Chanel Miller wrote a book called Know My Name, about her life before and after being sexually assaulted by Brock Turner, the sex criminal who was portrayed by the trial judge as a victim. She was interviewed on The Daily Show to promote her book.
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This job candidate has watched too many (or perhaps too few) English-dubbed martial arts films from the 1970s.
"You need to be more formal and at least practice before you take the interview."
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Tokyo is a sound-saturated city: bustling traffic, train station announcements, people everywhere, the barrage of loud adverts, drunk salarymen singing in the Ginza streets at night, and even the loud caws of the Tokyo’s infamous large crows. Then there’s the seemingly ubiquitous background music in shopping centers, department stores, offices, and super markets. Read the rest
From an episode of The Max Headroom show that first aired in 1986, Max Headroom interviews, um, "Rootbeer Hauer."
Previously: "Rutger Hauer, Blade Runner's Roy Batty, RIP" Read the rest
I've never been able to get into Doctor Who, but I loves me some David Tennant. His performances in Broadchurch (Not that crappy American Gracepoint remake nonsense, mind you), Jessica Jones and, most recently, Good Omens, have been absolutely amazing. There's something about him that draws the eye and makes you believe in what he's selling on-screen. He doesn't oversell his characters and its rare to see him steal authority from those working a scene with him. His craft's earned him a huge amount of celebrity in recent years--a fact that he hasn't always been comfortable with.
In this candid interview, Tennant talks about his having to come to terms with being 'public property,' and how celebrity can change one's life for both better and worse.
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"Where do you think Blondie will be ten years from now?"
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When Bernie Sanders was mayor of Burlington, Vermont, he had a cable access show called Bernie Speaks. In this 1988 episode, Sanders spoke to a couple of affable goth kids about capitalism, fashion, politics, anarchy, and society. Read the rest
Isaac Chotiner interviews Bret Easton Ellis, author of American Psycho and an evidently half-hearted believer in the idea that America has overreacted to Donald Trump's elevation to the presidency.
[Chotiner] There are a lot of things to get angry about: children being separated from their parents, Trump saying nice things about marchers in Charlottesville. What is it that bothers you about this?
[Ellis] You do know that plenty of people don’t think that? You do understand that?
Don’t think what?
Don’t think all these things you are saying about Charlottesville. What does he have, a ninety-three-per-cent approval rating, or, let’s say, a hundred per cent, from his base? Let’s say it is, over all, way up, from thirty-eight per cent to fifty per cent, or even higher. And let’s say Latinos are now fifty-per-cent approval for Trump.
That’s not true, but O.K.
The tendency for Chotiner's interview subjects to unravel under his fair but persistent questioning (Giuliani, Buruma, take your pick) is genuinely amazing. Chotiner is journalism's Chigurh on the stairs. His targets surely sense that their rules have led them to a murderer, but the same rules impose upon them a strange duty to go back to their rooms with him, to talk and die. Read the rest
The inimitable Robert Smith on the red carpet following The Cure's induction last week into the Rock and Roll Hall of Fame.
Here's their performance:
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In 1978, Mr. Rogers hosted a television show for adults called "Old Friends...New Friends" in which he interviewed interesting musicians, artists, athletes, teachers, and others "about their search for meaning in life." A clip of the show appeared in last year's documentary about Fred Rogers, "Won't You Be My Neighbor?." Above is that complete episode, titled "Inner Rhythms" and featuring classical pianist Lorin Hollander. There are 19 other episodes profiling the likes of composer Hoagy Carmichael, barrio teacher Nancy Acosta, comedian Milton Berle, and psychoanalyst Helen Ross.
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The New York Public Library's Riverside branch invites you to check out a necktie, briefcase, or handbag suited for a "job interview, wedding, audition, graduation, prom, or other formal event." It's part of their NYPL Grow Up initiative. From the NYPL:
Adults and teens who have low fines (less than $15) or no fines on their library cards can borrow items for a one-time, three-week lending period.
We also have information sheets on job interview tips, free career resources and suggested books, and websites and organizations that can help with professional fashion advice and attire.
(via Open Culture) Read the rest
The New York Times interviewed Stephen Colbert on stage. Among other things, he describes his typical working day, and what goes into producing The Late Show. I haven't watched the whole thing yet, but what I've seen so far is really good.
I had the privilege of being on the Colbert Report twice. Each time, Colbert came into the green room and spent about 20 minutes chatting with me. He was really nice. I also noticed that the crew adored him and had a great relationship with him. Read the rest
One of my favorite writers has a new book out and was interviewed by The Cut. He talkes about his transition, gender identity, bylines, and the new context of his past work. Read the rest
How a scholarly hippie got pulled into the orbit of the psychedelic revolutionary whom then-President Nixon labelled “the most dangerous man in America”
I played this video to watch Buddy Rich say mean things about country music (at 9:46 in) ("Anybody could play it on one string"), but his drum solo was a lot more fun.
Incidentally, here's Buddy Rich's classic dressing down of his band. Obviously the inspiration for the abusive band teacher in Whiplash. Read the rest
George Michael, 23, had just ended Wham! and launched his solo career when he spoke with Joe Smith, author of Off The Record: An Oral History of Popular Music:
I do have the advantage of youth. I’m going to make two types of music: one is the type that people are expecting me to make because it’s really what I’m best at and what I would imagine whatever happens from now on or probably be remembered the most for is my songs in terms of structured ballads and stuff like that with strong melodies. You know, I’ve done that, I’ve done Careless Whisper.
But also there’s a kind of sexuality that I haven’t really made the most of with the first part of my career. I suppose obviously as a 22 year old, 23 year old, obviously I’m more experienced sexually than I was as an 18 year old. So maybe it’s time for that to start reflecting in the music.
(Blank on Blank)
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