The Internet Archive now offers in-browser emulation of more than 13,000 Commodore 64 floppy disks. The Sentinel, Paradroid, Oregon Trail, Wasteland... they're all there, waiting for you.
Software Library: C64 (Internet Archive)
There is a dream, and they all spread the word that they can save this world.
(Thanks, Jeff Ahern!) Read the rest
In 1985, HR Giger created a Japanese ad campaign for Pioneer's Zone home audio system. Apparently the biomechanical masterpieces seen in these print and TV campaigns were originally created by Giger for Alejandro Jodorowsky's never-made adaptation of Dune.
Future Punk created retro logos and motion graphics for today's Internet companies if they existed decades ago. The artist was "inspired by great work of Sullivan & Marks, Robert Abel & Associates, Computer Image Corporation and various other early CG/Scanimate companies."
And if you're not hip to Scanimate:
Scanimate is the name for an analog computer animation (video synthesizer) system developed from the late 1960s to the 1980s by Computer Image Corporation of Denver, Colorado.
The 8 Scanimate systems were used to produce much of the video-based animation seen on television between most of the 1970s and early 1980s in commercials, promotions, and show openings. One of the major advantages the Scanimate system had over film-based animation and computer animation was the ability to create animations in real time. The speed with which animation could be produced on the system because of this, as well as its range of possible effects, helped it to supersede film-based animation techniques for television graphics. By the mid-1980s, it was superseded by digital computer animation, which produced sharper images and more sophisticated 3D imagery. (Wikipedia)
The 1961 Ferrari 250GT California. Less than 100 were made. In Ferris Bueller's Day Off, Cameron's father spent three years restoring this car. It is his love. It is his passion... It is actually a Modena GT Spyder, and it's currently being put up for auction in California:
From Mecum Auctions:
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The three cars used in the film were not Ferraris at all, but rather three Modena GT Spyder Californias built by Modena Design and Development in El Cajon, California, were utilized. This is one of those cars used in the movie, complete with documents from Modena Design attesting to such. Modena incorporated a number of Ferrari-style elements, such as the windshield, turn signals, grille, hood scoops, fender vents and a custom fiberglass body that was supposedly modeled after an MG, creating a close profile to the original Ferrari. The chassis was of the rectangular steel-tube frame design, built by Bob Webb, who worked on Roger Penske’s Zerex Special. After nine months of refreshing and updating by one of the founders of Modena Design, Neil Glassmoyer, this car emerged looking stunning. Chassis No. 0003 of the 3 cars built, it is powered by a 5.0L V-8 engine fed by four downdraft carburetors, and the attention to detail throughout largely sets the Modena GT Spyder California apart from its competition. The engine uses black crinkle-finished valve coves, retina-searing red paint on the exterior, and the interior reflects all too well the timeless beauty of this machine with rich tan upholstery, exquisite gauges, inspiring switchgear, a period-looking radio and wooden steering wheel.
I hope Dustin gets a job at Spencer Gifts.
I came across the strangest Aloha shirt on Instagram the other day, one called the "Hawaiian Shuffle" ($55). It depicts Chunk of The Goonies, amongst the shirt's tropical foliage, doing his "Truffle Shuffle."
1. I'm 99.9% sure this is an unlicensed Goonies product, which means child-actor-turned-entertainment-lawyer Jeff Cohen (aka Chunk) won't see a dime from its sales (maybe I'm wrong!);
2. A 2015 UPROXX article describes how the film's director Richard Donner felt about that scene and what he did to help Cohen later in life:
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Watching the movie as kids, we probably weren’t too aware of how mean the “Truffle Shuffle” was, mainly because Chunk reluctantly performed it for his friends and then went about his business... However, Donner recalls it as a “painful” scene to film and it was ultimately the catalyst for his lasting relationship with Cohen.
“There was no direction,” Donner explained. “I don’t take any credit for that, it was just Jeff. He had to stand on that stump and be ridiculed by his friends so he could come in the house, and he did it as best as that character could do it. So much humor comes from pain. Although, I’m sure he was too young to be analytical about it, but I’m sure that was part of his instincts. It was a painful scene.”
In fact, Cohen told us that Donner hiring him as a production assistant when he was jobless was what opened the door for him to “learn the business of show business.”
“Jeff became very special as an individual for me when he did the Truffle Shuffle because there was an honest pain in that scene for that little boy in front of those little kids,” Donner said.
Available free on Archive.org, the 1985 Electronic Engineers Master Vol 2 contains page after page of excellent technology company logos, many of which have been lost to the obsolescence of hardware and business plans. Marcin Wichary the designer/typographer/writer behind the Segmented Type Playground and the Pac-Man Google Doodle, turned the logos into a beautifully haunting slideshow.
