I can't get enough of this gorgeous macro video of various blobs of glorious color. It's like a neverending lava lamp.
"Color Psychology" by Lilly Mtz-Seara (Vimeo)
-MUSIC- Antonio Vivaldi - The Four Seasons "Summer" III.Presto
-LIST OF FILMS- Maleficent (2014), Robert Stromberg My Girl (1991), Howard Zieff Boyhood (2014), Richard Linklater Marie Antoinette (2006), Sofia Coppola Grease (1978), Randal Kleiser The Grand Budapest Hotel (2014), Wes Anderson Chicago (2002), Rob Marshall Mean Girls (2004), Mark Waters Scouts Guide to the Zombie Apocalypse (2015), Christopher Landon The Wolf of Wall Street (2011), Martin Scorsese Harry Potter and the Order of the Phoenix (2007), David Yates Jennifer’s body (2009), Karyn Kusama Harry Potter and the Half-Blood Prince (2009), David Yates Moulin Rouge! (2001), Baz Luhrmann Belly (1998), Hype Williams Spring breakers (2012), Harmony Korine Legally Blonde (2001), Robert Luketic Whiplash (2014), Damien Chazelle Big Eyes (2014), Tim Burton Mad Max: Fury Road (2015), George Miller Only God forgives (2013), Nicolas Winding Refn Hard Candy (2005), David Slade The shining (1980), Stanley Kubrick The Aviator (2004), Martin Scorsese 2001: A Space Odyssey (1968), Stanley Kubrick Alice in Wonderland (2010), Tim Burton Fifty shades of Grey (2014), Sam Taylor-Johnson Inglourious Basterds (2009), Quentin Tarantino/Eli Roth American Beauty (1999), Sam Mendes Upstream color (2013), Shane Carruth Dawn of the Planet of the Apes (2014), Matt Reeves The Royal Tenenbaums (2001), Wes Anderson The Darjeeling Limited (2007), Wes Anderson Born to be wild (2011), David Lickley Fantastic Mr. Fox (2009), Wes Anderson Skyfall (2012), Sam Mendes Apocalypse Now (1979), Francis Ford Coppola The Martian (2015), Ridley Scott Pan (2015), Joe Wright The Virgin Suicides (1999), Sofia Coppola Ruby Sparks (2012), Jonathan Dayton/Valerie Faris Birdman or (The Unexpected Virtue of Ignorance) (2014), Alejandro G. Read the rest
Specific color palettes are used by filmmakers to manipulate our emotions, from warm red tones for romances to blue, cold tones for horror flicks. The Dust Bowl-toned "O Brother, Where Art Thou?" (2000) was the first film to be digitally color graded from beginning to end.
If you're curious about the psychology of color, check out classics like Johannes Itten's "The Art of Color: The Subjective Experience and Objective Rationale of Color" and the books of Faber Birren.
…it uses 6,400 spools, nearly seven miles of fabric, and thousands of motors and gears. Each “pixel” is actually a 5.5-foot strip of threaded material, each of which can display 36 colors depending on what part of each multicolored strip is showing on the front of the machine.
It was made by design agency Breakfast for retailer Forever 21. Here's some videos that goes into its creation and show how it does its thing. Read the rest
Color dictionaries were designed to give people around the world a common vocabulary to describe the colors of everything from rocks and flowers to stars, birds, and postage stamps. They afforded scientists and naturalists a means of descriptive biological precision that could be easily shared—so naturalists in Kalamazoo and Germany could communicate effectively about a family of birds found in both places in related (but different) forms. They typically consisted of a set of color swatches, each assigned a name (usually rendered in several languages, to facilitate international use), an identifying number, and an often-lyrical description of the color (“the color of the blood of a freshly killed rabbit,” or “mummy brown.”)"How Red Is Dragon’s Blood?" Read the rest
...The French Society of Chrysanthemists, for instance, created a two-volume set of swatches and names in 1905 for their own botanical uses. Holly Green was described as “the ordinary color of the foliage of the common holly, viewed from 1 to 2 meters away, and without considering reflections.” And despite the fact that the work was meant for international consumption, its soul remained French. “Sky Blue,” for example, was described as “The color reminiscent of pure sky, in summer (in the climate of Paris).”
If you've ever spent much time in American farm country, then you've probably noticed that there's a strong tradition there of coating barns and outbuildings with red paint. Why?
Because nuclear fusion.
Okay, the actual answer is simply because red paint has long been a cheap color to buy. But, explains Google engineer Yonatan Zunger, there is some really interesting physics lurking in the background of that price point.
What makes a cheap pigment? Obviously, that it’s plentiful. The red pigment that makes cheap paint is red ochre, which is just iron and oxygen. These are incredibly plentiful: the Earth’s crust is 6% iron and 30% oxygen. Oxygen is plentiful and affects the color of compounds it’s in by shaping them, but the real color is determined by the d-electrons of whatever attaches to it: red from iron, blues and greens from copper, a beautiful deep blue from cobalt, and so on. So if we know that good pigments will all come from elements in that big d-block in the middle, the real question is, why is one of these elements, iron, so much more common than all of the others? Why isn’t our world made mostly of, say, copper, or vanadium?
The answer, again, is nuclear fusion.
You can read the full story on Zunger's Google+ page. In my experience, white is another really common barn color, due to the fact that whitewash — a paint made from calcium hydroxide and chalk (which is also calcium) — is way cheap, as well. Read the rest