Celebrated film composer John Williams, 84, who scored Star Wars, the Indiana Jones films, E.T., and so many more, says that he will be writing the music for Steven Spielberg's "Ready Player One," based on the marvelous 2011 novel by Ernest Cline. After that, it'll be time to return to a galaxy far, far away to score the next Star Wars film.
“If I can do it, I certainly will. I told (producer) Kathy Kennedy I’m happy to do it, but the real reason is, I didn’t want anybody else writing music for Daisy Ridley,” he told Variety.
Last night, Williams received the American Film Institute’s Life Achievement Award, the first given to a film composer in the award's 44 years.
Here's classic video of John Williams conducting the Boston Pops performing the Star Wars Main Theme:
In 1979, Roger Mainwood, just out of the Royal College of Art, created this wonderfully trippy animation for Kraftwerk's "Autobahn." It was a commission from the band's record company but Kraftwerk had no input on the film, and Mainwood says he's unsure if they even saw it. The fan site KraftwerkOnline tracked down Mainwood and interviewed him about the film:
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I've never actually had to explain in words exactly what it was all about. There was a lot of what you might call "psychedelic pop" imagery around at the time that to be honest never had a great deal of actual "meaning" to it at all, and I guess I was tapping into that. Thinking back to my thought processes at that time, I remember wanting to specifically not have conventional cars in the film. I wanted a sense of a repetitive journey, and alienation, which I took to be what the music was about,............hence the solitary futuristic figure, protected by large goggles, moving through and trying to connect with the journey he is taking. The automobile "monsters" are deliberately threatening ( I have never been a big fan of cars or motorways ! ) and when our "hero" tries to make human contact (with different coloured clones of himself) he can never do it. In the end he realises he is making the repetitive and circular journey alone but strides forward purposefully at the end as he did in the beginning . All of which sounds rather pretentious..........but I was a young thing in those days !
This week, Kodak and Kickstarter announced a joint venture to support low budget film projects that want to shoot on celluloid (that means real film, as opposed to digital). Of the four films Kodak is supporting, psychological horror movie Darkfall is the most interesting to me.
Written, produced, and directed by my long-time buddy magician R. Paul Wilson, Darkfall returns to the classic filmmaking techniques inspired by our fellow conjuror Georges Méliès—that means using magic methods and illusion secrets in place of modern CGI. Inspired by classic horror movies like Cat People, The Haunting and Halloween, Paul hopes to produce a powerful experience using psychology, audio effects, and “in-camera” trickery to terrify the audience.
Special effects and cinematic storytelling were pioneered by Méliès, whose life story was the inspiration for Martin Scorsese’s film, Hugo. Méliès produced and directed over 500 films in which he invented new effects and techniques to tell fantastic stories, leaving an invaluable legacy for future filmmakers. Wilson is a huge fan and, during a visit to an exhibit of Méliès’s work in Madrid, it occurred to him to use modern conjuring methods in the same way.
Paul says, “Filmmaking has evolved at an amazing pace and so has the art of magic, but the two have grown apart, especially with the introduction of digital effects. I began to wonder what Georges Méliès would do with modern magic and the idea grew from there.”
The Darkfall story revolves around how perception can be distorted. It’s a supernatural tale with a killer twist inspired by Paul’s time working on television. Read the rest
"Wrapped" is a short film created by Roman Kaelin, Falko Paeper and Florian Wittmann from Filmakademie Baden-Wuerttemberg, at the Institute of Animation, Visual Effects and Digital Postproduction.
Last night my eight-year-old daughter and I enjoyed Pee-wee's Big Holiday. This is a fantastic return for Pee-wee Herman, and Paul Reubens has done a masterful job. Pee-wee's charm, innocence, and awesome moral compass are still keeping him out of trouble, despite a cast of delightfully troublesome characters that pop up along the way.
Enjoy the psychotronic grandeur of the first DEVO short film, "In The Beginning Was The End: The Truth About De-Evolution," from 1976. Directed by Chuck Statler, the video took the first prize at the 1977 Ann Arbor Film Festival. Two key bits of background, via Wikipedia:
• Devo has claimed, occasionally, that the film contains subliminal messages, which allowed it to win at Ann Arbor.
• The ping-pong paddles shown in the Secret Agent Man segment have images of Richard Nixon and Chairman Mao Zedong on them.
