This video is really gorgeous and trippy. Animator Henning M. Lederer (previously) has once again taken vintage paperbacks and put their op-art covers in motion. There are 66 animated covers in total this round.
This is one of those genius "I can't believe this hasn't been done already" kind of things.
An architect from Indiana has photoshopped recognizable modernist homes into the overly sentimental, idyllic world of a Thomas Kinkade painting, making for a funny mashup series.
It all started with this tweet from another architect, Donna Sink, where she instigates, "Does anyone do paintings of Modern buildings in the style of Thomas Kincade?"
Does anyone do paintings of Modern buildings in the style of Thomas Kincade?
— Donna Sink, Architect (@DonnaSinkArch) August 18, 2018
Then he worked on others, like the Eames house (the wishing well is a nice touch!):
Then someone requested he do architect Philip Johnson's historic Glass House next. He calls his creation "Philip Johnson's Glass Cottage," (emphasis mine) a nod to Kinkade's use of cottages in his paintings:
On this one, he writes, "Ok i really have to stop now. Merry Corbsmas:"
But he didn't stop. He then tackled the Farnsworth House (which I included as the lead image above).
A couple days later he was still at it. On this one, he writes, "Pack your bags for a rocky seaside getaway at the Gehryhaus! You'll love the *squints at copy* homey chain link fence & softly weathered *checks notes* corrugated steel siding while you eat a homemade breakfast in the soft glow of the *deep sigh* aggressively geometric sun room."
You can follow how it all went down in this thread:
Starting a thread of my Thomas Kinkade + Modernism mashups:
— the "schtick" haver (@robyniko) August 19, 2018
Is there anyone who isn't familiar with this pattern? I ran estate sales for a while and came across it a lot in the homes I was prepping.
Now, an updated version of CorningWare's Cornflower Blue pattern is back for a limited time.
The dishes are white, with a neat blue floral pattern decorating the center of each container. They were available for 30 years, from the 1950s through the 1980s, and have now returned in an updated pattern that still looks a lot like the look many Americans grew up with.
“First produced in 1958, the iconic blue Cornflower pattern quickly became a staple in American households and for many, the pattern is synonymous with CorningWare and some of their fondest family food memories,” CorningWare said in a statement. “The collection features various-sized baking dishes, generously sized mugs, measuring bowls, a ramekin set, and mixing bowls — all featuring the charming blue flowers that have warmed hearts and homes for generations.”
If you're feeling nostalgic, you can buy this limited-edition retro pattern until 2019 through its parent brand Corelle.
Jason Henderson and Adam Foshko have authored California Tiki: A History of Polynesian Idols, Pineapple Cocktails and Coconut Palm Trees, a new paperback which "explore the state's midcentury fascination with all things Tiki":
After World War II, suburbs proliferated around California cities as returning soldiers traded in their uniforms for business suits. After-hours leisure activities took on an island-themed sensuality that bloomed from a new fascination with Polynesia and Hawaii. Movies and television shows filmed in Malibu and Burbank urged viewers to escape everyday life with the likes of Gidget and Hawaiian Eye. Restaurants like Don the Beachcomber and Trader Vic's sprang up to answer the demand for wild cocktails and even wilder décor. The culture--a strange hodgepodge of idols, torches, lush greenery and colorful drinks--beckoned men and women to lose themselves in exotic music and surf tunes.
The house at Klump Ave. and Dilling St. in Studio City, also known as the Brady Bunch house, has been put on the market for $1.885 million.
The Brady Bunch house, a Traditional-style residence near the Colfax Meadows neighborhood, was used for outdoor representations of the beloved television family’s abode. That included the show’s opening and closing scenes as well as numerous interludes to denote the time of day. Interior scenes for “The Brady Bunch” were filmed in studio.
Violet and George McCallister bought the two-bedroom, three-bathroom house in 1973 for $61,000, records show. The series ran from September 1969 to March 1974 before moving into reruns in syndication.
Ernie Carswell, a Douglas Elliman agent who is listing the property, said the split-level house has been updated and upgraded but retains almost the exact interior decor from that era, though the layout does not resemble the TV show home.
The article reports that Carswell is expecting many lookie-loos and to thwart the masses, he will not be holding any open houses. Interested buyers will need to book an appointment to see the "never-ending attraction." There's also a chance that its new owners will tear it down as it "sits in an area that has been ripe for tear-downs and new development." Caswell says the sellers would prefer to sell it to someone who will preserve it.
"Jell-O by the Sea" by home cook Kate Fulbright
Three (m)old friends -- Kate Medley, Emily Wallace & Kate Elia of North Carolina -- have a long-standing relationship with Jell-O and its molds. So, they recently got folks together to create gelatin masterpieces for "O Moldy Night," their pop-up museum celebrating molded food.
As for the three of us, our relationship with molds began with the campy — ’70s recipes and good “mold-fashioned” wordplay: A birthday cake with the slogan "I'm old" started our endeavour. But our obsession with the molded eventually expanded to reflect our combined careers in art and food. We wondered about the rise and demise of shaped and gelatinous foods and became enamored by their aesthetics. So, what began as a years-long joke to elevate aspic to a pedestal eventually solidified (as gelatin is wont to do) into a pop-up museum project deemed "O Moldy Night," which displayed the works of some 40 chefs, home cooks, grandmas, and artists at The Durham Hotel in our North Carolina town. Materials ranged from tomatoes and carrots to pig’s feet, chicken tenders, and crushed pineapple.
Take a gander at some of the other creations over at The Bitter Southerner.
image via The Bitter Southerner
Ambassador of Americana Charles Phoenix has announced a new swoonworthy line of his & hers* vintage-inspired coordinated clothing. The matchy-matchy shirt/dress combos are a collaboration with Pinup Girl Clothing sold under the newly-formed Sir Charles of Phoenix brand. Not only are they super cute but they are available in a wide range of sizes.
And, if you're in the Burbank area this Saturday, swing by the Pinup Girl Clothing boutique for the line's debut party from 6 PM to 10 PM. Charles will be there, along with some of his special Test Kitchen creations.
Hawaiian Honeymoon print
Calypso Castaway print
*Of course, there's nothing stopping you from making these his & his or hers & hers (or even they & they) sets. All pieces are sold separately. Read the rest
Aluminum, mylar, and space-age plastics await you as you take a trip through Christmases past with 43 prime examples of middle aged women posing by their mid-20th century Christmas trees. Apparently, either a dog or a drink was a required accessory. Crème de menthe, anyone? Read the rest
This week on HOME: Stories From L.A.:
Who were we? How did we live, and what did it look like? The vast archive of castoff slides captures, in vivid colors, images of the American family at midcentury. But the stories that go with the pictures are most often lost, and we’re left to create our own, and reflect on millions of conscious decisions to untie the knot of memory.
HOME is a member of the Boing Boing Podcast Network. If you like what you hear, please take a second to leave the show a rating and/or review at the iTunes Store. It's a little thing that means a lot, so thanks. And don't forget to subscribe, at any of the usual places:
Color slides were once the state of the art in family photography -- vibrant, immersive, ubiquitous. So ubiquitous, in fact, that millions, maybe billions of them survive. A conversation with midcentury pop culture expert Charles Phoenix: What can we learn from the vast shadow world of abandoned slides about the way we used to live in our homes?
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