Odeith is an artist in Portugal who paints ultra realistic murals. His portfolio has many examples of his work.
His Instagram account also has lots of photos of his paintings.
As part of the Virginia Museum of Fine Arts' "Edward Hopper and the American Hotel" exhibition, the curators have created a brilliant installation and visitor experience that's seemingly made for Instagram. They built a physical version of Hopper's above painting "Western Hotel" (1957) and offered overnight stays inside the artwork. The overnight packages sold out very quickly. The New York Times' Margot Boyer-Dry was one of the first guests:
Every detail here was inspired by Edward Hopper’s 1957 painting “Western Motel,” which has been brought to vibrant, three-dimensional life. The only thing missing is the mysterious woman whose burgundy dress matches the bedspread. But that’s where the museum guest comes in.
I was the second person to stay in the museum’s Hopper hotel room, essentially becoming its subject for a night. (Before it sold out through February, the room cost anywhere from $150 a night to $500 for a package, including dinner, mini golf and a tour with the curator.) My time there was short — a standard stay runs from 9 p.m. to 8 a.m. — and awkward. I had traveled all day to reach Richmond, and these pristinely basic quarters were the main event. Ultimately, it reminded me of every other hotel room I’ve ever stayed in...
Ellen Chapman, a Richmond resident who stayed the night before I did, was more focused on the novelty of an art overnight. “I’ve always had that childhood fantasy of spending the night in a museum,” she said. “The remarkable part for me was waking up, drinking my coffee and looking at this amazing exhibit right next to me.”
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Every detail of Edward Hopper’s “Western Motel” has been brought to life at the Virginia Museum of Fine Arts, where you can spend the night https://t.co/z9K4oefHIS— The New York Times (@nytimes) November 22, 2019
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"Xenomorph Extraction Video Tutorial" Here's an updated version of this animation because it's always good to remember how to extract a xenomorph. • • • • • #scifi #darkartist #alienmovie #darkart #jamescameron #ridleyscott #handdrawn #dark #prometheus #traditionalart #xenomorph #darkartwork #blackwork #animation #instagood #alien #blackandwhite #alienart #animated
(via Laughing Squid)
In 2009, Japanese artist Yoshitomo Nara was hanging out with his business manager Tim Blum in the Manhattan bar Niagrara. Nara pulled out a marker and drew some of his fantastic figures on the walls. (Later that night, he did the same thing at a subway station and was promptly arrested.) Last week, one of Nara's paintings sold in a Sotheby's auction for $24.9 million, driving up the value of his other work including this graffiti. According to Blum though, Nara doesn't want anyone to pull out the bar walls and sell his graffiti. Fortunately, the bar owners seem to agree. For now anyway. From CNN:
"The (drawings at the bar are) quite in keeping with his style," said David Schrader, head of private sales at Sotheby's. "My guess is it's probably worth hundreds of thousands. For sure, when an artist gets a record-selling price, it elevates them in the market. My gut is there are definitely people who would want to own this or the multiple pieces individually..."
The Niagara's management declined to comment, but a bartender told CNN that the artwork "has been a part of the bar for a long time and will stay that way." The drawings are safeguarded by a thin layer of plastic that was installed by the bar's ownership.
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#DailyJapanArt via #NYPost:Yoshitomo Nara’s Decade-Old Doodles At East Village Dive Bar Niagara Could Be Worth Millions.Value Skyrocketed After His Painting “Knife Behind Back” Sold For $25 million @ Sotheby’s Hong Kong On Sunday#奈良美智 #YoshitomoNarahttps://t.co/P8AEGWSMjP pic.twitter.com/sqOEBtAuPr— DailyJapan (@DailyJapan1) October 11, 2019
Nick "Ulillillia" Smith is a game developer, writer and YouTuber who achieved recognition in the early 2010s due to his eccentricity, the shameless intensity of his outsider-art creations, and his adherence to a diet incompatible with human life. The subject of an unreleased 2012 documentary, whose promising trailer alone threatened to extend his fame far beyond forum culture, he faded from prominence (along with the rest of the Old Web) as social media took over and the age of online discovery ended. Atrocity Guide created this 20-minute recap of his story so far. Read the rest
During the 1950s, surrealist and ethologist Desmond Morris mentored Congo, a chimpanzee, in the great ape's artistic pursuits. Congo painted more than 400 works that were purchased by the likes of Joan Miró and Pablo Picasso. And now Morris is selling his collection of 55 of Congo's paintings at London's Mayor Gallery. He's keeping just one of them. The paintings -- which will be priced around £1,500 – £6,000 -- will first be on exhibit from December 3-19. From It's Nice That:
Morris worked with a number of apes in his research but explains that none matched Congo’s apparent artistic instinct. “No other apes were controlling the mark making and varying the patterns as he was,” Morris says. “I originally picked Congo out as one of the more boisterous at the zoo and felt that his strong personality would respond well to to focused periods of working together..."
