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  • television GQ magazine publishes, then removes profile of Warner Bros. Discovery CEO David Zaslav: "based on his performance to date, he's only good at breaking things" Rob Beschizza
  • photography Jerry Hsu: skateboarder, photographer and entrepreneur Elías Villoro
  • artists Flea Market Follies: Hunting for Kitsch with Mitch O'Connell Lee Keeler
  • puppets Profile of Wendy Froud, the Mother of Yoda Rob Beschizza
  • profiles Watch but don't vomit: "The Booger on the Lip of Democracy" is all about Ted Cruz and it's hilarious Carla Sinclair
  • novels An interview with Charlie Kaufman about his new novel takes a weirdly meta Kaufman-esque turn Thom Dunn
  • music This Phoebe Bridgers profile is a fascinating look at journalism in the time of coronavius Thom Dunn
  • Business Spike Trotman, powerhouse pioneer of indie comics Rob Beschizza
  • Science Two great long reads about fire, science, and the human lives caught in between Maggie Koerth
  • History How a 1958 magazine cheered America's slide into installment debt Ellsworth Toohey
  • About Boing Boing Mark Frauenfelder
  • Cursor Camp/neal.fun
    Games Cursor Camp is a wholesome no-chat online hangout spot Popkin
  • Science Down the Rabbit Hole profiles pseudoscience's most reasonable-sounding perpetual motion crank Grant St. Clair
  • Mickey Mouse in The Gallopin' Gaucho, c. 1928
    Science Mice that ate artificial sweeteners passed metabolic changes to their grandchildren Ellsworth Toohey
  • Red Lobster (Robert V Schwemmer/shutterstock.com)
    Business 100 money-losing Red Lobsters are eating all the profit Ellsworth Toohey
  • Google Gemini
    Science The autism spectrum has 39 dimensions, and every profile is unique Ellsworth Toohey
  • Bovino in media coverage and his official portrait
    LOSER NYT profiles architect of brutal crackdown, lets him say he "didn't go far enough" Jason Weisberger
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    lifestyle 21 years on a remote island with no power grid, no building codes, and no regrets Ellsworth Toohey
  • Comics Legendary comics artist Klaus Janson's first US gallery exhibition Gareth Branwyn

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