***PHOTOSENSITIVE SEIZURE WARNING***
"Thunder" (1982), a 16mm short directed by Japanese experimental filmmaker Takashi Ito, with sound by Yosuke Inagaki.
"Film is capable of presenting unrealistic world as a vivid reality and creating a strange space peculiar to the media," Ito said in a 1984 interview with Image Forum. "My major intention is to change the ordinary every day life scenes and draw the audience (myself) into a vortex of supernatural illusion by exercising the magic of films."
Filmmaker Candice Drouet "collected images from all the movies I have seen in my life and split them in different themes" for a project titled "My Life In 1.000.000 Frames." The first edited collection, seen here, is titled "(A Story Told With) The Last Words From 129 Films."
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Gravity / Zero Dark Thirty / My Own Private Idaho / Punch Drunk Love / Lost in Translation / Flawless / Last Days / The Knight of Cups / Psycho / The Hours / Snatch / 127 Hours / Control / Carrie / Natural Born Killers / Interstellar / Ruby Sparks / The Matrix / The Pianist / High Fidelity / Jaws / The Reader / My Week With Marilyn / StrangerLand / Contagion / Little Miss Sunshine / Drive / Fear and Loathing in Las Vegas / The Terminator / Donnie Darko / Only God Forgives / Snowtown / Slow West / Behind the Candelabra / The Great Gatsby / Kill Bill 1 / Flightplan / Fargo / Being John Malkovich / The Babadook / Breakfast at Tiffany’s / Kill Bill 2 / Little Children / Notes On a scandal / Minority Report / Savages / The Piano / Big Fish / Cosmopolis / Child 44 / The Royal Tenenbaums / Catch me if you can / Barton Fink / The Birds / Walk The Line / The Grand Budapest Hotel / Manglehorn / Dark Shadows / The Kids Are All Right / The Big Lebowski / Dazed and Confused / Goodfellas / Blue Jasmine / American Hustle / Groundhog Day / The Master / The World’s End / Inherent Vice / Macbeth / Raging Bull / Boogie Nights / Ex Machina / Monster / Titanic / Gangs of New York / Mulholland Drive / The Machinist / Insomnia / August Osage County / Wrong Cops / Broken Flowers / Tangerine / Doubt / Dogville / Apocalypse Now / Night Crawler / It Follows / Secret Window / Still Alice / Fight Club / Youth / Edward Scissors Hands / Irrational Man / Casino / Confessions Of a Dangerous Mind / Her / Transpotting / Filth / The Unbearable Lightness of Being / Inglourious Basterds / Philomena / There Will Be Blood / Citizen Kane / Reservoir Dogs / Marie-Antoinette / The Dreamers / The Others / Django Unchained / Pulp Fiction / The Hurt Locker / The Silence of The Lambs / The Queen / City Of God / Inside Llewyn Davis / Taxi Driver / Black Swann / One Hour Photo / The Diary of a Teenage Girl / American Psycho / 2001 A Space Odyssey / Eyes Wide Shut / Holy Motors / O Brother, Where Art Thou ?
“Star Wars: The Force Awakens” just pushed James Cameron's “Avatar” aside as the top-grossing film in North America. In just 20 days of release, the seventh installment in the space opera saga has earned more than “Avatar’s” $760.5 million lifetime gross.
One important caveat is that this massive haul does not account for inflation. When pricing increases are factored in, “Gone With the Wind” remains the highest-grossing film in history with $1.7 billion and the first “Star Wars” is runner-up with $1.5 billion. “Star Wars: The Force Awakens” is in 21st place behind classics such as “The Sound of Music,” “E.T.: The Extra Terrestrial” and “Titanic.”
Globally, “Star Wars: The Force Awakens” ranks as the fourth highest-grossing pic in history, having earned $1.5 billion worldwide. It opens this weekend in China, the world’s second-biggest market for film. Depending on how enthusiastically it is received in the People’s Republic, “The Force Awakens” could shoot past “Avatar’s” record $2.8 billion global haul.
You can't release a film in the UK without a certificate from the British Board of Film Certification, a censorship authority that's been rating and banning movies since it was established in 1912 to prevent 'indecorous dancing,' 'references to controversial politics' and 'men and women in bed together." Read the rest