Beautiful beaches. Lush jungles that thrive in volcanic soil. Friendly people and amazing local cuisine. You can keep 'em all. One of the things I enjoyed most about my last trip to Costa Rica were the calls of local howler monkeys. It didn't matter that I knew what was making their horrific calls. Hearing their low, simmering rage-filled grunts and screams never failed to make the lizard bits of my brain insist that my face was about to be eaten and that I would soon be dead.
There are various apps that purport to generate white noise, but the free ones I've tried have all been strange or skeevy, and YouTube's a minefield of allcaps woo and bad ads. Turns out that the best place to get it is a website: NoiseMachines.
The white noise generator is perfect, with an equalizer, presets and options to save and share your own. (Here's one I made for you that I'm calling "24 hours of bridge noise but something's very wrong with the spaceship")
But there's also lots of sample-based blends of noise, too, such as thunder, vinyl scratches, generative piano music (my setting), data centers, binaural beats, etc.
The creator is Stephane Pigeon, a sound engineer with various other similar projects to enjoy. Read the rest
TIL two things:
1. YouTube is home to the world's only heavy metal-themed talk show. It's called Two Minutes to Late Night.
2. Vocalists of all metal subgenres often shriek and squawk like birds. To prove it, the Two Minutes to Late Night host recently asked ornithologist Tom Stephenson of BirdGenie (an app that identifies birds by their sounds), "What Birds Do Metal Singers Sound Like?" He had no problem matching birds to their metal equivalent.
For instance, the (most-non-metal) bird expert (ever) identified the Northern Potoo as a close match to the screeching vocals of Converge's 2001 metalcore song "Concubine." Ok, sure.
At the Nuremberg Castle in Bavaria, Germany, there is a 50 meter (165 foot) well. The delay between when water is poured into it and its splash at the bottom delivers a surprising thrill of anticipation. (via r/videos)
For more than fifty years, scientists have known that the Earth hums. We can't hear the sound as it's at a frequency 10,000 times lower than our hearing threshold but new research suggests that it's coming from the ocean floor. Scientists from the Paris Institute of Global Physics analyzed data from earthquake sensors on the Indian Ocean floor and found the familiar and constant oscillations of between 2.9 and 4.5 millihertz. From National Geographic:
Read the rest"To better understand where the signal comes from, we believe that observing oscillations from the ocean bottom can help," says co-author Martha Deen...
Since early observations, a number of studies have hypothesized that the Earth's free oscillations are a side-effect of the pounding of ocean waves. Other research suggests the hum could originate from atmospheric turbulence, or the wind motions around the globe, cued by storms. The current study says turbulence could account for part of the vibration, leading the rest to be fueled by ocean waves...
By studying the Earth's hum signal from ocean-bottom stations, scientists can map out a detailed landscape of the Earth's interior. Currently, they can only look at the inside of the planet during earthquakes, which limits studies to certain times and areas. And when looking at seismic activity from land monitors, researchers can't chart places far removed from islands and land masses. But the hum signal, droning and constant, can be detected across the world.
Four video game audio designers explore the psychoacoustics of vintage video games, from the accelerating heartbeat of Space Invaders to the dramatic woosh of Myst's linking books. From Wired:
With only a few channels of audio to play with, early videogame designers had to get very creative if they wanted their sounds to stand out. Pong, created in 1972, took a single tone and made it iconic, while Donkey Kong utilized the limited sounds of a Game Boy to trigger a range of cues and emotions.
As the games got more complex, so did the audio, and the theories behind it. A loop, or short, repeated section of audio, acts as a recurring cue. Dissonant sounds communicate failure, while consonant ones—think of the sympathetic vibrations of Super Mario Bros.—encourage players to continue. The tones can even mimic human sounds—a modulating synthesizer approximates laughter, like the “wawawawawa” in Duck Hunt.
