Now there are three: Neil Gaiman's best-loved novels are being re-released with gorgeous pulp covers; back in August, it was American Gods, in a month you'll be able to marry it up with the stupendous Anansi Boys, to be followed in November by Neverwhere (painted by Robert E McGinnis, lettering by Todd Klein). (via Neil Gaiman)
Update: Ooh, Stardust, too! Read the rest
The lovely brown hues in Eugene Delacroix's 1830 painting above, titled "Liberty Leading the People," were actually pigments made from ground-up mummies from Egypt. From National Geographic:
The use of mummy as a pigment most likely stemmed from an even more unusual use—as medicine. From the early medieval period, Europeans were ingesting and applying preparations of mummy to cure everything from epilepsy to stomach ailments. It's unclear whether Egyptian mummies were prized for the mistaken belief that they contained bitumen (the Arabic word for the sticky organic substance, which was also believed to have medicinal value, is mumiya), or whether Europeans believed that the preserved remains contained otherworldly powers.
What is clear to researchers is that early artist pigments were derived from medicines at the time, and were commonly sold alongside them in European apothecaries. And just as mummy was waning in popularity as a medical treatment, Napoleon's invasion of Egypt at the end of the 18th century unleashed a new wave of Egyptomania across the Continent.
Tourists brought entire mummies home to display in their living rooms, and mummy unwrapping parties became popular. Despite prohibitions against their removal, boatloads of mummies—both human and animal—were brought over from Egypt to serve as fuel for steam engines and fertilizer for crops, and as art supplies.
By the beginning of the 20th century, however, the supply of quality mummies for pigment appears to have dried up. A 1904 ad in the Daily Mail requests one "at a suitable price," adding: "Surely a 2,000-year-old mummy of an Egyptian monarch may be used for adorning a noble fresco in Westminster Hall…without giving offence to the ghost of the departed gentlemen or his descendants."
"Was This Masterpiece Painted With Ground Mummy? Read the rest
This cartoony character is considered the most accurate model of a real dinosaur ever created. Paleoartist Bob Nicholls based his reconstruction of Psittacosaurus on an incredibly well-preserved fossil from China (image below) studied by University of Bristol paleontologist Jakob Vinther and colleagues. From The Guardian:
Psittacosaurus fossils are commonly found across most of Asia. The bipedal adults used their distinctive beaks to nibble through the vegetation of the Cretaceous, more than 100m years ago. The relatively large brain of Psittacosaurus leads scientists to suspect it may have been a relatively smart dinosaur, with complex behaviours. The large eyes hint that it had good vision....
The reconstruction is the culmination of around three months’ work, from detailed drawings to finished fibreglass model. Nicholls created a steel frame and bulked it out using polystyrene and wire mesh, before sculpting the surface in clay:.“This is where the subject finally comes to life,” he explains, “by adding all the skin details such as scales and wrinkles, and beaks and horns.” A master mould was made from this sculpture, allowing Nicholls to make fibreglass models ready to be painted.
I asked Nicholls what makes this Psittacosaurus so special? “The most surprising features include an unusually large and wide head, highly pigmented clusters of scales on the shoulders, robust limbs, patagiums (skin flaps) behind the hind limbs, and a highly pigmented cloaca.” These features make him confident this is the most accurate reconstruction ever produced: “When the anatomy surprises me – it confirms that I’ve followed the fossil evidence rather than any preconceived ideas of my own.”
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Cocolab created this cool music-synched array of spotlights that visitors can walk through, sit in, and lose themselves in. It is part of this summer's TagCDMX event in Mexico, the theme of which was #BeMoreNerd. Read the rest
From clay to hand
I don't know anything about the sculptor, but it is fascinating to watch them make a block of clay look like a human hand. Read the rest
The European Commission's "Copyright Modernisation" effort has wrapped up, and it's terrible.
