William Gibson's 2014 novel The Peripheral was the first futuristic book he published in the 21st century, and it showed us a distant future in which some event, "The Jackpot," had killed nearly everyone on Earth, leaving behind a class of ruthless oligarchs and their bootlickers; in the 2018 sequel, Agency, we're promised a closer look at the events of The Jackpot. Between then and now is Archangel, a time-traveling, alt-history, dieselpunk story of power-mad leaders and nuclear armageddon.

William Gibson's 2014 novel The Peripheral was the first futuristic book he published in the 21st century, and it showed us a distant future in which some event, "The Jackpot," had killed nearly everyone on Earth, leaving behind a class of ruthless oligarchs and their bootlickers; in the 2018 sequel, Agency, we're promised a closer look at the events of The Jackpot. Between then and now is Archangel, a time-traveling, alt-history, dieselpunk story of power-mad leaders and nuclear armageddon that will be in stores on October 3.

A few years ago, I started seeing evidence of the beginning swells of a nostalgia wave for the iconic 90s "cyberdelic" magazine Mondo 2000 and all things early 90s cyberpunk/cyberculture. One person on Facebook unearthed an old copy of Mondo, photographed it, and gushed all over it in a post. They asked (something like): "What could be cooler than a slick art magazine about virtual reality and cyberpunk, hacking, drugs and mind-alteration, weird art and high-weirdness?" I loved being able to respond: "Writing for it."

I also noticed, in 2014, when I published my writing collection, Borg Like Me, a lot of the focus in reviews was on the pieces reprinted from that era, from Mondo, bOING bOING (print), and my own zine, Going Gaga. People waxed nostalgic about that birth-of-cyberculture era, the creativity and promise that infused it, and the revolutionary dreams it inspired. Several reviews said: We need to bring some of this back. Stat!

It is perhaps that rising sentiment that has prompted Mondo's equally iconoclastic creator, RU Sirius, to resurface Mondo 2000 as an online blogazine. RU tells Boing Boing about the launch:

It seemed like time. What the world needs now is MONDO sweet Mondo. I mean, it’s the only thing that there’s just too little of…. aside from wealth distribution, attention spans, and lots of other stuff.

So far, I've found what RU has posted a surprisingly satisfying mix of reprints of old magazine content, summaries/commentaries on the print magazine (and its predecessors, High Frontiers and Reality Hacker), and new content, including new music from RU Sirius and friends. Read the rest

With pre-orders open for the graphic novel collecting William Gibson's amazing comic book Archangel, and a linked novel on the way that ties the 2016 election to the world of The Peripheral, William Gibson has conducted a fascinating interview with Vulture on the surge in popularity in dystopian literature. Read the rest

Here's a 30-minute keynote that Bruce Sterling gave in 1994 to the ICA's "Towards the Aesthetics of the Future" VR conference in London. You should watch it, if only for the insight it gives into the early years of today's most contested technology questions. Read the rest

Espionage Cosmetics has your nerdy nail-art needs covered with the D20-themed $10 Critical Hit nail wraps, circuit board wraps and tentacle wraps. (via Geeky Merch) Read the rest

Harsh Reality is a short movie about how horrible VR is going to be; here's the trailer for the crowdfunding campaign.

ENERGEIA FILMS is proud to be a part of the launch campaign for NOIR Systems's latest entry in the field of VR-enhanced rehabilitation -- the NSYS-EX. As seen in the new short film, HARSH REALITY!

What happens when the technology designed to help us is turned against us? Please help fund HARSH REALITY so you can find out!

VR dystopias are usually posed as an assault on our senses, on our privacy, our sense of self. But honoring the utopian viewpoint--VR as a manifestation of everything we want to see and become, an unfettered self--always held more power for me, especially as prelude to dystopia. The 1988(!) Red Dwarf episode Better Than Life, wherein fully-immersive VR is revealed as a way to completely idealize one's everyday personal flaws, remains my favorite! Read the rest

Hainan Island will be designated a special economic zone for "medical tourism," where foreigners will be able to fly to get cheap health care (similar to how offshore entities can go to Guandong Province to have cheap electronics manufactured) Read the rest

NSFW: Tomorrow Calling (1993) is a short film adaptation for television of William Gibson's 1981 short story "The Gernsback Continuum," from the seminal cyberpunk anthology Mirrorshades (1986), edited by Bruce Sterling, and Gibson's own Burning Chrome (1986) collection. Directed by Tim Leandro, Tomorrow Calling was first shown on Channel 4 in the UK.

