Last October, I blogged about a Kickstarter to create "a video game with no graphics, played entirely using audio." The game is Blindside, and it's finished! Now available through the App Store for iPhone4/iPad2+. The project was inspired by co-creator Aaron Rasmussen's temporary blindness as a result of an explosion in high school chemistry.
BlindSide is an audio adventure game, set in a fully-immersive 3d world you’ll never see. Put on headphones, hold your iPhone, and face the direction you want to go. Listen as the world rotates around you and explore the darkness.
You play as Case, an assistant professor who wakes up blind, to find his city destroyed and mysterious creatures devouring people. Will you and your girlfriend be able to find your way without sight? How will you escape? Run for your life, save the girl, and uncover the mystery of the apocalypse--all in the dark!
A new, two-week long daily podcast called Journey to Planet JoCo consists of a series of dialogues between John Scalzi and Jonathan Coulton -- like my two favorite flavors of ice-cream in one delicious cone!
Welcome to Journey to Planet JoCo, an interview series where science fiction and sometimes fantasy author John Scalzi talks to musician Jonathan Coulton about science fiction and science fiction songs.
Every morning at 9 AM, for the next two weeks, John will talk to Jonathan about one of JoCo’s songs, getting in-depth — and possibly out of his depth — about the inspiration and construction behind them. Which ones? You’ll have to come back every morning to see!
There’s more, but we’ll let John and Jonathan themselves further introduce the concept, the details, and the sparkly prize at the bottom of this particular cereal box.
This week on the always excellent Command Line podcast, Thomas Gideon -- senior staff technologist for the New America Foundation -- describes his journey from programmer to technology wonk (MP3), explaining the relationship between code and policy.
— Cory
Matt sez, "Hey, it's Matt at the Disinformation Company, and I thought that you'd enjoy the lengthy interview I did with Warren Ellis for the DisinfoCast. We talk about aliens, space travel, the singularity and more. We even squeeze in a second or two for talk about comic books."
Laura sez, "Podcast nominations are open until June 1, 2012 for the Seventh Annual Parsec Awards which recognize excellence in speculative fiction podcasting. The awards were founded in 2005 by New York Times bestselling author Tracy Hickman, podcasting guru and author Mur Lafferty, and Farpoint Media founder Michael Mennenga. Given each year at Dragon*Con in Atlanta, Georgia, the awards recognize those whose works mark the pinnacle of this form of new media and give hours of entertainment to their audience. This year there are 17 categories recognizing stories, full cast productions, audio dramas, videos, content creation, fan and newscasts, fact behind the fiction casts, new podcasters, music, and more."
— Cory
Here's some of Russell Brand's wonderful, thoughtful, funny, and acerbic testimony to the UK Parliament on the subject of combatting addiction and setting sensible drug policy. Brand is a former heroin addict, and he was questioned by MPs over his views on the subject:
* I don't think we need a carrot or a stick. Both of those things seem to be to be bizarre metaphors. I think what we need is love and compassion.
* Being arrested isn't a lesson, it's just an administrative blip
* Again mate, what we need to identify is a degree of authenticity and compassion in the way we deal with this problem, otherwise you just seem like you don't know what you're talking about.
* You can tell what party they're in from the questions, innit? "What about the victims of the crime!"
* [After the committee chair tries to restore order by declaring that they're running out of time, and without missing a beat.] Time is infinite. You cannot run out of time. Who's next? [Home Secretary] Theresa May? She may not show up. Check she knows what day it is.
You've got to listen to the recording, which starts at about 5:55 in this episode of the BBC's Today in Parliament. It's like a chirpy cockney Groucho Marx discussing drug policy with a bunch of Margaret Dumont-esque Tories, and running silvertongued circles around them.
