25 years ago. It was on a Carnival Cruise ship, a cruise line that David Foster Wallace describes in A Supposedly Fun Thing I'll Never Do Again as the “Wal-Mart of the cruise industry, which the other lines refer to sometimes as ‘Carnivore.’” I didn’t have a great time on that earlier cruise, so I wasn’t looking especially forward to the living-on-a-boat-and-eating-crappy-food part of the trip, but as soon as we boarded the ms Oosterdam in the Port of San Diego I realized this was going to be a lot better than the Carnival Cruise. Read the rest
In 1966, John Wilcock contributed to ASPEN MAGAZINE, an arts project dubbed "The Magazine in a Box" for its unconventional format. This same issue featured design throughout by Andy Warhol and the first single to ever be released for the Velvet Underground, entitled "Loop".
I’ve always been intrigued by cults. The idea that someone would be willing to give up everything: their wealth, family connections, personality or livelihood, to be a part of something presumably greater, something more all-consuming than religion, fascinated me. I knew, at some point, I’d want to write about it. I didn’t get the chance until I started my fourth crime novel, Blackout
, which hits in May from Polis Books—the latest in a Miami crime series featuring recovering alcoholic private investigator Pete Fernandez.
Beneath the Sugar Sky
is the third novella in Seanan McGuire's wonderful Wayward Children series, following from 2016's Every Heart a Doorway
and 2017's Down Among the Sticks and Bones
, chronicling the lives of the children who've accidentally returned from the magical kingdoms they adventured in, who haunt Eleanor West's Home for Wayward Children praying that the door to their true homes will return and they can vanish into it forever.
Jen Wang's work: her debut graphic novel Koko Be Good
was thought-provoking and challenging and beautiful; "In Real Life," her adaptation of my story Anda's Game
took the tale to places that delighted and surprised me -- today, Firstsecond publishes The Prince and the Dressmaker
, which I believe will be her breakout graphic novel.
Last autumn, I was invited to Foo Camp
, an unconference
organized by O’Reilly Media