In 2017, musician/activist Toshi Reagon began creating an operatic stage adaptation of Octavia Butler's The Parable of the Sower  — the 1993 Afrofuturist sci-fi novel about an America in the year 2020 that's ravaged by climate change and income inequality and greedy politicians who appeal to imaginary racists pasts while also promising to build a wall around the wealthy.

Octavia E. Butler's Parable of the Sower: A Concert Experience received renowned productions from Boston to New York to Los Angeles. And now — since it is 2020, and we're living in an America ravaged by climate change and income inequality and greedy politicians who appeal to imaginary racists pasts while also promising to build a wall around the wealthy — the arts program at Emerson College (my alma mater) has announced a year-long residency with Reagon called Parable Path Boston, which will continue to explore Butler's work alongside real-time climate activism in Boston.

To kick off the program, ArtsEmerson will be hosting a one-night screening of the show on Friday, May 22 at 6pm, followed by an online talkback with Toshi Reagon. I'm pretty sure it's free, but you have to register ahead of time for a link.

I have some friends who were involved in the early workshops of the play, who still talk about it as one of their most formative artistic experiences. I know what I'm doing Friday night; but if you're not convinced to join me yet, there's more links below.

Octavia E. Butler’s Parable of the Sower [Toshi Reagon / ArtsEmerson]

Parable of the Songwriter: Toshi Reagon Explains Why an Octavia Butler-Inspired Opera Is More Relevant Than Ever [Maiysha Kai / The Root]

A Prescient Sci-Fi ‘Parable’ Gets Set to Music [Jeremy D. Read the rest

As part of the renaissance in interest in the glorious science fiction novels of afrofuturist pioneer Octavia Butler (previously), Seven Stories press has just released a two-volume, slipcased set of Butler's fantastic post-apocalyptic adventure novels The Parable of the Sower (with an introduction by Gloria Steinem) and The Parable of the Talents (with an introduction by Toshi Reagon). Read the rest

Samuel Delany (previously) is one of science fiction's titans, a pioneer who was the first openly gay writer in the field, as well as one of the first Black science fiction writers to attain prominence. Read the rest

DMZ, an outstanding post-apocalyptic comic written by Brian Wood which came to its satsifying conclusion in 2012, and has been subsequently collected in beautiful deluxe editions (which also reprint my introduction to the series' third volume) is being adapted as a pilot for HBO by Ava DeVernay, the afrofuturist filmmaker whose work includes A Wrinkle in Time and Selma. Read the rest

Octavia Butler (previously), the brilliant Afrofuturist, McArthur Genius Grant-winning science fiction writer, died far, far too soon, leaving behind a corpus of incredible, voraciously readable novels, and a community of writers who were inspired by her example. Read the rest

Pedro Bell, the visionary painter whose astonishing psychedelic art (and liner notes) appeared on numerous Funkadelic albums and shaped the P-Funk mythos, died on Tuesday at 69. Free your mind, and your ass will follow. From the New York Times:

“The artwork of Pedro Bell was an essential component of the alternately utopian and dystopian world of P-Funk, which placed African-American reality in the context of a science fiction future that was both scary and hopeful,” (art curator Pan) Wendt said by email. “Pedro was a brilliant autodidact who was a key source of George Clinton’s ideology through his readings of science fiction, media theory and environmentalist tracts, as well as his knowledge of Sun Ra’s Afrofuturism..."

Mr. Clinton was especially fond of what Mr. Bell came up with for Funkadelic’s “Standing on the Verge of Getting It On” (1974): an alien landscape that was both scary and whimsical.

“It was a combination of Ralph Bakshi and Samuel R. Delany and Superfly and Fat Albert and Philip K. Dick and Krazy Kat and Flash Gordon,” he wrote in his book, “all mixed together in Pedro’s brain with some kind of blender that hadn’t even been invented yet.”

