My son Lux, age 9, is an avid record collector. Unlike me, Lux has the patience to dig through the $1 bins wherever there is cheap vinyl to be had: thrift shops, garage sales, flea markets, record swaps, and of course record stores. (His favorite record shops in the San Francisco Bay Area are Mill Valley Music and Amoeba.) Veteran audio journalist and record collector Michael Fremer interviewed Lux for his site, Analog Planet. (Thanks, David Hyman!)
Below, Lux and I after Record Store Day 2015!
Crosley makes a line of vintage-inspired portable turntables in great colors and prints. Thanks to variable speed settings, each player can handle your perennial 78s as well as your newly pressed Hozier record. They even come fully loaded with an adapter for your Lemonheads 45s.
With built-in speakers, you need only the turntable, your album of choice, and a power outlet. If you prefer to listen to Tori Amos on full size speakers, the player also has a stereo output discreetly hidden in back.
If your spouse or partner doesn’t find the hisses and pops of vinyl recordings charming, the headphone jack allows you to immerse yourself in Paul’s Boutique while pretending you're only pending obligation is a paper on Faulkner and feminism. And because no urban hipster is complete without a little irony, your vintage-inspired record play comes equipped with an input for your MP3 player. You will have to provide your own mustache and slouchy beanie, however. – Elly Lonon
Most contemporary "kids music" sucks. However, my favorite reissue label Light In The Attic is releasing a killer children's vinyl compilation titled "This Record Belongs To______" that includes the likes of Shel Silverstein, Nina Simone, Donovan, Van Dyke Parks, Vashti Bunyan, Woody Guthrie, and many other musical greats, along with a storybook illustrated by the talented Jess Rotter. Read the rest
I like classic motorcycles and cars. I live by the sea. 303 Aerospace Protectant keeps plastic and rubbery bits looking fresh and new.
I don't know what the hell is in this stuff. I don't know why it is different than Armor-All, but the results are unmistakeable. 303 Aerospace really works.
I spray a rag and apply the milky looking liquid to the surface that needs it. It seems adding a little sea air and some sun to the rubber grommets, caps and fastener covers on my old BMW airhead will cause things to disintegrate before my eyes. A light coating of 303 Aerospace every few months has stopped that completely.
I've seen old vinyl seats come back to life. 303 amazingly even restores some of the lost flexibility in that old Corinthian leather, cracking and peeling significantly slowed to stopped. I've used 303 to keep my plastic kayaks looking new for years, and the fiberglass top on my Volkswagen Westfalia camper. Most amazingly, 303 really does a wonderful job on the horrible plastic covered cardboard dash in that same VW. The bus doesn't look new, but the dash does.
I'd read a lot of complaints from people about Armor-All over hydrating surfaces and cracking them worse. I suspect that might be due to over application, but I find 303 gives me a better, longer lasting finish anyways.
Yesterday, I went to a terrific parking lot record swap in San Rafael, California and I regret not purchasing "Bigfoot: (Northwest's Abominable Snowman)," an album of country tunes about my favorite cryptid sung by Don Jones. Check out these two songs from the LP, including the title track that includes the "real scream of the true Bigfoot (Sasquatch.)" Read the rest
In 1983, Downtown NYC post-punk dance band Liquid Liquid released this Michael Sporn Animation Studios video for "Cavern," a killer track whose bassline became the foundation of Grandmaster Melle Mel's pioneering hip hop track "White Lines (Don't Do It)." The excellent Superior Viaduct label has just reissued Liquid Liquid's classic records including Optimo, the EP containing "Cavern." Read the rest
The Sisters of Mercy's classic 1987 beast of gothic bombast, Floodland, will be reissued next month as a 4-LP vinyl box from Rhino records featuring the original album along with three 12-inches from the time. Floodland was the second full-length released under the Sisters name, and at that point the band consisted of founder Andrew Eldritch, new bassist Patricia Morrison of Gun Club fame, and the thunderous drum machine known as Doctor Avalanche. Meat Loaf producer Jim Steinman brought his orchestral magic to a couple Floodland tracks, including "This Corrosion," above, one of the greatest goth dance songs ever produced.
Enjoy the edible lo-fi sounds of "Jarabe Tapatío," aka "The Mexican Hat Dance." Over at Instructables, learn how to make your own tortilla record! Read the rest
Video below of Tower Records on Sunset Boulevard in Los Angeles, 1971. Read the rest
Instead of The Grateful Dead and Jefferson Airplane, (archaeologist E. Breck Parkman) said, he found Judy Garland, Burl Ives, Steve Lawrence and Edie Gorme."Vinyl Records Excavated at Famous ’60s Commune Challenge ‘Hippie’ Stereotype, Study Says" (Thanks, Bob Pescovitz!)
Rather than the voices of counterculture, he uncovered scores of albums of classic jazz, folk, show tunes, even comedy.
"The wide range of musical styles represented by this 'hippie discography' suggests that the people who came together to form this 'hippie' commune had a wide range of backgrounds, including their musical tastes," Parkman said.