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“Dale and I weren’t real close friends in high school, so I was a bit surprised one day when he invited me to dinner at his house.” Illustrated by Julie Doucet. Originally published in Real Stuff #6, April 1992.
Recommended if You Like is Boing Boing's weekly podcast of Brian Heater's cafe conversations with musicians, cartoonists, writers, and other creative types.
The Boing Boing / Make Magazine / Cool Tools editor and I found the quietest corner we could at the recent Engadget Expand event in New York to discuss the importance of curation in the digital age, the lost art of print media, podcasting and the magic of Art Bell.
Tell Me Something I Don’t Know is Boing Boing's podcast featuring artists, writers, filmmakers, and other creative people discussing their work, ideas, and the practical side of how they do what they do. In episode 21, we speak to multi-disciplinary artist John Peña. Each day for the last five years, he has made a drawing about some aspect of his day. He calls this project Daily Geology, and presents it online in a form that resembles a webcomic. We talk with John about how he makes a living as an artist, comic artist Julia Wertz’s artist statement, faking happiness until you are actually happy, teaching, and the business of art education.
You didn't get everything you wanted for Christmas? Good. Go out and buy Fantagraphics’ new Peanuts Every Sunday collection. It’s big and it’s beautiful and it’s great. The first volume spans ’52 to 55, so you get all the wonderful charm of those early Peanuts collections from a few years back (baby Linus! Baby Schroeder! A Snoopy that looks like an actual dog! Glorious, glorious Shermy!), only in full color.
In seasonal depression news, the terrific Brooklyn-based indie art book and comic book publisher Picturebox is ceasing publication come the new year. There is a silver lining for you, the consumer, however: enter the coupon code “sale” and you can get half of their entire stock. I bought three books the other week, like the vulture I am: one on Sun Ra, one written by Michel Gondry on the topic of filmmaking and a Brandon Graham book I’ve been eyeing for some time. Also recommended from the new pile is Matthew Thurber’s Infomaniacs, a surrealist science fiction story about an over-connected, absurdist world.
In each episode of Gweek, I invite a guest or two to join me in a discussion about recommended media, apps, and gadgets. This time, I was joined by Ruben Bolling, the author of the weekly comic strip Tom the Dancing Bug, which premieres each week on Boing Boing, and pre-premiers for members of his Inner Hive, which you can join by going to tomthedancingbug.com. I was also joined by Vanessa Davis, a cartoonist and illustrator living in Los Angeles. She is the author of Spaniel Rage and Make Me a Woman. See what she's up to at Spaniel Rage. Shownotes: Korak, Son of Tarzan, Volume One, a Gold Key comic book from 1964 by Gaylord DuBois and Russ Manning. QuizUp, an addictive iPhone trivia game. The Rockford Files on Netflix. Ski Tracks iPhone app, for tracking your day of skiing. When You Reach Me a middle school novel by Rebecca Stead. The Dan Clowes comic book story that Shia LeBeouf plagiarized, available in The Daniel Clowes Reader.
In this episode of Boing Boing's Tell Me Something I Don't Know podcast, we speak with Joseph Lupo, a printmaker and
professor at West
Virginia University. His work focuses on how writers and artists
communicate through comics. For more than a decade, he has
deconstructed and examined a single volume of The Invincible Iron
Man comic book: Volume 01, Issue 178, published in 1984.
"It is a different kind of superhero issue for a few reasons," says
Lupo. "For one, never in this story does the superhero Iron Man ever
directly appear. Also, this issue is split into two different story
Apps for Kids is sponsored by Little Blueprint: Personalized and ready-made children's books based on brain science, empowering kids to thrive through life's challenges and celebrations.
Apps for Kids is Boing Boing's podcast about cool smartphone apps for kids and parents. My co-host is my 10-year-old daughter, Jane.
In this episode, we set down our smartphones to talk about the Plants vs. Zombies graphic novel, in which two kids team up with Crazy Dave, the deranged zombie prepper, to rid Neighborville of the invading horde of undead humans. Jane also grabs my staple remover that I was repairing with Sugru and messes it up.
And, we present a new "Would you rather?" question:
If you're an app developer and would like to have Jane and me try one of your apps for possible review, email a redeem code to email@example.com.
Cartoonist Ed Piskor's latest book, The Hip Hop Family Tree (Fantagraphic Books) collects his non-fiction comic strip history of Hip Hop, serialized weekly here on Boing Boing. The Hip Hop Family Tree follows the success of his debut graphic novel last year, Wizzywig (Top Shelf Comics), the tale of a computer hacker. Piskor has a special knack for creating comics that appeal to audiences beyond those of us who frequent comic book shops and bookmark webcomics for daily reading. We caught up with him after a busy month of promotional activity for the new book, including stops at Miami Book Fair, Chicago Ideas Week, Brooklyn Book Fair, and the Small Press Expo.
The end of the year is near, and we have lots of comics to read and best-of lists to compile. Also, it’s getting cold outside, and working our way out from under the stack seems like as good an excuse as any for avoiding chapped-lipped East Coast winters. In this edition of Boing Boing's Comics Rack roundup, we have Greek gods, autobiographical wolves, nightmare goats, and punk rockers.
I made a sound of audible excitement when a new Jesse Reklaw book showed up at my door a couple of weeks back. His dream strip Slow Wave has rightfully won him a fair amount of acclaim in the nearly 20 years since its inception, and Applicant is really a perfect one-off zine, assembled from discarded files of PhD applicants. Couch Tag, on the author hand, is a sort of family autobiography, assembled from countless loose threads centered around objects and things, discarding any semblance of chronology. It’s painful at times, like childhood itself, but Reklaw is mostly an objective tour guide through the strange and seminal moments of his youth.