Shinri Tezuka, 27, sculpts candy into beautiful, creepy, and very sweet creatures like goldfish and octopuses. The centuries-old practice is called amezaiku, but according to Great Big Story, "today there are only two artists left in Tokyo. Tezuka hopes his elaborate goldfish, frog and octopus designs will inspire the next generation of candy crafters to keep the tradition alive."
You can buy high-res versions on Etsy, with Europe and other countries also on offer.
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High resolution map of all the permanent and temporary streams and rivers of the contiguous 48 states in beautiful rainbow colours, divided into catchment areas. It shows Strahler Stream Order Classification. The higher the stream order, the thicker the line. Map made mostly with the open-source QGIS software.
If the Zap Comix collective hung out in Gary Larson's basement rolling numbers on psychedelic record covers while giggling about those motivational calendars where you tear off one earnest aphorism each day, and the internal awkwardness that all of us experience, the comix that emerge would likely fit into I'm Bored, the surreal and wonderful new book by illustrator Jess Rotter with a foreword by Kate and Laura Mulleavy of Rodarte. Below are a few pages for your pleasure. You likely recognize Jess's art from her inspired illustrations for vinyl and apparel projects from Rodriguez, the Grateful Dead, Yusuf/Cat Stevens, Best Coast, Light in the Attic Records, and her bimonthly "Songbird Stories" column for Lena Dunham's Lenny Letter. I'm Bored is Jess's first book and I'm already ready for the next trip.
Visit Hat & Beard Press to order the hardback of I'm Bored, a special lenticular-cover edition, or bundles including a variety of delightful patches, postcards, and apparel.
Are you jonesing for a dose of optimism and possibility? In the mood to contemplate the cosmos? Want to experience a musical message for extraterrestrials the way it was meant to be played? The Voyager Golden Record: 40th Anniversary Edition, a project I launched with Timothy Daly and Lawrence Azerrad, is a lavish vinyl box set containing the contents of the phonograph record launched into space in 1977 and now 13 billion miles from Earth.
Our Kickstarter ends at 8pm PDT tonight (Thursday). Once we fulfill the rewards from this campaign, we'll never produce this deluxe 40th Anniversary Edition again.
We are so thankful enthusiasm and excitement about our project and the incredible Voyager interstellar mission. The curiosity and support is infectious. We're deeply grateful that a project that has been on our minds for so long has resonated with so many people around the world. Ad astra!
For more on the Voyager Golden Record: 40th Anniversary Edition, please visit our Kickstarter page here.
And here's an excerpt from an interview with me about the project, from The Vinyl Factory:
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Ultimately it was a utopian vision for Earth as much as an actual attempt to communicate with extra terrestrials… Wasn’t it?
Yeah I think the idea is that if there is a civilisation that is intelligent enough to actually intercept it, they’ll be able to follow the instructions on how to play it. And I think that’s true. In some ways though, it doesn’t even really matter if it’s ever played or not by an extra-terrestrial civilisation.
I like the idea of having a blog but basically feel as if I have very little to say about things, at least things that are original or interesting. I gravitated to Tumblr with some idea of just posting pictures, but still felt I needed to be posting something I'd actually made myself... [Y]ears ago I used to draw really crappy basic MS Paint pics for a favourite pop group's fan site, and they always seemed to raise a smile. The idea of doing something else with MS Paint, a kind of celebration of my not being deterred by lack of artistic talent, never really went away....
I don't really think about giving up. The idea of actually completing something I start out to do (for once in my life) is very appealing,And it's fun, it's not a chore.
Artist Mike Kelley creates "Airportraits" of the world's airports by photographing all the planes that take off on a given day, then compositing them together into a kind of time-lapse of a day's worth of flights, which presents an instantly comprehensible way of comparing the different services; they're available as stunning prints. (via Kottke) Read the rest
Ceramic artist Tim Kowalczyk makes clay mugs that look like distressed cardboard. From Colossal:
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Kowalczyk is drawn to objects of little material value — crushed tin cans, ripped up cardboard, and Polaroids that have been damaged during development. It is in these typical throw aways that he finds beauty, an attraction to the history embedded in their wrinkles and folds. To memorialize these items Kowalczyk creates their likeness in clay, creating works that look exactly like mugs haphazardly formed from cardboard with “Please Handle With Care” stickers still stuck to their sides.
Anarchic Adjustment was a pioneering streetwear brand and artist collective that emerged from the London punk-skate-BMX-Xerox art scene in the mid-1980s and spread like a virus when founder Nick Philip moved to San Francisco and immersed himself in the early cyberculture. Immediately, Anarchic Adjustment became the clothier-of-choice for the likes of DJ Mixmaster Morris, Joi Ito (now director of MIT Media Lab), Timothy Leary, and countless rave kids and guerrilla art punks. Those were the daze.
Now though, Philip, who in the last decade became best known for his Imaginary Foundation line, has announced an Anarchic Adjustment revival in the form of a sculpture show opening October 20 at Los Angeles's Seventh Letter Gallery. The highly-anticipated exhibition of new work is titled "The Future is not what is used to be."
"It's an uncompromising satire of mass distraction, narcissism and the hidden machine lurking in plain sight," Philip says.
He says that the sculpture above, titled "Little Brother" and inspired by Cory Doctorow's novel, is an observation of "the feedback loop of surveillance, transparency, and a culture entirely preoccupied with its selfie." Below, two of my other favorite works from the show -- "Shackled Connectivity" and "I did it for the lulz."
Scott Teplin, (previously) is kickstarting another giant, insanely detailed poster/coloring book, Big School, "a gigantic 6-foot-wide maniacal architectural drawing of a humorous school that I began in December 2015. With your support, I will finish the drawing and make super high-quality, beautifully saturated 24” x 36” prints and a 16-page coloring book. Everything will be delivered in time for the holidays." Read the rest
My friend Daniel Martin Diaz's exquisite paintings lie at the intersection of science, art, and magic to provoke questions about technology, physics, theories of mind, and the nature of reality. He has an exhibition of spectacular new works opening in San Francisco today at the wonderful science/nature/curiosity shop Paxton Gate. The show is titled titled "Atomic Enlightenment." Indeed. Get illuminated.
Over the past few years, I have become immersed in scientific and philosophical concepts, such as Anatomy, Computer Science, Math, Cosmology, Biology, Quantum Physics, and Consciousness. I have been particularly fascinated with scientific diagrams, which explain theories and properties through imagery. Although these rudimentary images are without any leanings towards aesthetics, I find them to be beautiful, though that is not the intention. All of the projects I have created begin as drawings, which I feel has a beauty and intimacy that painting cannot capture. The subtle lines that graphite creates, and the quickness in which one can capture an idea makes this medium alluring.
Jason Allemann built a neat LEGO Drawing Machine, inspired by a Spirograph and a 1950s toy called the Hoot Nanny or Magic Designer.
It can create many different patterns by changing the configuration of the model," Allemann writes. "You can also draw multiple patterns on the same piece of paper to create even more complex designs."
He's posted the building instructions on his site JKBrickworks.com.
(via Laughing Squid)
Calligraphers continue to explore the possibilities of portable tablets for enhancing their craft, and few are doing more than Ian Barnard. Here's his latest tutorial, turning handwritten script into a neon-like gradient.
Bonus video: just look at this hand-lettered banana: