If you're a child of the seventies, you'll probably remember that while the sitcom Happy Days aired from 1974 to 1984, it was set in Milwaukee in the late fifties.
Ok, so in 1980, an animated spin-off series called The Fonz and the Happy Days Gang hit the Saturday morning cartoon circuit, lasting just two years. In those two seasons, they meet a "future chick" named Cupcake and are accidentally hurled through time and space in a janky spaceship with Mr. Cool, a talking dog. This quasi-educational show (which has Wolfman Jack as its narrator) chronicles their journey trying to get back to 1957, but first they jump to significant historical time and places, like the Salem Witch Trials.
So, it's a cartoon, made for early-eighties kids, of fifties youth bouncing around in time trying to get back to 1957. Sure... why not?.
If you have the time (heh), watch all of Season 1 and Season 2.
If you're wondering, this cartoon happened two years after Robin Williams landed a small role as Mork on the live-action Happy Days (which eventually turned into the spin-off, Mork & Mindy) and just three years after the Fonz jumped the shark.
Ayyy... Can you dig it?
(Weird Universe) Read the rest
Live at Rockpalast
When Patti Smith, the queen of cool, tells you to "just be cool," you'd better stop and check yourself. Watch her do just that in this
German TV footage from 1979. At around the 3:45 mark
, she pauses her performance of "Dancing Barefoot" to break up a ruckus in the crowd.
"Now, c'mon. Just be cool, man. Hey everybody, just be cool. Get cool... Stop acting like assholes and settle the fuck down!"
) Read the rest
Not sure what Yankee Stadium food vendors wear now but, apparently, sometime in the late sixties or early seventies they donned this far out, font-heavy number. Baseball photo historian Baseball by Bsmile shared this recently on Twitter and points out that the shirt was designed with ketchup/catsup and mustard colors.
A 2008 Uni-Watch (a site that follows sports teams aesthetics) article shares:
...Reader Paul Wiederecht has provided a wealth of interesting background info...
Read the rest
I saw that vendor’s shirt used from 1968-72 at games I attended. Sorry, no pics, but I think I may be able to shed some light on the shirt’s design history.
Much of the Yankees’ look during the team’s CBS ownership era can be attributed to Lou Dorfsman, who was CBS’s creative director for more than 25 years. Except for the eye logo, which was the inspiration of his predecessor, William Golden, Dorfsman was responsible for CBS’s corporate and on-air look. His contribution to graphic/interior and set/broadcast/advertising design is legendary, he set the high standard that artists like me have trying to measure up to our whole careers.
Anyway, back to the shirt: If you look here, you’ll see an example of the three-dimensional wall treatment in the CBS employee cafeteria, which was executed by Herb Lubalin (a typographer of note in his own right). You will see many design similarities [between the wall treatment and the vendor’s uniform], and similar design treatments can been seen in many Yankees publications from that era. I would not be surprised if Dorfsman used Lubalin’s design studio for many Yankees projects, possibly even this shirt.
Here's some behind-the-scenes footage of Elton John in 1970 working out the harmony for what he describes as "the song about Bernie's girlfriend."
"Bernie" is Bernie Taupin, the song's lyricist and the song is Tiny Dancer. Taupin's girlfriend at that time was the band's seamstress Maxine Feibelmann, a dancer who later became Bernie's first wife. In a 1973 Rolling Stone interview, Taupin acknowledged that the song is about her. When asked directly, he stated, "That's true, yes." The song is even dedicated to her on the album, Madman Across the Water.
However, Taupin later stated that the song was about all the women he encountered in California in those days:
“We came to California in the fall of 1970, and sunshine radiated from the populace,” he said. “I was trying to capture the spirit of that time, encapsulated by the women we met–especially at the clothes stores up and down the Strip in L.A. They were free spirits, sexy in hip-huggers and lacy blouses, and very ethereal, the way they moved. So different from what I’d been used to in England. And they all wanted to sew patches on your jeans. They’d mother you and sleep with you–it was the perfect Oedipal complex.” Why “tiny,” then? “Well, that’s poetic license, although they were all petite and lithe. And ‘Tiny Dancer’ sounds better than ‘Small Dancer,’ or ‘Little Dancer.'”
In any event, it's a damn good song. Here is John in 1971 performing it:
(TwistedSifter) Read the rest
Bob Marley and the Wailers, 1973. The full live set is below, recorded in-studio for the BBC.
