Does this image of Loch Ness from Apple's Maps app depicts Nessie or the wake of a small boat? Unfortunately, I think it's the latter as we all know the Loch Ness Monster more closely resembles a pleiosaur than a giant catfish. (Forbes)
Zentai (short for "zenshintaitsu," Japanese for "full body suit") is a largely obscure Japanese subculture whose adherents go out wearing full-body patterned spandex suits that cover their faces. In a relatively unsensational article in the Japan Times, Harumi Ozawa talks to a few zentais about their hobby, and learns that for some proponents, being completely covered is a liberating experience. The zentais in the article describe the suit as an anonymizer that frees them from the judging gaze of society, which is a fascinating study in contradictions, since the suits undoubtably attract lots of judgmental looks, but these seem to adhere to the suit without penetrating to the wearer within.
Some zentais wear their suits in superhero fashion, and do good deeds in public, while others wear the suits for sexual kicks. They are often mocked in Japanese pop culture. One academic cited in the article believes that the wearers use the suits to hide their appearance in order to force others to deal with their "true" underlying identity.
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And now, the news from Lake Erie.
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Celeste writes, "Japanese sokkuri ('look alike') sweets are desserts designed to look like other, everyday things. This Japanese TV show showed contestants a room full of seemingly ordinary objects, and then had them guess which ones were sokkuri sweets by biting into them."
GQ's Michael Idov visited Odessa, Ukraine to meet Valeria Lukyanova, the human Barbie doll. Among other topics, we learn that the Barbie connection wasn't Lukyanova's idea, and that she apparently frowns upon what she calls "race-mixing."
"For example, a Russian marries an Armenian," Valeria elaborates helpfully. "They have a kid, a cute girl, but she has her dad's nose. She goes and files it down a little, and it's all good. Ethnicities are mixing now, so there's degeneration, and it didn't used to be like that. Remember how many beautiful women there were in the 1950s and 1960s, without any surgery? And now, thanks to degeneration, we have this. I love the Nordic image myself. I have white skin; I am a Nordic type—perhaps a little Eastern Baltic, but closer to Nordic."
"This Is Not a Barbie Doll. This Is an Actual Human Being."
Chantilly's Tex-Mex nipple-shields for men are not chili flavored, nor do they taste of tacos. They are for fashion (marathon runners, take note). There are no other flavors.
And now you know.
Tex Mex Nipple Shield for men, Tokyu Hands, Shibuya, Tokyo, Japan
Here's voice-actor Jim "Winnie the Pooh" Cummings doing Darth Vader's lines from Star Wars in the voice of Winnie, and other key characters as Darkwing Duck and his other best-known voices; he appears with Lauren Landa, another voice actor with a distinguished resume of anime and game voices. It's pretty much perfect.
Jim Cummings CtCon 2013 - Star Wars with Winnie the Pooh
(via Kelly the Mortal Girl)
[Ed: I'm a huge fan of Kembrew McLeod, a writer, nerdfighter, media theorist and hoopy frood. From epic pranks like Freedom of Expression (R) to genius analysis like Creative License, Kembrew always amazes. Here's an excerpt from his latest: Pranksters: Making Mischief in the Modern World, with an introduction just for us -Cory]
Since I was a kid, I have been fixated on trickery, which played a role in why I grew up to be an occasional prankster (my dad recalls that, as an adolescent, I would surprise him by placing my Sesame Street Ernie doll in grim situations, such leaving him in a noose hanging from a shower head or pinned to the kitchen wall with a knife). Now that I am an adult, I spend most of my time as a teacher and professor being a bit more serious -- enough to take the subject of pranking seriously, which is why I wrote Pranksters: Making Mischief in the Modern World, published by NYU Press on April 1 this year. The word prank is more often used today to describe stunts that make people look foolish and little more. I'm not interested in celebrating cruelty -- especially the sorts of mean-spirited practical jokes, hazing rituals, and reality television deceits that are all too common in today's popular culture. Although "good" pranks sometimes do ridicule their targets, they serve a higher purpose by sowing skepticism and speaking truth to power (or at least cracking jokes that expose fissures in power's facade). A prank a day keeps The Man away, I always say. Nevertheless, I should stress that this book is not solely about pranking. Many of the characters who populate its pages aren't driven by noble impulses, and even those who are more pure of heart can muddy the ethical waters with dubious tactics. With this in mind, Pranksters examines everything from political pranks, silly hoaxes, and con games to the sort of self-deception that fuels outlandish belief systems. The following is an excerpt from Chapter Nine of Pranksters, about the exploits of a married couple named Jeanne and Alan Abel who began as professional pranksters in the late 1950s, and are still at it today.
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Lenore "Free Range Kids" Skenazy points out a new and disturbing artifact from the weird parallel world of bubble-wrapped-kids: a post warning you that the treacly "My family" minivan stickers are an invitation to canny predators who are after YOUR KIDS. No one's saying that this has ever happened, just that they can imagine it, and if they can imagine it, bad guys can imagine it, and if you can imagine a bad guy doing something bad, then you should drop everything to prevent that imaginary thing from coming true.
When in trouble/Or in doubt/Run in circles/Scream and shout.
That Sticker on My Car Is NOT Endangering Me!
Matthew, an odd-jobbing freelance artist, took a job as a frozen-food taster ("trained sensory panelist"), spending long days stuffing fried food in his mouth and rating it on 50-100 attributes, swirling mashed potatoes around his mouth, getting mouth-blisters from all the salt. If you've ever wondered how frozen food manufacturers decide how much cardboard taste is too much, here is your answer:
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Just look at it.
I... just... don't... know... o.0
Enjoy 'Mixed Paganini,' by the Studio Di Fonologia Musicale Di Firenze. Published in 1967, it sounds like a weird, hectic video game from 15 years later. The songs were programmed by Pietro Grossi; the 7" disk was "distributed as a Christmas and new year gift by the Olivetti company." [via