The Family Acid: California is the new book of photographs by Roger Steffens that I published with Timothy Daly, my Ozma Records partner and co-producer of the Voyager Golden Record: 40th Anniversary Edition. Limited to just 1,500 clothbound copies, it's a far-out photo album from a very unconventional family.

We hope you can come meet the whole Family Acid (and us) in Los Angeles next Thursday, November 7, at The Standard Hollywood for a photo show and reception from 7-11pm! And if you can't make it, we have some copies available directly from our site, Ozma Records, along with a limited-edition Family Acid photo print on perforated LSD blotter paper (undipped) signed by Roger himself!

For more than 50 years, photographer Roger Steffens has explored the electric arteries of the counterculture, embracing mind-expanding experiences, deep social connection, and unadulterated fun at every turn. After serving in Vietnam at the end of the 1960s, Steffens immersed himself in California’s vibrant bohemia. Since then, with his wife Mary and children Kate and Devon, he has sought out the eccentric, the outlandish, and the transcendent. Just as often, it finds him, grinning, a camera in one hand and a joint in the other. Steffens took the spectacular snapshots in this new collection between 1968 and 2015 during his family's freewheeling adventures throughout the visionary state they call home.

A full-color, 192-page hardcover with foil stamping and tipped-on cover photo, The Family Acid: California contains hundreds of stunning images curated by Kate Steffens along with detailed captions and original essays by Roger Steffens and Tim Page. Read the rest

I'm thrilled to report the release of The Family Acid: California, the book I published with Timothy Daly, my Ozma Records partner and co-producer of the Voyager Golden Record: 40th Anniversary Edition. Limited to just 1,500 clothbound copies, it's a far-out photo album from a very unconventional family.

For more than 50 years, photographer Roger Steffens has explored the electric arteries of the counterculture, embracing mind-expanding experiences, deep social connection, and unadulterated fun at every turn. After serving in Vietnam at the end of the 1960s, Steffens immersed himself in California’s vibrant bohemia. Since then, with his wife Mary and children Kate and Devon, he has sought out the eccentric, the outlandish, and the transcendent. Just as often, it finds him, grinning, a camera in one hand and a joint in the other. Steffens took the spectacular snapshots in this new collection between 1968 and 2015 during his family's freewheeling adventures throughout the visionary state they call home.

Steffens is an intrepid explorer of the fringe but he’s also a family man. He met his wife Mary under a lunar eclipse in a pygmy forest in Mendocino, California while on LSD. Soon after, they conjured up a daughter, Kate, and son, Devon. Family vacations took the foursome up and down the West Coast, from the gritty glam of Hollywood’s Sunset Strip to reggae festivals in Humboldt, fiery protests in Berkeley to the ancient redwoods of Big Sur and the wilds of Death Valley. Along the way, they’d rendezvous with likeminded freaks, artists, musicians, and writers, from Bob Marley and Timothy Leary to actor John Ritter and war photographer Tim Page, the inspiration for Dennis Hopper’s character in Apocalypse Now. Read the rest

In Technology Review, author and essayist Chuck Klosterman delivers a short introduction to the stars of space rock, from Pink Floyd (above) to Hawkwind to Spacemen 3:

Space is a vacuum: the only song capturing the verbatim resonance of space is John Cage’s perfectly silent “4'33".” Any artist purporting to embody the acoustics of the cosmos is projecting a myth. That myth, however, is collective and widely understood. Space has no sound, but certain sounds are “spacey.” Part of this is due to “Space Oddity”; another part comes from cinema, particularly the soundtrack to 2001 (the epic power of classical music by Richard Strauss and György Ligeti). Still another factor is the consistent application of specific instruments, like the ondes martenot (a keyboard that vaguely simulates a human voice, used most famously in the theme to the TV show Star Trek). The shared assumptions about what makes music extraterrestrial are now so accepted that we tend to ignore how strange it is that we all agree on something impossible.

The application of these clichés is most readily seen in the dawn of heavy metal. The 1970 Black Sabbath song “Planet Caravan” processed Ozzy Osbourne’s vocals through a Hammond organ to create a sprawling sense of ethereal distance. Deep Purple’s 1972 “Space Truckin’” used ring modulation to simulate a colossal spacecraft traveling at high speed. The lyrical content of Led Zeppelin’s “No Quarter” is built on Norse mythology, but the dreamlike drone of John Paul Jones’s mellotron and Jimmy Page’s ultra-compressed guitar mirrored the sensation of exploring an alien landscape.

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For more than 50 years, Roger Steffens has traveled the electric arteries of the counterculture embracing mind-expanding experiences, deep social connection, and unadulterated fun at every turn. And he’s captured it all on film. After serving in Vietnam during the final 26 months of the ‘60s, where he won a Bronze Star for founding a refugee campaign that raised over 100 tons of food and clothing, he spent a year lecturing against the war before settling in Marrakech. Finally returning Stateside in 1972, he immersed himself in the vibrant bohemias of Berkeley, Los Angeles, and beyond, touring his highly-acclaimed one-man show, “Poetry for People Who Hate Poetry.” A psychedelic polymath, Steffens worked as an actor, poet, editor, archivist, lecturer, author, NPR radio DJ and interviewer and, yes, photographer. Driven by his own insatiable curiosity and passion, he was on a perpetual quest for the eccentric, the outlandish, the transcendent. Just as often, it found him, smiling, a camera in one hand and a joint in the other.