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Accidentally stumbled upon this amazing treasure trove of hundreds of beautiful/awful 80s tech logos. It sort of feels like a version of that “Bobson Dugnutt” screen, but those are all real.https://t.co/0eOSTTLZYS pic.twitter.com/nzrajNstcD— Marcin Wichary (@mwichary) May 28, 2018
Red Giant's chief creative officer Stu Maschwitz used Adobe After Effects to painstakingly create Tank, a fantastic tribute to 1980s vector graphics videogames like Battlezone, the Vectrex system, and the original Star Wars coin-op machine. Below, "The Making of Tank."
The Internet Archive has an incredible free collection of 1980s handheld game console emulators. In 1978, my brother and I played the hell out of Coleco Electronic Quarterback. It's amazing how compelling and addictive a flashing array of LED dashes was back then, and still is. From the Internet Archive:
This collection of emulated handheld games, tabletop machines, and even board games stretch from the 1970s well into the 1990s. They are attempts to make portable, digital versions of the LCD, VFD and LED-based machines that sold, often cheaply, at toy stores and booths over the decades.
We have done our best to add instructions and in some cases link to scanned versions of the original manuals for these games. They range from notably simplistic efforts to truly complicated, many-buttoned affairs that are truly difficult to learn, much less master.
They are, of course, entertaining in themselves – these are attempts to put together inexpensive versions of video games of the time, or bringing new properties wholecloth into existence. Often sold cheaply enough that they were sealed in plastic and sold in the same stores as a screwdriver set or flashlight, these little systems tried to pack the most amount of “game” into a small, custom plastic case, running on batteries.
They also represent the difficulty ahead for many aspects of digital entertainment, and as such are worth experiencing and understanding for that reason alone.
Inspired by DEVO, Memphis musicians Tony Thomas, Sam Shoup, and Tom Lonardo took a break from the weirdo jazz fusion jams of their "real" trio create Dog Police. Dig the lyrics:
The boys in blue had my baby on the floor, They were asking her if she wanted some more. They pulled out a net, they pulled out a leash, They said they were the... Dog Police!
The resulting video was a big hit on MTV's "Basement Tapes" DIY music video contest and later on Night Flight:
In the spring of 1990, the video’s popularity also led to the creation of a TV sitcom pilot called “Dog Police,” about a trio of psychic doggy detectives from outer space who wear fedoras and beige trenchcoats and grumble their dialogue to each other like they’re all channeling Humphrey Bogart.
Comic actor Adam Sandler made a cameo appearance in the pilot (which possibly was never aired more than once), and the show was to also prominently feature Jeremy Piven as a beat cop. (Clip below.)
Some debate surrounds "The Jordache Look," a 1984 advertisement for the iconic brand's jeans. The proposition: that it is "the most 80s advert ever." If the presence of "ever" permits adverts from beyond the 80s to still be "80s," then I'm afraid there's no beating The Ambassador's Reception, shot by classy chocolatier Ferrero Rocher for screening in post-communist Eastern European markets, but so successful it ended up on British TV.
This woolen Pac-Man sweater, an Icelandic peysa, popped up in my Facebook feed on Wednesday and it made me squee with delight. It's the handiwork of my friend Christine Clarke.
"I told him that if he designed a sweater, I'd knit it for him. But since he never knitted before, it was really difficult to implement his original design, so I ended up making a lot of modifications that didn't really affect the look but made a huge difference in how easy it was to knit."
And knit it, she did...
Christine told me she has been working on the sweater on and off for months, "I started it early February of this year, and of course I only finished it now."
If you'd like to knit one for yourself (and you're roughly the same size as Doc Pop), they've been kind enough to share the pdf pattern with us. Download it here. Christine says spent about $80 on yarn "because I had to get all the different colors, so even for a small accent (like the white), I bought a whole ball of it, so I'll have to think of a different project for all the leftovers."
Can't wait to see what's next!
photos by Christine Clarke and Doc Pop Read the rest
On Monday, redditor smulz shared this video of himself as a child receiving a Nintendo Entertainment System as a gift in May of 1988.
He writes, "I present to you my greatest shame. When my parents surprised me with a new Nintendo."
Whoa, whoa, hold up. There's nothing to be ashamed of here, sir. Your video is an amazing glimpse into suburban eighties life, from the guinea pig cages to that giant TV on wheels to your striped alligator shirt and thick glasses to your kid brother repeating, "I don't want to play with it." That part where you freak out and cry over getting an NES? Pure gold.
Please thank your mom for us for pulling out the camcorder to mark this important moment in your childhood, if for no other reason that we can enjoy it some nearly 30 years later. Read the rest