Olivia Wood is a video game writer, narrative designer, and editor, specializing in interactive narrative. She works for Failbetter Games in London, UK. Her credits include Sunless Skies (writer, narrative designer and editor), Sunless Sea: Zubmariner (writer, narrative designer and editor), Sunless Sea (writer and editor), Fallen London (writer, narrative designer and editor), Where the Water Tastes Like Wine (contributing writer), The Mystery of Kalkomey Isle (design consultant and editor), Cheaper than Therapy (writer, designer and developer), and Lethophobia (writer and designer). She first worked in the video game industry at the age of 18 as a quality assurance technician for games including Legacy of Kain: Soul Reaver and Timesplitters 2. Her work in writing and editing (narrative) in the video game industry was recognised by the British Academy of Film and Television Arts in 2017. She strives to share her knowledge of video game writing, narrative design and interactive narrative through giving talks and interviews and also via narrative consultancy and writing services.
This interview features conversation about her favorite adventure games, narrative, and writing.
Jeffery Klaehn: What about adventure games most interests you, as a writer and also as a player?
Olivia Wood: There's been a history of puzzles in adventure games feeling at odds with the narrative. I actually don't love calling them 'puzzles' in this context. Puzzles to me are more about something with its own set of internal constraints and rules that gets progressively complicated and iterated upon. I prefer to think of what are traditionally called 'puzzles' in adventure games as 'problems.' Read the rest