On his blog, Cory Doctorow alerted me to the news that science fiction author Marc Laidlaw has started a YouTube channel and is re-reading his short fiction. He does an excellent job creating voices for the characters in his stories. Marc has also released his novels as Kindle editions, and if you have a Kindle Unlimited membership (try a month for free) you can read them as part of your membership. Read the rest
Renowned sci-fi and fantasy publisher Tor just launched a new book imprint called Nightfire, focusing on new horror fiction. And to celebrate, they're giving away 35 free short horror stories as audiobooks. The list includes stories by Alyssa Wong, Chuck Wendig, China Miéville, Carmen Maria Machado, and more.
The only catch is that the stories are only available through the GooglePlay Store, or through Google Assistant commands. This is only really a minor inconvenience if you (like me) are not an Android user—but also if you're like me, it's totally worth it.
Come Join Us By The Fire: 35 Short Horror Tales From Nightfire Books Read the rest
When I was a kid, my whole circle of D&D-playing, science-fiction reading pals was really into Roger Zelazny's ten-volume Chronicles of Amber, but somehow I never read it; for years, I'd intended to correct this oversight, but I never seemed to find the time -- after all, there's more amazing new stuff than I can possibly read, how could I justify looking backwards, especially over the course of ten books? Read the rest
Wil Wheaton's 2017 standalone novelette Dead Trees Give No Shelter is a beautiful, spooky horror story in the vein of Stranger Things, following Jay Turner as he returns to the small Ohio town where his baby brother was murdered, 20 years before, to witness the execution of his killer. Read the rest
Unauthorized Bread is the first installment of my next science fiction book for adults, Radicalized, which comes out in just over a month; the audiobook is available DRM-free on Google Play and direct from me. Read the rest
Unauthorized Bread is the first of four audiobooks that make up my forthcoming book Radicalized, read by the talented actor Lameece Issaq. The book, published by Macmillan Audio, is a Google Play exclusive, as part of a deal I made to celebrate the launch of a major DRM-free audiobook store that challenges Audible's monopoly on the store. But the Google Play folks have graciously permitted me to sell it with my other DRM-free audiobooks, so you can buy it direct if you prefer. Read the rest
(Neither Boing Boing nor I have received any compensation for this post: Libro.fm asked me to post this and I did so because I want to see them succeed -Cory)
Libro.fm (previously) is an independent audiobook store that sells all the same audiobooks you can get on other platforms like Audible, Google Play, Apple, Downpour, etc, but unlike the industry leaders at Audible and Apple, they are DRM-free, and unlike all of their competition, they work with independent booksellers. Read the rest
Daniel Willingham, a University of Virginia psychologist who wrote "The Reading Mind," says that the most common question he receives these days is the following: “Is it cheating if I listen to an audiobook for my book club?” In a New York Times essay, Willingham parses the benefits and drawbacks of both formats. Which one is better? Of course personally preference and convenience matter, but Willingham argues that generally right now when it comes to listening or reading a book, there is "equivalence for easy texts and an advantage to print for hard ones." For example, audio books provide prosody, the intonation, tone, and rhythm of the words. Sometimes, hearing those cues helps us understand the material. But not always. From the NYT:
Read the restFor example, one study compared how well students learned about a scientific subject from a 22-minute podcast versus a printed article. Although students spent equivalent time with each format, on a written quiz two days later the readers scored 81 percent and the listeners 59 percent.
What happened? Note that the subject matter was difficult, and the goal wasn’t pleasure but learning. Both factors make us read differently. When we focus, we slow down. We reread the hard bits. We stop and think. Each is easier with print than with a podcast.
Print also supports readers through difficult content via signals to organization like paragraphs and headings, conventions missing from audio. Experiments show readers actually take longer to read the first sentence of a paragraph because they know it probably contains the foundational idea for what’s to come.
I've just closed a new book deal: Tor Books will publish "Radicalized," which tells four stories of hope, conflict, technology and justice in the modern world and near future in March 2019; along with the book deal is a major audiobook deal with Macmillan Audio and a screen deal with Topic Studios (a sister company to The Intercept) for one of the tales, "Unauthorized Bread." Read the rest
Here's the third part of my reading (MP3) of Petard (part one, part two), a story from MIT Tech Review's Twelve Tomorrows, edited by Bruce Sterling; a story inspired by, and dedicated to, Aaron Swartz -- about elves, Net Neutrality, dorms and the collective action problem.
Here's the first part of my reading (MP3) of Petard, a story from MIT Tech Review's Twelve Tomorrows, edited by Bruce Sterling; a story inspired by, and dedicated to, Aaron Swartz -- about elves, Net Neutrality, dorms and the collective action problem. Read the rest
Here's the eighth and final part of my reading (MP3) (party seven, part six, part five, part four, part three, part two, part one) of The Man Who Sold the Moon, my award-winning novella first published in 2015's Hieroglyph: Stories and Visions for a Better Future, edited by Ed Finn and Kathryn Cramer. It's my Burning Man/maker/first days of a better nation story and was a kind of practice run for my 2017 novel Walkaway.
Here's part seven of my reading (MP3) (part six, part five, part four, part three, part two, part one) of The Man Who Sold the Moon, my award-winning novella first published in 2015's Hieroglyph: Stories and Visions for a Better Future, edited by Ed Finn and Kathryn Cramer. It's my Burning Man/maker/first days of a better nation story and was a kind of practice run for my 2017 novel Walkaway.
Here's part six of my reading (MP3) (part five, part four, part three, part two, part one) of The Man Who Sold the Moon, my award-winning novella first published in 2015's Hieroglyph: Stories and Visions for a Better Future, edited by Ed Finn and Kathryn Cramer. It's my Burning Man/maker/first days of a better nation story and was a kind of practice run for my 2017 novel Walkaway.
Here's part five of my reading (MP3) (part four, part three, part two, part one) of The Man Who Sold the Moon, my award-winning novella first published in 2015's Hieroglyph: Stories and Visions for a Better Future, edited by Ed Finn and Kathryn Cramer. It's my Burning Man/maker/first days of a better nation story and was a kind of practice run for my 2017 novel Walkaway.
Here's part four of my reading (MP3) (part three, part two, part one) of The Man Who Sold the Moon, my award-winning novella first published in 2015's Hieroglyph: Stories and Visions for a Better Future, edited by Ed Finn and Kathryn Cramer. It's my Burning Man/maker/first days of a better nation story and was a kind of practice run for my 2017 novel Walkaway.
