A mural quoting a sexual assault comment made by the President of the United States led to a threat of jail time from the city of New Orleans. Neal Morris, owner of the property and commissioner of the work, got the ACLU involved. Read the rest
Three days later, after much controversy, that building's landlord had begun painting over her four-story tall lifelike phallus.
Falkholt shared this statement with Hyperallergic:
We live in cultures where sexual violence and sexual abuse are constantly happening. And there are a lot of raped and abused children who have lost their voices due to the shame that comes with having their own bodies violated at a young age. No more bodyshaming. Talking about these subjects in public space is a must for a healthy, nonviolent community/world. And the dialogue created around feminist public art pieces raises awareness. Art is one of the only places left where we can truly be free and discuss whatever difficult topics there are, since art has the ability to translate and transform language in any direction possible.
There are Advent calendars and then there is the Banks's Brewery's Advent calendar.
Launched on December 1, the UK beer brand's countdown to Christmas stands over 36 feet tall because it's spray painted on the boarded-up windows of a deserted building in the English city of Wolverhampton.
Their bluntly-stated calendar is part of a larger campaign called "Tells it like it is" and its gritty commentary is meant to appeal to a young, working class audience.
Big Al’s Creative Emporium, the London-based creative agency behind it all, explains:
How do you reassert an identity for a traditional pint of Black Country bitter on a shoestring? Paint it on the walls. That’s how.
Banks’ was a traditional West Midland’s beer in decline, feeling a bit dated and with an ageing core of traditional drinkers. Despite an extremely limited marketing budget, we wanted to give the brand new lease of life by appropriating the straight talking wit and grit of its industrial Black Country roots.
Our solution was to develop a graffiti campaign around the thought ‘Tells it like it is’ and getting our messages on to unconventional urban spaces to create a subversive ambient campaign, which in turn we were able to activate as social media campaign taking on a life of its own.
Here's a peek at some of those messages:
See the rest over at Ads of the World.
μcapsmic zooms in on the found at of spray paint caps used to paint a mural of the Star Child from 2001: A Space Odyssey.
Used and naturally clogged in the most random ways possible, these spray paint caps were once indistinguishable from one another to the human eye and untouched by the human hand in the making. Now, each of them is considered to be small-scale models of the Universe that they created it. The first part showed here is a selection of six clogged spray paint caps that were used to create the stellar mural "StarChild (Genesis)".
Artist Darren Cullen (previously) created the posters, which read, "The crew of our nuclear submarines are on a suicide mission. To launch their missiles means death is certain, not just for them, but for the millions of innocent people those bombs will obliterate, and for the rest of us too." Read the rest