University of Western Australia Law professor Camilla Baasch Andersen has helped businesspeople draft legally binding contracts that take the form of simple comic-strips, arguing that their simplicity not only promotes understanding, but also insulates companies from the risk of courts finding their contracts unenforceable because they were too confusing (an Australian court has forced insurers Suncorp and Allianz to refund AUD60m paid for insurance that was of "little or no value," but which Australians purchased thanks to confusing fine-print that made it hard to assess). Read the rest
Secret Headquarters, Los Angeles's best comics shop (previously, has published "Monster Manual," a limited-run, 64-page zine collecting the art from their show of the same name, in which artists were challenged to create their own rue and satirical entries for a notional Dungeons and Dragons bestiary from an alternate timeline. Read the rest
An excellent post to the ISO/IEC JTC1 SC2 WG2 mailing list sums up critical feedback over recently approved emojis, including a fierce denunciation of the (IMHO) excellent "frowning pile of poo" emoji, which is viewed as a slippery slope to an entire "a range of emotions to PILE OF POO." Read the rest
Jonathan Simmonds, an MD in Boston, MA, created these Map Anatomy illustrations that represent a detailed, functional diagram of the human head's anatomy in the style of a London tubemap; you can buy downloads and posters from his Etsy store, but act quickly, because Transport for London are notorious, humourless assholes about this kind of thing! (via Reddit) Read the rest
Londonist's roundup of cutaway maps -- many from the outstanding Transport Museum in Covent Garden -- combines the nerdy excitement of hidden tunnels with the aesthetic pleasure of isomorophic cutaway art, along with some interesting commentary on both the development of subterranean tunnels and works and the history of representing the built environment underground in two-dimension artwork. Read the rest
Kasey Golden wondered how small she could draw one of her characters. She started with a 5 x 7 inch piece of paper, penciled the character, inked it, then colored it. She then repeated the process on successively tinier pieces of paper until her pen was too big. The 1/4 X 1/4 inch looked good! Read the rest
If you want to escape the real world for a bit, escape into the vivid, satirical artwork of illustrator/cartoonist Alex Gamsu Jenkins.
Jenkins is from the suburbs of London and graduated from Camberwell College of Arts in 2015. He describes his work as an exploration of "satirical and critical subject matter through a distinctive and vivid style.” He also tries to “avoid the pretence but wallow in humour, whilst touching on the absurd and surreal."
Jenkins' work has appeared in Juxtapoz, The New York Times, Vice, Society Magazine, and many other notable publications. Much of his work is disturbing and creepy, but in a fun way by creating an entire reality of its own -- one that feels like a chaotic and absurd dream.
Juxtapoz recently posted some wildly cool pieces by Jenkins on its website. You can check all of them out here.
CJ Hendry creates large pencil sketches that mix hyperrealism with fantasy. After working mainly in black and white, she jumped to color in a big way with her series of colorful paint smears. Read the rest