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Old-school bOING bOING editor Jon Lebkowsky invites everyone to Cyberpunk2017, the Annual EFF/EFF-Austin SXSW Afterparty in Austin, Texas, Saturday, March 11, 2017, from 5pm to 1am! It's free!

Jon writes:

Our latest EFF/EFF-Austin event takes a cyberpunk perspective on 2017, exploring how our vision of the future has changed over the last forty years of science-fiction made real, and considering this year as a turning point in the way we live our lives and participate in our society, as well as our sense of personal autonomy.

Cyberpunk imagined a world where the average person’s autonomy and privacy is commoditized and exploited by the shadowy machinations of global forces beyond our comprehension. “Information wants to be free,” and when a person’s image, voice, and words all manifest as data, their personal identity is potentially free for the taking.

In a world where dead actors are resurrected as data objects in major motion picture blockbusters, where a billion people’s account data can be stolen by a few rogue hackers, where software can edit video to show a person doing and saying things they never actually did or said, where services are free because users are the product, where truth is secondary to narrative, how can we hope to ensure that privacy and the right to one’s data and representation remains a fundamental, enshrined, and preserved right?

Taking place at The Butterfly Bar/The Vortex on Saturday, March 11th from 5:00pm-1:00am, there will be free drinks for our supporters who register in advance as well as illuminating talks from a variety of speakers including Cory Doctorow, Jon Lebkowsky, David DeMaris, Todd Manning, Jonathan Morgan, Owen McNally, and others.

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Julio writes, "Writer and director Christopher Grant Harvey has shot Tears in the Rain, a stunning fan film set in the Blade Runner universe with just a $1,500 budget." Goddamn, that's some badass fanfilm. Read the rest

Cartoonist Maki Naro made this one-page comic for The Nib that compares the world of today with 1990s era Cyberpunk dystopia fiction. Read the rest

Andy Warner says:

A comic by Maki Naro that I edited for the Nib just came out which I thought you'd dig. It's about how we're actually living in a 1990s cyberpunk dystopia.

Fun fact: the hacker character in this strip is based off the "R.U. a Cyberpunk?" article in Mondo 2000, a publication which I think shared early DNA with Boingboing.

Read the rest at The Nib. Read the rest

J. M. De Cristofaro used an ex-Soviet IVL2-7/5 VFD tube as the core for his Cyberpunk Wristwatch, which adds steampunk notes in the form of a brass "roll cage" around the tube. Read the rest

Between 1920 and 1924, the Free State of Fiume was a real-world "pirate utopia," an ungoverned place of blazing futurism, military triumphalism, transgression, sex, art, dada, and high weirdness. In Bruce Sterling's equally blazing dieselpunk novella Pirate Utopia, the author turns the same wry and gimlet eye that found the keen edges for steampunk's seminal The Difference Engine to the strange business of futurism.

Gollancz have announced a gorgeous set of new editions of William Gibson's seminal Sprawl books, which began with 1984's Hugo, Nebula and Philip K Dick award-winning novel Neuromancer, designed by Daniel Brown (previously), using software that created fractals based on 1970s apartment buildings. Read the rest

Science fiction writer/hacker/mathematician Rudy Rucker (previously, a Gold Star Happy Mutant if ever there was one, has reissued five of his classic titles with new forematter and his own paintings on the covers, priced to move at $12 for paperbacks and $2 for DRM-free ebooks: Saucer Wisdom ("brilliantly funny, prescient, and as fully engaging as a coffee-fueled late-night conversation with a slightly manic genius"); Spacetime Donuts ("A plugged-in rebel becomes the incredible shrinking man"); The Sex Sphere ("An alien named Babs and her crew take the form of disembodied sex organs that attach to human hosts"); The Secret of Life ("A coming-of-age science fiction novel, blending realism and the fantastic in a transreal style"); and White Light ("A hipster math prof's journey to Abosolute Infinity...and back"). Read the rest