See more photos at Wink Fun.
750 Years in Paris is a historical graphic novel sans words as well as a stunning coffee table art book. Paris-based artist Vincent Mahé (aka Mr. Bidon) illustrates 60 snapshots of the same building in Paris, spanning from the year 1265 with cows grazing in front of its humbler beginnings to 2015 in the aftermath of the Charlie Hebdo tragedy. With the smallest of details, from words of storefront signs to the clothing of people to the state of the building itself, Mahé is able to subtly and masterfully inject humor, horror, nostalgia, historical facts and pride into his various images.
The back of the book has a timeline to help decipher some of the historical events revolving around the images. For instance, directly quoted from the book (and images shown above):
1515 – Francis I is crowned king and enters the city in a lavish procession.
1804 – Napoleon’s enthronement and imperial troops procession.
1915 – World War 1.
2015 – 4 million in the streets defending freedom of speech.
As I began to write this review, the horror of Friday’s terrorist attacks in Paris unfolded before the world, making this newly-released book all the more poignant and significant.
750 Years in Paris
by Vincent Mahé
2015, 120 pages, 8.4 x 13 x 0.7 inches
$18 Buy a copy on Amazon
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Lots of myths have been used as fodder for science fiction and fantasy, and some of the more interesting ones turn the gods into cosmic entities, or extensions of our own humanity. Roger Zelazny’s Lord of Light, for example, imagines a group of posthuman astronauts who take on the personas of the Hindu pantheon. Then there are comics, such as Jack Kirby’s Asgard, a techno-mystical dimension, where magic and technology are indistinguishable (to butcher Asimov’s famous dictum). One story that has not garnered much favor by writers and artists is the biblical creation story. But they are missing out on a vastly strange and cosmic tale, and when combined with Kabbalistic ideas of how the world was created, you have one of the most far-out psychedelic-inflected tales that, if used right, could do wonders for a science fiction/fantasy story.
The problem is, it would take a pretty weird imagination to know what to do with it. The solution is Jesse Moynihan. Moynihan’s day job is as a writer and storyboard artist for Adventure Time, one of the greatest cartoons ever produced (sorry for the hyperbole, but it’s true). In Adventure Time, mythology and pop culture – including some brilliant shout outs to Dungeons & Dragons – are combined into something that is both whimsical and profound. After a few episodes, however, you can begin to see the self-imposed limitations. It is a kid’s show after all. In Moynihans’s own work as a comic writer and artist, his vision is let loose. Read the rest