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In 2008, the Swiss/Danish design team Yarisal & Kublitz created their "Anger Release Machine," a vending machine stocked with "crystal glasses, plates, porcelain, various items" (the catalog helpfully adds "70 x 77 x 182 cm") -- insert coin, shatter breakables, feel better.
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Kritian Williams: "He wasn't bound by the common design tropes of the '70s. He was able to create something genuinely Alien, a distorted biomechanical reflection of man. Everything we feared about ourselves, taken to the point of surrealism." Read the rest
Barnaby Roper filmed this otherworldly video of Gwendoline Christie (Brienne from Game of Thrones, Captain Phasma from Star Wars: The Force Awakens). Dutch fashion designer Iris van Herpen supplied the clothes, and Roper ran with the themes in the designs.
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In Wired, our pal Adam Savage geeks out with Tom Sachs, a sculptor who makes incredibly intricate space-themed installations:
(Sachs had) mounted two Space Program exhibitions—the moon (at Gagosian Gallery in Beverly Hills) in 2007 and then Mars (at the Park Avenue Armory in New York) in 2012. There were the blue Tiffany Glock and orange Hermès hand grenade, and also a Chanel chain saw and a Prada toilet. And a foam-core R2-D2, which I’d collected pictures of as inspiration for building my own DIY Artoo, a decade before I knew who Sachs was.
We had a lot in common. We’re both obsessive organizers. We both make replicas. And when we’re in the shop and can’t think of what to work on, we build infrastructure—stands, shelves, benches. Sachs told me he’d cribbed construction ideas from MythBusters Now he uses my workshop when he’s on the West Coast, and I use his when I’m back east. Our wives describe our relationship status as “dating.”
When I look at Sachs’ workshop, what’s more familiar to me than the tools are the rituals, the signs of how Sachs turns prosaic objects and materials into art.
"Ground Control to Major Tom" by Adam Savage (Wired)
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“So I've been drawing sidewalk signs for my friend's bar for almost a year,” says IMGURian Ollie Wolff Pruitt aka littlewolff4h. Read the rest
RetroConnector (aka Charles Mangin) makes tiny Raspberry Pi cases in the form of mininature reproductions of Apple IIs, Lisas and Atari XLs—and more besides. The pitch is simple: "Connect your old Apple computer to new computers and peripherals. Outfit your desk with nostalgic miniatures." Read the rest
This weekend was the 350th anniversary of the Great Fire of London, so The Tate Modern erected a fire garden with performers and fire-spewing sculptures. Read the rest
Look at this cute little T-shirt printing machine that artist Devin Smith made.
[via] Read the rest
ev Kaestner shows how to turn an old tin can into a lovely and functional candle holder. The secret is a pencil-thin torch for fine work. Read the rest
A delightful series of tiny worlds in glass. Read the rest
Japanese artist Makoto Azuma launched a beautiful bouquet and a 50-year-old bonsai tree on a high-altitude balloon 30,000 meters into the atmosphere (about 1/3 of the way to space) to capture a beautiful series of images with Earth's curvature visible in the background. The project is titled "Exobotanica
." From a CNN interview with Azuma
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When did you realize you wanted to work with natural materials to create art?
While I was running a flower shop, putting together bouquets and decoration, I thought I could find a new type of flower by applying a new expression on the flowers themselves. Besides merely making bouquets as presents or table top decoration, I thought it would be possible to capture the beauty in a photograph or video while the flower is changing its shape. It is like slicing out a moment for keeping the beauty eternal...
It took you around six months to prepare for Exobiotanica, one of your most extreme and perhaps best-known projects. Can you tell us a bit about this work?
(Creating) Exobiotanica was a fight against a temperature of minus 60 degree Celsius (-76 degrees Fahrenheit). It is more to show the flowers' beauty, even in a frozen state or even when they are shattered, rather than how to bloom beautifully. It (the art) went into space, so the body had to be chunky and the structure well cemented. Making just an art object was not a goal at all. I needed to choose flowers that can complete to form a good contrast in space.