StarShipSofa's Tony Smith sez, "StarShipSofa is holding a Online Narrators Workshop 10th June 2012 (4PM BST), carried out online by some of the best voice actors working today in the genre field. Guest Speakers are Kate Baker (Clarkesworld Magazine), Peter Seaton-Clark (Offstimmer), Mike Boris (MikeBorisAudio), and Nathan Lowell (Author Solar Clipper). StarShipSofa built its reputation by featuring science fiction from the best authors of our time, from living legends whose works have inspired generations to the rising stars of the genre. StarShipSofa's focus on quality science fiction has brought it an enthusiastic worldwide audience as well as the honor of being the first podcast in history to receive the Hugo Award. Who better to host a workshop for aspiring voice actors and narrators? If you wish to raise your narrating skills to the next level, join StarShipSofa and its special guests at this exciting workshop."
— Cory
A reader writes, "Librivox [ed: a trove of free, volunteer-read audio adaptations of public domain books] has released the audio version of Tono-Bungay the classic semi-autobiographical novel by H. G. Wells." From Wikipedia:
Tono-Bungay is a realist semi-autobiographical novel. It is narrated by George Ponderevo, a science student who is drafted in to help with the promotion of Tono-Bungay, a harmful stimulant disguised as a miraculous cure-all, the creation of his uncle Edward. The quack remedy Tono-Bungay seems to have been based upon the patent medicines Carter's Little Liver Pills and Dr. Williams' Pink Pills for Pale People.... As the tonic prospers, George experiences a swift rise in social status, elevating him to riches and opportunities that he had never imagined, nor indeed desired. The novel displays Edward's social climbing satirically, and also George's discomfort at rising in social class. The hero's personal life is narrated with unusual frankness for an Edwardian novel.... The empire eventually overextends itself and then collapses. George tries unsuccessfully to save his uncle and eventually ends up designing battleships for the highest bidder. (Summary from Wikipedia)
Here's a tasty audio clip of a Canadian Member of Parliament banging his fellow MPs' heads together (metaphorically) over their petty procedural squabbling. Thanks to the CBC's As It Happens for providing it. (Link fixed -- sorry!)
— Cory
Starship Sofa has just podcasted Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains," which won this year's Locus Poll Award for Best Novelette. Here's the text of the story, and above is a video of Neil reading from it.
You ask me if I can forgive myself? I can forgive myself for many things. For where I left him. For what I did. But I will not forgive myself for the year that I hated my daughter, when I believed her to have run away, perhaps to the city. During that year I forbade her name to be mentioned, and if her name entered my prayers when I prayed, it was to ask that she would one day learn the meaning of what she had done, of the dishonour that she had brought to my family, of the red that ringed her mother’s eyes.
I hate myself for that, and nothing will ease that, not even what happened that night, on the side of the mountain.
I had searched for nearly ten years, although the trail was cold. I would say that I found him by accident, but I do not believe in accidents. If you walk the path, eventually you must arrive at the cave.
Rick Kleffel's always-great Agony Column podcast interviews Matt Ruff about his extraordinary "golden rule" alternate history novel The Mirage, in which the Arabia is the cradle of democracy, the USA is a collection of basket-case Christian theocracies, Germany has been partitioned in a two-state solution that makes Berlin the capital of Israel, and a war on terror is launched when Christian "crusader" terrorists crash jetliners into Baghdad's Twin Towers. The Mirage is very likely to be the best novel I read in 2012, and Ruff is very coherent and interesting in discussing his work.
Matt Ruff is anything but a tortured soul himself, and that makes the creation of a novel like 'The Mirage' all the more remarkable. He's easygoing but clearly very meticulous, very particular about his writing. He's got a lot to say about his new novel, and what is refreshing is that he can sy it and still have the entire novel left for the reader as a fresh new experience.
Generally, I don't arrive at an interview with specific questions in mind, but my producer at KUSP had asked me, essentially, just what the heck did Matt think he was doing? Ruff of course knew exactly what he was doing and why. But he head a lot of new stuff to tell me about the novel, in ways I thought really opened up the book for me.
