Damien Henry, co-inventor of Google Cardboard, trained a machine learning algorithm using footage shot from a moving vehicle and then had the machine generate this beautiful video.
"Graphics are 100% generated by an algorithm in one shot. No edit or post-processing," Henry writes. "Except the first one, all frames are calculated one by one by a prediction algorithm that tries to predict the next frame from the previous one."
The soundtrack is the Steve Reich masterpiece "Music for 18 Musicians."
When you got it... flaunt it.
"As we eavesdrop on these odd couples trying to outflaunt each other, we hear everything that has to be said about Braniff (International airlines)," wrote famed designer and adman George Lois of his 1968 campaign for . "We also imply that you might bump into a celebrity or two on a Braniff flight...They are not idealized celebrities—they are famous people who are portrayed as lovable extroverts, combined to radiate a surreal kind of believability."
The owners of John Lennon's former home found an old sketchbook containing this tiny sketch of the Sgt. Pepper's Lonely Hearts Club Band album cover. It's up for auction with an estimated selling price of $40k-$60k which seems oddly low for such an artifact. From Julien's Live auctions:
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An ink on paper sketch by John Lennon of the Sgt. Pepper’s Lonely Hearts Club Band album cover with Lennon’s handwriting of the album’s title on the central bass drum in the image. The drawing was found in a sketchbook left in Lennon's former home, Kenwood in Surrey, England, and recovered by the new owners. The design of the album cover is known to have been executed by artist Peter Blake based on drawings provided by Paul McCartney. All of The Beatles contributed to the design of the cover in some way. It is unknown how this undated drawing figures into the history of the album cover and Lennon’s involvement.
Macro Room made a simple and beautiful video of inksquirts: "This time we dived into the hypnotising beauty of colored ink in water and the interaction of this substance with different elements." I love how their videos are carefully devised to show both sides of the curtain. Here's another:
The Book of Miracles (also known as the Augsburg Book of Miraculous Signs) is a compendium of beautiful 16th-century illustrations of cosmic anxiety and apocalyptic surrealism. The new edition from Taschen, edited by Till-Holger Borchert and Joshua P Waterman, is a perfect introduction to the Renaissance obsession with signs, portents and the damned weird. Read the rest
The demo is driven by its soundtrack, so in order to understand what the program needs to do, it helps to have a schematic overview of the various parts of the song.
The three voices of the SID chip are used as follows: Voice 1 is responsible for the kick drum and bass, Voice 2 plays the melody and Voice 3 plays a drone that ducks on all beats, mimicking the genre-typical side-chain compression effect.
All in all, the song contains 64 bars in 4/4 time. It is played back at 112.5 bpm by means of a 60 Hz timer interrupt. The interrupt handler is primarily responsible for music playback, while the visuals are mostly generated in main context.