From an episode of The Max Headroom show that first aired in 1986, Max Headroom interviews, um, "Rootbeer Hauer."
I've never been able to get into Doctor Who, but I loves me some David Tennant. His performances in Broadchurch (Not that crappy American Gracepoint remake nonsense, mind you), Jessica Jones and, most recently, Good Omens, have been absolutely amazing. There's something about him that draws the eye and makes you believe in what he's selling on-screen. He doesn't oversell his characters and its rare to see him steal authority from those working a scene with him. His craft's earned him a huge amount of celebrity in recent years--a fact that he hasn't always been comfortable with.
In this candid interview, Tennant talks about his having to come to terms with being 'public property,' and how celebrity can change one's life for both better and worse.
"Where do you think Blondie will be ten years from now?"
When Bernie Sanders was mayor of Burlington, Vermont, he had a cable access show called Bernie Speaks. In this 1988 episode, Sanders spoke to a couple of affable goth kids about capitalism, fashion, politics, anarchy, and society. Read the rest
Isaac Chotiner interviews Bret Easton Ellis, author of American Psycho and an evidently half-hearted believer in the idea that America has overreacted to Donald Trump's elevation to the presidency.
[Chotiner] There are a lot of things to get angry about: children being separated from their parents, Trump saying nice things about marchers in Charlottesville. What is it that bothers you about this?
[Ellis] You do know that plenty of people don’t think that? You do understand that?
Don’t think what?
Don’t think all these things you are saying about Charlottesville. What does he have, a ninety-three-per-cent approval rating, or, let’s say, a hundred per cent, from his base? Let’s say it is, over all, way up, from thirty-eight per cent to fifty per cent, or even higher. And let’s say Latinos are now fifty-per-cent approval for Trump.
That’s not true, but O.K.
The tendency for Chotiner's interview subjects to unravel under his fair but persistent questioning (Giuliani, Buruma, take your pick) is genuinely amazing. Chotiner is journalism's Chigurh on the stairs. His targets surely sense that their rules have led them to a murderer, but the same rules impose upon them a strange duty to go back to their rooms with him, to talk and die. Read the rest
The inimitable Robert Smith on the red carpet following The Cure's induction last week into the Rock and Roll Hall of Fame.
Here's their performance:
In 1978, Mr. Rogers hosted a television show for adults called "Old Friends...New Friends" in which he interviewed interesting musicians, artists, athletes, teachers, and others "about their search for meaning in life." A clip of the show appeared in last year's documentary about Fred Rogers, "Won't You Be My Neighbor?." Above is that complete episode, titled "Inner Rhythms" and featuring classical pianist Lorin Hollander. There are 19 other episodes profiling the likes of composer Hoagy Carmichael, barrio teacher Nancy Acosta, comedian Milton Berle, and psychoanalyst Helen Ross.
The New York Public Library's Riverside branch invites you to check out a necktie, briefcase, or handbag suited for a "job interview, wedding, audition, graduation, prom, or other formal event." It's part of their NYPL Grow Up initiative. From the NYPL:
Adults and teens who have low fines (less than $15) or no fines on their library cards can borrow items for a one-time, three-week lending period.
We also have information sheets on job interview tips, free career resources and suggested books, and websites and organizations that can help with professional fashion advice and attire.
The New York Times interviewed Stephen Colbert on stage. Among other things, he describes his typical working day, and what goes into producing The Late Show. I haven't watched the whole thing yet, but what I've seen so far is really good.
I had the privilege of being on the Colbert Report twice. Each time, Colbert came into the green room and spent about 20 minutes chatting with me. He was really nice. I also noticed that the crew adored him and had a great relationship with him. Read the rest
I played this video to watch Buddy Rich say mean things about country music (at 9:46 in) ("Anybody could play it on one string"), but his drum solo was a lot more fun.
George Michael, 23, had just ended Wham! and launched his solo career when he spoke with Joe Smith, author of Off The Record: An Oral History of Popular Music:
I do have the advantage of youth. I’m going to make two types of music: one is the type that people are expecting me to make because it’s really what I’m best at and what I would imagine whatever happens from now on or probably be remembered the most for is my songs in terms of structured ballads and stuff like that with strong melodies. You know, I’ve done that, I’ve done Careless Whisper.
But also there’s a kind of sexuality that I haven’t really made the most of with the first part of my career. I suppose obviously as a 22 year old, 23 year old, obviously I’m more experienced sexually than I was as an 18 year old. So maybe it’s time for that to start reflecting in the music.
UPDATE 3/5/2107 Peter Sjöstedt-H emailed me: "Thank you for promoting my interview with Tim Scully. Tim has emailed me to ask if the title of your article could be altered a little as it is now factually incorrect: Scully did not manufacture "750,000,000 Doses of LSD" but only *wanted to*. He actually only manufactured about 3,000,000 doses of 300 ug.
Peter Sjöstedt-H interviewed famous 1960s acid chemist Tim Scully for High Existence.
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In 1977 Tim Scully was imprisoned for the manufacture of LSD, a high-standard variety thereof well known in the 1960s as Orange Sunshine. Following his release in 1980, Scully returned to a life concerned more with electronics than with acid-infused ideology. The story of his acid adventures with Nick Sand have been documented in the new film The Sunshine Makers – philosopher Peter Sjöstedt-H here asks Tim Scully eight questions stemming therefrom.
In the documentary you complained of “bad trips” after your run in with the law. Do you believe that the so-called “bad trip” can be beneficial?
There wasn’t room in a 90 minute film to explain this point fully. During the time from late 1966 through mid-1970 I was frequently followed by federal agents. I had to lose them before doing anything important. They knew that I knew that they were following me and I knew that they knew.
In mid-1968 my 2nd Denver lab was busted as shown in the film when I was out of town. I was arrested by federal agents in the spring of 1969 on a fugitive warrant from Denver.
Interviews with six employees who work in Silicon Valley about the ways Trump's recent actions against immigrants have affected them. Powerful stuff.
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"Banned" features six interviews of Silicon Valley employees who are directly affected by immigration policies introduced by the Trump administration. The goal of this project is to provide an uninformed public a more comprehensive picture of who these policies will affect, to bring awareness to Silicon Valley about the issues facing members of their own community, and directly address ongoing stereotypes around immigration.
It is perhaps very telling that all of the review blurbs on the back cover of Andy Partridge and Todd Bernhardt's Complicated Game: Inside the Songs of XTC are written by fellow musicians and songwriters. Andy Partridge has always been a musician's musician.
Complicated Game is a series of candid and detailed interviews with Andy Partridge about many of XTC's most well-known songs. Todd Bernhardt, the interviewer, is a fellow musician, XTC mega-fan, and friend of Andy's, so they don't shy away from discussing the nitty-gritty details of chord changes, instruments used, studio hacks, and other compositional and engineering minutia.
In the chapter on "Senses Working Overtime," Andy explains how the whole song came about as he was fooling around on a new Martin guitar and he played a "messed-up E-flat." He thought it sounded very Medieval so he tried to find other chords that went with it (A-flat minor and D-flat). He says the rest of the song sort of composed itself from there. We also learn that "English Settlement" was their "new instruments record." The bandmembers had all just gotten new instruments (Andy, the Martin, Dave Gregory, a 12-string Richenbacker, Colin Moulding, a fretless bass) and they were excited to noodle around on them to see what they could do.
There are many other interesting and fun revelations in the book. "This is Pop," from White Music, was Andy's way of rejecting the pigeonholing of the punk label, making sure that everyone was reminded that this is pop music, plain and simple, and that ain't a dirty word. Read the rest