This Banksy artwork was painted late last night a on a steelworker's garage in Port Talbot, South Wales, UK. From CNN:
The art, which appears to pay homage to the town's industrial past, depicts a child playing in what looks like snow. But viewed from another angle this appears to be embers and smoke from a skip fire....
Properties and cars were covered with black dust from the town's steelworks in July, which has been suggested as a potential inspiration for the work...
A Neath Port Talbot council spokesperson told CNN in a statement that they are sending officers to liaise with the property owner in order to assist in protecting the artwork but noted that the graffiti is on private property.
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. . . . Season’s greetings . . .
A street art collective known as ArtBitch, currently operating as VoteBitch, has been droplifting humorous pro-voting signs up in a bunch of public Bay Area locations.
Each sign shows a figure holding up a dog poop bag in one hand and a leash attached to the United States in the other, with the word "VOTE" and the hashtag #itactuallymatters underneath it.
The group has made the sign's art a free download on their site.
You pick up your mess – why should the neighbors sit home watching football while you rock the whole civic duty thing? Tell folks to get with the program with this chipper yet irony-laden “Vote” sign.
Vote! It does actually matter.
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Pick it up! Want a free PDF of this? Print your own dang sign by emailing me thru the website (link in profile). #vote #itactuallymatters #streetart #culturejamming #adbusters #art #Election #elections #elections2018 #election2018 #registertovote #register #bluewave #blacklivesmatter #politics #TheFutureIsVoting #BeAVoter #CivicMinded #Civilrights #2018Election #rockthevote #bluewave #rememberinnovember #moveon #democracy #democracynow #leagueofwomenvoters #feminist #feminism #activism
photo by Rusty Blazenhoff (VoteBitch tipped me off on a few of the locations so I could photograph the signs. The lead image was captured at the bus stop on Webster Street near the corner of Atlantic Avenue in Alameda.) Read the rest
An extremely funny prankster glued googly eyes to the statue of Revolutionary War commander Nathaniel Greene; the City of Savannah took to its Facebook page to insist that this was "not funny" but rather "vandalism" and saying that the police had been involved.
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War is a thing of terror, traditions, heartache and often, boredom. Passing the time between patrols, and the banality that comes from life in the field, is a constant challenge. Some people read. Most exercise. Everyone complains about the food. Soldiers write, train and call home--if there's someone there that'll pick up the phone. Video games? Totally a thing, in some instances. If you have a Sharpie, or a knife, there's a good chance that you might wind up doodling, scratching or scrawling something, at one point or another, to prove that you were there, where ever ‘there’ might be.
Jonathan Bratt, a veteran of the war in Afghanistan and a current company commander in the National Guard, put together a great read on the history of military graffiti for The New York Times. Starting with 5,000-year old cave paintings and navigating conflicts across the span of history, Bratten touches on the artwork and vandalization that soldiers, living in Death’s shadow, undertook to cure themselves of boredom and, in some cases, serve as proof of their existence.
From the New York Times Magazine:
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World War II brought U.S. troops to Europe by the millions, and this time they were accompanied by a friend: Kilroy. Kilroy was a mysterious phantom, asserting his presence in the scrawled phrase “Kilroy was here,” often accompanied by a cartoon doodle of a bald head just peeking over a wall, nose and fingers visible. And Kilroy was everywhere. Troops claimed that when they’d storm a beach or take a village, they’d somehow find that Kilroy had gotten there before them.
A mural quoting a sexual assault comment made by the President of the United States led to a threat of jail time from the city of New Orleans. Neal Morris, owner of the property and commissioner of the work, got the ACLU involved. Read the rest
Bordalo II creates massive sculptures from junkyard artifacts. Here, he creates an underwater scene. Read the rest
On Christmas Eve, Swedish street artist Carolina Falkholt announced her big ball-less Broome Street dick on Instagram ("NO TIME 4 BALL$$," she wrote).
Three days later, after much controversy, that building's landlord had begun painting over her four-story tall lifelike phallus.
Falkholt shared this statement with Hyperallergic:
We live in cultures where sexual violence and sexual abuse are constantly happening. And there are a lot of raped and abused children who have lost their voices due to the shame that comes with having their own bodies violated at a young age. No more bodyshaming. Talking about these subjects in public space is a must for a healthy, nonviolent community/world. And the dialogue created around feminist public art pieces raises awareness. Art is one of the only places left where we can truly be free and discuss whatever difficult topics there are, since art has the ability to translate and transform language in any direction possible.
Enormous penis pops up in NYC and Local Residents Complain About Penis Mural on Broome Street
photo via Carolina Falkholt Read the rest
There are Advent calendars and then there is the Banks's Brewery's Advent calendar.
Launched on December 1, the UK beer brand's countdown to Christmas stands over 36 feet tall because it's spray painted on the boarded-up windows of a deserted building in the English city of Wolverhampton.
Their bluntly-stated calendar is part of a larger campaign called "Tells it like it is" and its gritty commentary is meant to appeal to a young, working class audience.
Big Al’s Creative Emporium, the London-based creative agency behind it all, explains:
How do you reassert an identity for a traditional pint of Black Country bitter on a shoestring? Paint it on the walls. That’s how.
Banks’ was a traditional West Midland’s beer in decline, feeling a bit dated and with an ageing core of traditional drinkers. Despite an extremely limited marketing budget, we wanted to give the brand new lease of life by appropriating the straight talking wit and grit of its industrial Black Country roots.
Our solution was to develop a graffiti campaign around the thought ‘Tells it like it is’ and getting our messages on to unconventional urban spaces to create a subversive ambient campaign, which in turn we were able to activate as social media campaign taking on a life of its own.
Here's a peek at some of those messages:
See the rest over at Ads of the World.
Previously: There's an advent calendar full of weed Read the rest
Instagram user Lonseometown9 documents their ongoing series of street art that transforms dumped sofas, chairs, and televisions into sad clowns. Read the rest
Miguel Marquez Outside chronicles Australian artist Michael Pederson's clever and cute installations of small artworks. Read the rest
Swedish street artist Huge creates a lot of cool stuff, but he's best know for his balloon art that looks like those novelty letter-shaped mylar balloons in various levels of inflation. Read the rest
Juz Alvarado captured this footage of a street artist painting a "Zen" keychain using paint-filled syringes. Read the rest
Street artist Tom Bob has made it his mission to turn a world full of drab and unremarkable little corners into charming moments with his brightly-colored re-renderings. Read the rest
Jonk Photography captured the remarkable work of dozens of street artists given weeks to create whatever they want inside a school that's about to be renovated. Read the rest
Anna Christova snapped this fantastic street art project called "CTRL+X," which paints items tagged with graffiti to look as if they've been selected and deleted in Photoshop, revealing the default transparent layer. Below is the before photo: Read the rest
Artist Paul Walsh brightens up the streets of Auckland, New Zealand by sprucing up old utility boxes with delightful creatures. Read the rest
Catherine Tedford is curator of the Street Art Graphics collection, an open access collection of 2,700+ political stickers from the 1910s to today. Read the rest