Nathaniel Stern writes, "The World After Us: Imaging techno-aesthetic futures (Flickr set) is an art exhibition that asks, 'What will — and what can — happen to our gadgets over geological time?' For the last few years, I have been working scientists to artificially age phones and computers in different ways, growing plants and fungi in watches, phones, laptops, and more, and turning phones into ink (via blenders and oils), iMacs into tools (melting down the aluminum, and shaping it into a wrench, hammer, and screwdriver), and otherwise spiking electronic waste onto 12 foot towers and/or 'growing' them (intermingled with botanicals) across 1000 square feet of wall space. Here I want people to think and act differently in and with their media devices, their electronic waste, and the damage it does to create both in the first place."
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Extinction Rebellion's Sinking House is a protest art-installation in the form of a suburban house drowning in the Thames. They launched it early last Sunday.
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Irene Posch and Ebru Kurbak's Embroidered Computer uses historic gold embroidery materials to create relays ("similar to early computers before the invention of semiconductors") that can do computational work according to simple programs; it's installed at the Angewandte Innovation Lab in Vienna.
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Lucas Zanotto's installation EYES uses a clever mix of kinetic techniques to animate the "pupils" of various "eyes," infusing inanimate objects with personality and humor. Read the rest
Redditor/machinist Spdltd was commissioned to create a steampunk, Arduino-powered electromechanical clock that uses a combination of belts, dials and needles arrayed across the wall to tell the time. Read the rest
Zach Coffin's amazing Temple of Gravity installations involve suspending enormous masses of stone and other heavy objects in exquisitely counterbalanced mechanisms that allow people to scramble over them, move them, swing them, and toss them around like playthings, moving tons of mass with pounds of force. Read the rest
Bruce Sterling's short story "The Beachcomber of Novi Kotor" is a monologue by a rogue Montenegran artist-roboticist, delivered at the 85th Venice Biennale, in a world where climate change has made venices out of all the world's low-lying cities, where Montenegro has been plunged into economic collapse by the precipitous departure of the neo-Czarist Russian oligarchs whose tourist trade it depended on. Read the rest
James "New Aesthetics" Bridle (previously) wants to confuse your autonomous vehicle, so he's designed this Autonomous Trap 001, a sequencing scheme with lots of room for growth. Read the rest
Last week, artist Michelle Pred celebrated the anniversary of the Patriot Act by dressing up as an old-timey Pan Am flight attendant (she wore her mother's old Pan Am hat!) and handing out "Official Air Travel Replacement Knives" to people waiting for their bags at SFO (she had 50 knives, but it took more than 50 tries to give them away, as more than half of the people she approached refused to engage with her). Read the rest
Julian Oliver is a playful and media-savvy security researcher; previously, he documented hidden cell-phone towers in bad disguises and produced a hand-grenade shaped "transparency device" that spied on everything going on in the room. Read the rest
Austrian artist Martin Roth created an installation of grass sprouted in worn Persian rugs at the UK's Korean Cultural Centre; the grass sprouts, dies, and ruins the rugs. In between, the room looks and (apparently) smells amazing. Read the rest
Jordan Wolfson's "Female Figure" (2014): a dancing animatronic that wants to help. Read the rest
If you're in New York between now and the 21st of July, you should stop by 266 W. 37th Street — home of The Intergalactic Travel Bureau. This tongue-in-cheek travel agency offers opportunities to sit down and discuss your interstellar dreams with real astrophysicists who can answer questions, offer suggested itineraries, and help you explore the wonders of the Universe. Read the rest
