Japanese historian Nick Kapur unearthed "Osanaetoki Bankokubanashi" (童絵解万国噺), a wonderfully bizarre illustrated Japanese history of the USA from 1861, filled with fanciful depictions of allegedly great moments in US history, like "George Washington defending his wife 'Carol' from a British official named 'Asura' (same characters as the Buddhist deity)." Read the rest
From Spitalfields Life, a scanned set of "elegant cartoons of Regency bankers from 1824 by Richard Dighton in the archive at the Bishopsgate Institute testify," in the public domain and perfect for contemporary stock art for pieces about late-stage capitalism, clueless billionaires, the corrupting influence of wealth, and all those other zeitgeisty subjects. Read the rest
The next tranche of Beehive Books' Illuminated Editions are being crowdfunded now: three gorgeous, slipcased, deluxe illustrated hardcovers, including a new edition of Crime & Punishment, illustrated by Dave McKean, well-known for his work on Sandman (he also did the original cover for my novel Someone Comes to Town, Someone Leaves Town); the books are $100 each, and are superb. The other two titles are The Blazing World, illustrated by Margaret Cavendish; and Peter Pan, illustrated by Brecht Evans. Read the rest
2019 started off with a rather interesting tweet from Elon Musk. He was showing off the "Starship test flight rocket" from SpaceX. This thing evokes a strong bit of imagery that has been so deeply integrated into our culture through science fiction for so many years that it just feels... right. Read the rest
Designed by Jon Gray and available for pre-order next week (ISBN: 9780441007462): Gibson loves it. Read the rest
The intrepid and brilliant artist and journalist Molly Crabapple (previously) traveled to the immigration detention centers of the Rio Grande and interviewed and sketched the people she met there. Read the rest
More outstanding paleocomputing Christmas cheer from Paleotronics (previously): a trove of 55 Christmas covers of classic computer magazines, include lamented bygones like Creative Computing. Read the rest
The brilliant Polish artist Jakub "Mr Werewolf" Rozalski (previously) scores another hit with Rudolph's Revenge ("Now you know why they call him 'the red nosed'"). If you like this stuff, you can get more: Rozalski was the principal artist on the board game Scythe. (via Geeks Are Sexy) Read the rest
Russell Walks' astounding and vast collection of licensed, retro-styled Star Wars propaganda posters are also available in postcard form. Read the rest
The Yokohama Board of Education has posted scans of six fantastic catalogs from Hirayama Fireworks and Yokoi Fireworks, dating from the early 1900s. The illustrated catalogs are superb, with minimal words: just beautiful colored drawings depicting the burst-pattern from each rocket. Read the rest
Once we were great, then we committed some unnameable sin and now we endure eternal punishment, fallen from grace. Proof: this long-departed Master of the Universe wrapping paper, the pinnacle of the great Earl Norem's career. (via Super Punch) Read the rest
This is as thrilling as when I learned to draw a dog face in third grade! (via r/intereatingasfuck)
Boing Boing pal Dustin "UPSO" Hostetler has published the fifteenth issue of his long-running print 'zine Faesthetic, the exquisitely-produced visual wunderkammer of art/illustration/design. Faesthetic #15 is themed "Convergent Visions" and I was delighted to contribute an essay about the Voyager Golden Record as an iconic artifact of futures thinking. The issue features work by all of these incredible creators: Christan Mendoza, Jon Contino, Adam Griffiths, Adrian Cox, Alex Barrett, Caitlin Russell, Chris Nickels, Dang Olsen, Elaine Miller, Gabrielle Rosenstein, Janne Iivonen, Prate™, Jeremyville, Jim O’Boyle, John Szot, Josh Row, Julian Glander, Justin Harris, Karen Ingram & Nicola Patron, Kyle Knapp, Leanna Perry, Loc Huynh, Maggie Chiang, Marta Piaseczynska, Max Löffler, Okell Lee, Pedro Nekoi, Tara McPherson, Thayer Bray, Bryan C. Lee Jr, and Alison Conway.
Buy Faesthetic for just $10. Here's the story behind this edition:
Read the restThe idea for “Convergent Visions” took root in the halls of South By South West in 2017. After a mind-boggling keynote delivered by biochemist Jennifer Doudna, Faesthetic publisher Dustin Hostetler and creative director Karen Ingram bumped into Hugh Forrest, Chief Programming Officer of SXSW. This chance meeting sparked a conversation between Karen and Dustin that became a collaborative effort with the 2018 SXSW Art Program.
“Convergent Visions” probes various areas in science and technology through an artistic lens. Overarching themes include Design, Health and Wellness, Social Impact and the Intelligent Future become realized through the creativity vibrating and flowing from the minds and fingers of 30 international artists and designers.
With a nod to Donna Haraway’s characterization of the emerging and many-tentacled epoch of the Chthulucene, “Convergent Visions” showcases the visions of these talented creatives.
Chris Veltri, proprietor of San Francisco's legendary Groove Merchant record shop, posted this astounding artifact to his Instagram wunderkammer of outré culture paper ephemera @collagedropoutsf! It's a poster for a lecture by artificial intelligence pioneer Herbert Simon that took place at UC Berkeley in 1974. The speech was titled "How Man and Computers Understand Language."
Far fucking out. Read the rest
Future Punk created retro logos and motion graphics for today's Internet companies if they existed decades ago. The artist was "inspired by great work of Sullivan & Marks, Robert Abel & Associates, Computer Image Corporation and various other early CG/Scanimate companies."
And if you're not hip to Scanimate:
Scanimate is the name for an analog computer animation (video synthesizer) system developed from the late 1960s to the 1980s by Computer Image Corporation of Denver, Colorado.
The 8 Scanimate systems were used to produce much of the video-based animation seen on television between most of the 1970s and early 1980s in commercials, promotions, and show openings. One of the major advantages the Scanimate system had over film-based animation and computer animation was the ability to create animations in real time. The speed with which animation could be produced on the system because of this, as well as its range of possible effects, helped it to supersede film-based animation techniques for television graphics. By the mid-1980s, it was superseded by digital computer animation, which produced sharper images and more sophisticated 3D imagery. (Wikipedia)
(Thanks, UPSO!) Read the rest
Star Wars: Episode VI - Return of the Jedi was briefly called "Revenge of the Jedi." Apparently screenwriter Lawrence Kasdan had told Lucas that "Return of the Jedi" was a "weak title." In December 1982 though, Lucas went back to his original title but not before promotional posters had already been released, such as the one above that is currently up for auction at Sotheby's with an expected hammer price of 1,400 - 2,600 GBP ($1800 - $3200 USD).
From Wikipedia:
In December 1982, Lucas decided that "Revenge" was not appropriate as Jedi should not seek revenge and returned to his original title. By that time thousands of "Revenge" teaser posters (with artwork by Drew Struzan) had been printed and distributed. Lucasfilm stopped the shipping of the posters and sold the remaining stock of 6,800 posters to Star Wars fan club members for $9.50.
(via Uncrate) Read the rest
Heinz Edelmann (1934-2009) was the German illustrator and designer best known for art directing the Beatles' 1968 animation Yellow Submarine. In 1970, he created this magnificent opening animation for the ZDF broadcast movie series "Der Phantastische Film."
(r/ObscureMedia, thanks UPSO!)