In 1948, Moses Asch founded the incredibly influential Folkways Records label to record and share music and sounds from around the world. Along with bringing the music of Woody Guthrie, Pete Seeger, Lead Belly, and Elizabeth Cotten to wider audiences, Folkways, acquired in 1987 by Smithsonian, also issued incredible sound recordings from the Ituri rainforest, Navajo Nation, Peru, and many other locations and indigenous peoples across the globe. (In fact, the label provided several tracks for the Voyager Golden Record, now 12+ billion miles from Earth! Researching that project with my partner Tim Daly, a DIY musicologist himself, I've become absolutely enchanted by Folkways. If any of you dear readers have Folkways LPs collecting dust, I'd give them a wonderful home.)
Along with music, Folkways released LPs with poetry, language instruction, nature sounds (frogs! insects), and other field recordings. I recently discovered this curious Folkways release from 1964, Sounds of the Office, featuring a time clock, electric typewriter, adding machine, thermofax, pop bottle machine, and of course "coffee break." It reminds me of an early avant-garde tape music composition! You can hear two samples below and more at the Smithsonian Folkways site.
"The sounds of the office are essentially sounds of paper and machines. Here are some of them, in a rough chronological sequence, from the start of a day to its end, or at least the end of the morning," wrote the recordist Michael Siegel in the album liner notes.
It's interesting to imagine how a contemporary version of this album would sound. Read the rest
From the THX sound to Windows startup chimes, audio is a key weapon in the psychological branding arsenal. In this video from Wired, Andrew Stafford (Co-Founder & Director at Big Sync Music) and Steve Milton (Founding Partner at Listen) provide commentary on some of the most famous.
There was a time, Stafford says, when the Nokia ringtone was being played 20,000 times a second. [via MeFi]
Encore: the story behind Sosumi, the most annoying Mac sound. Read the rest
Something about the soundtrack to Hi Stranger tickled neurons untickled for many years. Read the rest
Break out your headphones for this one. Maxime Causeret has created a beautiful animation for Max Cooper's instrumental track "Order from Chaos." Seemingly random elements slowly coalesce into lifelike forms as the track moves from raindrops to increasingly complex sounds. Read the rest
Hipster Sound is a website with a simple, unerring purpose: to provide ambient recreations of "hipster" environments such as coffee shops, buffet cars and the capital of France. It's quite well thought-out. For example, the coffee shops have optional pianos. I couldn't find a meta-control for "coded resentment of fashionable young people," though. Read the rest
Giraffes aren't known for their vocalizations, a limitation thought to be caused by their long necks, but biologists have know determined that they do "hum" at night. According to cognitive biologist Angela Stöger at the University of Vienna, the animals produce a low frequency hum with "a complex acoustic structure." Hear it below!
"It could be passively produced – like snoring – or produced during a dream-like state – like humans talking or dogs barking in their sleep,” Stöger told New Scientist.
Stöger adds that the hum could also be how giraffes communicate with each other when it's too dark to see.
Cornell Lab of Ornithology may have digitized nearly 150,000 digital audio recordings [via], amounting to 7,513 hours and 10 terabytes of data, but do they have the sound of this mouse that thinks it is a wolf? I think not. Read the rest
I really dig science that makes the inaudible audible. Earlier this month, I posted a link where you could listen to seismic waves from the Tohoku earthquake converted into sound. A couple years ago, we had sounds from space—plasma waves converted into sound.
This video, from Space.com and the University of Michigan, turns a coronal mass ejection from March 7th into some fantastic sounds—some resembling tinkling bells, and others sounding more like a 7th grade boys' locker room.
Via Steve Silberman
The seismic waves of an earthquake happen at a lower frequency than what the human ear can hear. But, if you speed up those signals, compressing minutes or even hours worth of data into a few seconds, an audible sound emerges.
Zhigang Peng, associate professor in Georgia Tech’s School of Earth and Atmospheric Sciences, has turned the seismic waves from last March's Tohoku earthquake into audio files. The result is powerful, and powerful strange.
Recorded near Fukushima, the main earthquake sounds eerily like a huge wave crashing into a rocky beach. On the other side of the Pacific, in California, that same seismic wave sounds more like a peal of distant thunder. In both cases, the initial impact is followed by a cascade of popping, crashing, scraping, and twisting sounds—like cars being crushed at a junkyard. Those are the noises the Earth makes as tectonic plates shift and settle into their new places.
Check out all of Dr. Peng's audio files.
Via Joe Rojas-Burke