Morris commented on his decision to sell all but one of his favourite paintings from the time, saying “I am holding onto the serious, scientific research notes that I made during my years working with Congo, but, at 91 years old, I now would rather that the paintings and drawings be made available to other collectors, to whom I hope they will bring as much pleasure as they have to me.”
Banksy's massive "Devolved Parliament," a 2009 painting of chimpanzees in Britain’s House of Commons, just sold for $12.1 million at a Sotheby's auction. It was put on the block by a private, unnamed seller. The painting was previously titled "Question Time" but that was before Banksy made subtle changes to it after it was included in an exhibition at the Bristol Museum. From the New York Times:
After a dramatic 13 minutes of competition, in which as many as 10 bidders were involved, at least five of them in the room, it was finally knocked down to a telephone buyer. At one point the hammer was poised to fall at £6.4 million, but a bidder at the back of the room flung up his hand at the last second, before finally giving way to the winning telephone bid...
The artist’s previous auction high was set in 2008 for the painting, “Keep It Spotless,” a collaborative work by Banksy and Damien Hirst, which sold for $1.9 million at a Sotheby’s charity auction.
The National Sound Library of Mexico has found an audio recording of what is most likely painter Frida Kahlo reading her essay "Portrait of Diego" in the early 1950s. It was recorded for the pilot episode of radio show El Bachiller. From The Guardian:
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The episode featured a profile of Kahlo’s artist husband Diego Rivera. In it, she reads from her essay Portrait of Diego, which was taken from the catalogue of a 1949 exhibition at the Palace of Fine Arts, celebrating 50 years of Rivera’s work...
In the press release, Mexico’s secretary of culture, Alejandra Frausto, said if it is indeed Kahlo’s voice – a claim which authorities continue to investigate – it could be the only audio recording of the artist that exists...
“Frida’s voice has always been a great enigma, a never-ending search,” (library national director Pável) Granados told a press conference. “Until now, there had never been a recording of Frida Kahlo.”
Carolee Schneemann -- a performance art pioneer whose deeply provocative and thoughtful work focused on gender, sex, the body, and power -- died yesterday at age 79. My first exposure to Schneemann's work was in the mid-1980s on a grainy VHS dub of avant-garde art films that also included pieces by Karen Finley and Annie Sprinkle. That videocassette, along with the RE/Search book Angry Women and a few other underground tapes and texts, opened my eyes and mind to a multitude of new genres in feminist art and radical thought. From an obituary by Andrew Russeth in Art News:
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Schneemann’s corpus of work is so gloriously diverse that it is impossible to summarize with a single defining piece, but among her most famous (and infamous) works is Meat Joy, a 1964 film of a performance featuring eight scantily clad dancers who writhe together, with animals parts soon joining the melee. It’s a bacchanalian display—unapologetic and exploding with pleasure—and an utterly indelible work of art.
“Meat Joy has the character of an erotic rite: excessive, indulgent; a celebration of flesh as material: raw fish, chickens, sausages, wet paint, transparent plastic, rope, brushes, paper scrap,” Schneemann wrote. “Its propulsion is toward the ecstatic, shifting and turning between tenderness, wildness, precision, abandon—qualities that could at any moment be sensual, comic, joyous, repellent.”
Describing the work on another occasion, in terms that could very well serve as a manifesto for her entire career, she said, “The culture was starved in terms of sensuousness because sensuality was always confused with pornography.
Kareem Waris Olamilekan is a Nigerian artist who paints astounding hyperreal portraits. He's 11. From his Instagram @waspa_art:
I am waspa the bitty artist Art is my calling It's in me I draw, paint and design.
All Africa interview: "My Legs Shook As I Drew the Portrait of French President"
(Thanks Bob Pescovitz!)