Roger Steffens is an intrepid explorer of the fringe but he’s also a family man. He met his wife Mary under a lunar eclipse in a pygmy forest in Mendocino, California while on LSD. Soon after, they conjured up a daughter, Kate, and son, Devon. Family vacations took the foursome up and down the West Coast, from the gritty glam of Hollywood’s Sunset Strip to reggae festivals in Humboldt, fiery protests in Berkeley to the ancient redwoods of Big Sur and the wilds of Death Valley. Read the rest

For more than 50 years, photographer Roger Steffens has explored the electric arteries of the counterculture, embracing mind-expanding experiences, deep social connection, and unadulterated fun at every turn. After serving in Vietnam at the end of the 1960s, Steffens immersed himself in California’s vibrant bohemia. With his wife Mary and children Kate and Devon, he sought out the eccentric, the outlandish, and the transcendent. Just as often, it found him, grinning, a camera in one hand and a joint in the other.  

My Ozma Records partner Tim Daly and I are honored to share with you this new collection of Steffens’ spectacular snapshots taken between 1968 and 2015 during the foursome’s freewheeling adventures throughout the visionary state they call home. Think of it as a family album belonging to a very unconventional family. 

This is The Family Acid: California.

Based in Los Angeles, the Steffens family traveled up and down the West Coast, from the wilds of Death Valley and reggae festivals in Humboldt to fiery protests in Berkeley and the ancient redwoods of Big Sur. Along the way, they’d rendezvous with friends like Bob Marley, Timothy Leary, and war photographer Tim Page, the inspiration for Dennis Hopper’s character in Apocalypse Now. They’d take in the wonders of nature and, of course, the adults would occasionally lose their minds in psychoactive celebrations of creativity, freedom, and hope.   

The Family Acid: California is a 192-page, large format book manufactured with the finest materials and attention to design as you've come to expect from Ozma Records, producers of the Voyager Golden Record: 40th Anniversary Edition. Read the rest

"Every child must be made aware."

Directed by Flaming Lips madman mastermind Wayne Coyne and longtime Lips visual art/video collaborator George Salisbury.

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Applied mathematics/computer science student Etienne Jacob makes mesmerizing black-and-white animated GIFs using Processing, "a flexible software sketchbook and a language for learning how to code within the context of the visual arts." You can see much more of Jacob's stunning work on his Necessary Disorder site and read Jacob's tutorials here on his blog.

Far fucking out.

(via Colossal)

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Frites, truffles and canals are awesome. Also doner kebab. Read the rest

Heinz Edelmann (1934-2009) was the German illustrator and designer best known for art directing the Beatles' 1968 animation Yellow Submarine. In 1970, he created this magnificent opening animation for the ZDF broadcast movie series "Der Phantastische Film."

(r/ObscureMedia, thanks UPSO!)

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West Coast Fog Radio is the absolutely wonderful podcast of garage psych, avant-rock, desert drone, loner folk, ambient cut-ups, spoken word, and other far-out sounds hosted by Erik Bluhm, former editor of the greatly-missed "Great God Pan," a killer 1990s 'zine about outré California culture and news. Turn on, tune in, burn out.

Your host Erik Bluhm takes you on an audio tour of the West you might be unaware of, visiting obscure moments in musical history along the way. You might hear folk rock and proto-raga rock 45s from the mid ‘60s, rural psychedelic private LP meanderings, self-released audio poetry and sound collage, obscure history lessons and readings, New Age/ambient/ethno-honky visionaries, DIY art/synth, punk, and post punk sides, and/or experimental nothingness in tape form.

West Coast Fog Radio (Thanks, Jess Rotter!)

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In the early 1970s, Levi's ran these fantastic psychedelic TV commercials with narration by Ken Nordine, the beat creator of the pioneering Word Jazz albums of the 1950s that melded far-out poetry with hip musical accompaniment. Far fucking out.

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I'm familiar with the psych music scene that emerged in the 1960s-1970s in some Latin American countries like Brazil, Chile, and Argentina, thanks to fantastic reissues of rare LPs on labels like Luaka Bop, Goma Gringa, Now Again, and Mr Bongo. Now, the esteemed diggers at Mr Bongo have brought us a stunningly spacey psych record from Mexico: Luis Pérez's "Ipan In Xiktli Metztli, México Mágico Cósmico, El Ombligo de la Luna."

In the 1970s, Pérez studied the pre-Columbian instruments and musical traditions across Mexico, from the Maya and Nahuatl to Raramuri and Wixarika. He then channeled those influences into his own gorgeous electronic and experimental psychedelic songs that make up this record first released in 1981. Listen below.

As Mr Bongo writes, Pérez "delves deep into the past but also exists entirely outside of time."

Far fucking out.

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Ott's Skylon ranks among the century's great psychedelic chillout albums, and now it's set to come out as a double vinyl. Get in on the Kickstarter for box sets and more. Read the rest

In 1969, Alan Watts collaborated with filmmaker Elda Hartley on "The Flow of Zen," a lovely psychedelic 16mm film with a rather eerie score. (Archive.org via /r/ObscureMedia)

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In the 1960s, book designers gave many science and psychology paperbacks glorious avant-garde and op art covers. Henning M. Lederer just released his second collection of animations of these fine book jackets! Below is the first, from 2015.

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In the 1970s, legendary Disney animator Art Babbitt, creator of Goofy, worked at Hanna-Barbera directing the studio's commercial division. His anti-drug PSA above, circa 1970, is a masterpiece of psychedelic cartooning.

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Warped Perception trained their Phantom Flex 4K Slow Motion Camera on an air balloon popping underwater. The result is wonderfully trippy, especially in high-definition. (via Nerdist)

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