Read the rest
A seventies country cock-rocker soft-bluesy ballad that you may know best from the soundtrack for the movies “Boogie Nights,” or “Guardians of the Galaxy.”
Boing Boing Video Link
"The Source Family" a documentary by Boing Boing pal Jodi Wille and Maria Demopoulos, tells the story of Father Yod and his Source Family, a radical, utopian social experiment that emerged from the Los Angeles freak scene in the 1970s. You can download it on Amazon or iTunes, and it's a terrific film.
Isis Aquarian, one of the Source Family members featured in that documentary, sat down with Boing Boing at her home on the island of Oahu to share a special artifact from the Source Family treasure chest. It is the "Birth Rope," a handmade rope on to which were tied the names of each child born into the flower child cult—including Isis' own daughter Saturna.
In our video above, Isis references a mugshot of her. It was taken by Hawaii police when she was arrested for not turning over a fellow Source Family member's body to authorities when he died. The group believed in natural ceremonies for both births and deaths. That police photograph is below.
Read the rest
"Be the first on your block to know about nude psychotherapy." A 1970s-era magazine ad, scanned and shared in the Boing Boing Flickr Pool by Boing Boing reader v.valenti. Read the rest
"The Meditator," a personal isolation tank fashioned from 12 pentagons decorated with photo collages. "You may find the sensation akin to that mystical communion with nature that you experience when alone in a forest," according to Popular Science writer Ken Isaacs in November 1970. At popsci.com, they've republished a photo gallery with enough detail that serenity-seeking DIYers in 2012 can once again roll their own. Read the rest
View larger size here. Lovingly scanned and shared in the Boing Boing Flickr Pool by reader v. valenti. Art by Japanese illustrator Shusei Nagaoka, whose sci-fi illustrations were popular during the 1970s and '80s, and graced album covers by ELO, Earth, Wind & Fire, and Deep Purple. There's an awesome little archive of his work here.
Read the rest
In the 1970s, someone thought this was a good idea. [Video Link]
(Thanks, Tara McGinley) Read the rest
[Video Link: "A Long, Drawn Out Trip"]
Last night I watched (and greatly enjoyed) the Pink Floyd "The Story of Wish You Were Here" documentary Richard Metzger turned me on to last week (buy it here, and my earlier post about that documentary is here).
I ended up going down one of those internet-rabbit holes where you search and watch a bunch of related stuff online. Among the rabbit-holes I fell down: the story of how the band hooked up with the now-legendary illustrator and caricaturist Gerald Scarfe. He and the band later teamed up on "The Wall," and Scarfe's visual style is now a kind of icon of that era of Big Rock and Roll. I am not a big fan of the later, big budget, grand spectacle school of rock music visuals for which they became known, but I am fascinated by the earlier material.
UK native Scarfe created "A Long, Drawn Out Trip" in 1971 after traveling to the US. As the story goes, Roger Waters and David Gilmour saw the 18-minute short when it was aired on the BBC in 1973 (only once in its entirety! remember, this is before YouTube!), and said, "That's the stuff!" The stream-of-consciousness short pokes fun at symbols of American culture. In one sequence, Mickey Mouse gets high and morphs from the Disney character we all know, to a stoned-out hippie.
Read the rest
Richard Metzger says:
This 1978 clip features the eternally popular Raffaella Carrà (now pushing 70) singing Cole Porter’s “Night and Day” as bald, mustachioed eye-patch wearing sci-fi weirdos, um, assist her..
That’s only the “night” part, just wait until the troupe of caped, dancing “Aladdin Sane” clones show up near the end!
Watch the video at Dangerous Minds. Read the rest
Image Link. From the excellent Flickr collection of MewDeep (lots of '60s-'70s ad scans), via BB Flickr Pool. Read the rest
Holy crap, this video truly is the most awesome thing ever!!11one!11. I know nothing about this, other than what's on the YouTube description: "Promo for Giorgio Moroder taken from a Casablanca Records promo tape." I was talking with Joel Johnson about how creepy Moroder seemed in this video, with the pervo-stache and the cocaine shades. "But he mades the trains boogie on time," says Joel. Mr. Moroder is still very much with us, btw: he is 69 years old, and actively composing. Here's his website.
When you're done watching, go listen to this (or buy it). I think it's my favorite Moroder track.
(via Q-Burns Abstract Message via DailySwarm via Mixhell) Read the rest