The origins of the book are not based in the politics. In fact to the degree it can be, this is not a very political novel. Even though this book sports a great plot, and a fully-fleshed alternate reality, this is really a book about perceptions, and that includes the reader's perceptions. Plus, it's fun.
Julian Gough sez, "I get the feeling you and some of your readers are, um, not entirely unconvinced by austerity as an economic strategy. So you might like the BBC's free Drama of the Week podcast. It's a satire on Eurozone austerity economics called The Great Squanderland Roof, by, er, me. It's free, downloadable worldwide till Friday, and it stars some great actors, like Dermot Crowley who was in Fr. Ted and, er, Return of the Jedi.
What can we do but laugh?
Hope you like it.
Here's the official BBC blurb on it:"
Jude lives in a henhouse with no roof, in the bankrupt Republic of Squanderland. Purchased for ten million euro at the height of the credit bubble, his henhouse has been rated the asset in Europe most likely to default. To solve this small but symbolic problem and restore confidence in the markets, Europe's leaders need a plan. Sadly, putting a roof on Jude's henhouse quickly escalates out of control. Soon they are committed to building a roof over the entire country, half a mile above the startled voters... But what happens when a structure that's too big to fail finally fails? To the horror of Europe's bankers and politicians, Jude comes up with a dramatic (and rather romantic) solution to the Eurozone crisis...
'The Great Squanderland Roof' stars Rory Keenan as the hapless Jude (whose recent credits include 'The Kitchen' at the National, 'A Dublin Carol' at the Donmar and 'Birdsong' on BBC TV) in his debut BBC Radio role, Dermot Crowley as a banker turned government minister, and Stephanie Flanders, the BBC's Economics Editor.
Upcoming Appearances • April 2 at Skeptics in the Pub, Boston, Mass.— 7:00 pm at Tommy Doyle's in Harvard Square. Please RSVP. •April 4 at MIT: "Shedding Light, Online", a discussion about how blogging and a dynamic audience helped shape my book, Before the Lights Go Out—4:00 pm in Maseeh Hall. Please RSVP. • April 6 at Carnegie Mellon University: More details to come
• April 9-13 at University of Colorado, Boulder: 64th Annual Conference on World Affairs • April 10 at Colorado State University, Fort Collins: "Putting the Fun Back in Infrastructure"—3:30 pm in the Rocky Mountain Innosphere. • April 19 at The Bakken Museum in Minneapolis: Book Launch Party! Come enjoy snacks, a presentation by me, and some fun with the Bakken's Leyden jar.
• April 21 at Science Museum of Minnesota, St. Paul: Earth Day Tweetup event with Will Steger and Sean Otto—events run 10:00 am to 2:00 pm.
• May 2 at University of California, Berkeley: "Putting the Fun Back in Infrastructure"—6:00 pm, location TBA.
• May 3 at the American Institute of Architects, San Francisco Chapter—Lunchtime lecture, time and location TBA.
• May 3 at Barnes and Noble, El Cerrito, Cali.—7:00 pm.
• May 30 in New York City—Panel on local and DIY energy with the New America Foundation
• June 22-25 in Aspen, Colorado: Aspen Environment Forum • July 5-8 at CONvergence in Minneapolis, Minn.—exact times and dates TBA
The seismic waves of an earthquake happen at a lower frequency than what the human ear can hear. But, if you speed up those signals, compressing minutes or even hours worth of data into a few seconds, an audible sound emerges.
Zhigang Peng, associate professor in Georgia Tech’s School of Earth and Atmospheric Sciences, has turned the seismic waves from last March's Tohoku earthquake into audio files. The result is powerful, and powerful strange.
Recorded near Fukushima, the main earthquake sounds eerily like a huge wave crashing into a rocky beach. On the other side of the Pacific, in California, that same seismic wave sounds more like a peal of distant thunder. In both cases, the initial impact is followed by a cascade of popping, crashing, scraping, and twisting sounds—like cars being crushed at a junkyard. Those are the noises the Earth makes as tectonic plates shift and settle into their new places.