We lost the Master Mind behind the Graphic's & Artwork of Funkadelic. Mr. Pedro Bell is an American artist and illustrator best known for his elaborate cover designs and other artwork for numerous Funkadelic and George Clinton solo albums. Thxs for yr service our brother.?? pic.twitter.com/PsD8TRxlRU

— Bootsy Collins (@Bootsy_Collins) August 28, 2019

'Free your mind & the rest will follow...We

Samuel R "Chip" Delany is a science fiction pioneer: a brilliant literary stylist with dazzling ideas who was one of the field's first openly queer writers, and one of the first Black writers accepted into the field. He is one of the fathers of afrofuturism. Read the rest

The Critics Company is a collective of Nigerian teen afrofuturist filmmakers who make incredible looking, smart science fiction movies with camerawork courtesy of old, busted mobile phones and VFX generated in Blender. Read the rest

There's a viral review of a southern plantation tour making the rounds in which a white person complains that the tour was "extremely disappointing" because of the "lecture on how the white people treated slaves" from a tour guide who was "radical about slave treatment." Read the rest

Lavie Tidhar (previously) writes in about the new World SF bundle from Storybundle, launched today: it's 10 books, from authors Nalo Hopkinson, Lauren Beukes, Saad Z. Hossain, Deji Bryce Olukotun,Jeannette Ng, Francesco Verso and TOBI Hirotaka, plus anthologies Afro SF 3 and The Apex Book of World SF 5. It's just $15 for 10 books, and a part of anything received goes to charity - we've partnered up with English PEN, who work tirelessly to promote translated fiction and authors' rights around the world, as our chosen charity partner. It's a great opportunity to get a whole lot of international speculative fiction in one go and a low price." Read the rest

Macarthur "genius prize" recipient Octavia Butler (previously) is one of science fiction's most important figures, an author who wrote cracking, crackling, accessible and fast-moving adventure stories shot through with trenchant and smart allegories about race, gender and power (I like to think of her as "woke Heinlein"). Read the rest

Wagner James Au sez, "AI algorithms, as AOC recently pointed out, often have a racial bias inherited by their creators, to the point where some can't even 'see' people of color. Afrofuturist Nettrice Gaskins teaches Deep Dream's AI to be aware of great black faces on a deep level." Read the rest

This isn't a review, but I'd regret not giving you a heads up about Sorry to Bother You, Boots Riley's first feature film. It's an absurd black sci-fi satire shot in Oakland and it's the off-the-wall dystopian summer indie flick we all deserve.

At the last minute last Friday, I put my hands on some tickets for its sold-out nationwide opening night at the Grand Lake Theatre in Oakland. And wow, am I glad I did.

It was a real happening. People cheered and laughed. Plus, the movie was simply fantastic. After the show, folks with tickets for the late show (which had the bonus of an after-show Q&A with Boots himself) were already lining up. Lots of people posed with the shitty Tercel featured in the film, which was parked right in front of the theatre.

Hilariously, you can buy that shitty Tercel for a mere $23,999.40 on the STBU website:

(I got my eye on that Mr. Bobo collectible plate myself.)

If you want to read what reviewers are saying, here's a good start:

Review: ‘Sorry to Bother You,’ but Can I Interest You in a Wild Dystopian Satire? by A.O. Scott of The New York Times:

"If Mike Judge’s “Office Space” and Robert Downey Sr.’s “Putney Swope” hooked up after a night of bingeing on hallucinogens, Marxist theory and the novels of Paul Beatty and Colson Whitehead, the offspring might look something like this."

Film Review: ‘Sorry to Bother You’ by Peter Debruge of Variety:

"Nearly as deranged as it is politically engaged, Boots Riley’s sui generis “Sorry to Bother You” is the kind of debut feature that knocks your socks off, tickles your bare tootsies with goose feathers for a while, then goes all Kathy Bates in the final stretch, ultimately taking a sledgehammer to your kneecaps."

Back in April, afrofuturist icon Janelle Monáe (previously released Dirty Computer, an "emotion picture" that serves as accompaniment to her album of the same name. Read the rest

George Clinton, explaining why Medicaid Fraud Dogg was being released under the Parliament banner, rather than Funkadelic: "Because the last album was (2014's) Funkadelic First Ya Gotta Shake The Gate. It's Parliament's turn." Read the rest

The BBC has published a long and welcome feature on Afrofuturism, the term coined by former Boing Boing guestblogger Mark Dery to describe (in the words of Steve Barnes) "science fiction, fantasy and horror created by or featuring the children of the African diaspora (people of African origin living outside of the continent)." Read the rest

Geoff Ryman -- the brilliant science fiction author who curated last year's 100 AFRICAN WRITERS OF SFF project, continues to publish and curate excellent, exciting science fiction from across Africa. Read the rest