Polygon interviewed Watchmen costume designer Meghan Kasperlik, who described the movie magic used to bring Looking Glass to life:

“We had five different masks,” the designer says, explaining that exactly what Nelson was wearing would change depending on the demands of the scene. Some of the masks were for motion tracking, featuring a special print that would aid with motion capture and tracking, keeping track of the orientation of Nelson’s face at all times. Others were purely green screen or spandex, while yet another — the only mask that wouldn’t require the reflectiveness to be added via CG later — was made of lamé, a type of fabric that has metallic fiber woven throughout it, meaning only one of the actual masks used during shooting was that distinctive silver.

Den of Geek talked to Tim Blake Nelson about wearing the mask:

“The mask is fine to wear. I really like it,” he says. “Actually it furnishes a wonderful challenge that is specific to itself. In drama school we did mask class and the reason they taught that was to take away the visage, which is an essential form of expression that we have, and force the actor to use only body and voice. I looked at this as a really fun exercise over an entire season of television in which I would get to explore that. And moreover going in the opposite direction with this character. Rather than amplifying body and voice to use the mask to pull back even more.

Five years after giving his supposedly-last interview, the Great Wizard of Northampton Alan Moore has once again deigned to allow someone to record a conversation with him for public consumption. This time, it's part of Paperback Writers: Graphic Content, a new BBC series where comic book writers discuss their musical influences.

Moore is surprisingly delightful over the course of the two-hour interview-slash-DJ-session, sharing great songs alongside tidbits from his life. He talks a bit about the end of his comic book career, as well as his upcoming work in opera and film. In a rare instance, he also talks briefly about adaptations of his work. Not the upcoming HBO TV sequel-adaptation of Watchmen, of course—rather, Terry Gilliam's attempted adaptation during the late 1980s. Moore says:

I did hear that when Terry Gilliam was supposed to be doing Watchmen back in the 1980s. I remember he told me that he’d had a number of phone calls from David Bowie asking to play the Rorschach character. There’s an alternate world we can only imagine.

As if I needed any more proof that we're living in a divergent Hellworld that splintered off the main timeline after Bowie's death. Now I'll be cursed with dreams of another, even better world where Bowie played Rorschach in a Joel Silver-produced Terry Gilliam movie penned by Gilliam's Brazil co-writing partner, Charles McKeown. (Okay so maybe that Joel Silver part still would ruined it.)

You can listen to Moore's two-hour BBC interview here. Read the rest

Kristian Williams created this compelling video essay analyzing why Alan Moore and Dave Gibbons's Watchmen was "unfilmable" without, well, ruining it.

"If we only see comics in relation to movies then the best that they will ever be is films that do not move," Moore once said.

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