Brutal Block Postcards is a new book that, er, celebrates the concrete landscape of the Soviet era. Over at Collectors Weekly, Lisa Hix flips through the pages:

Many of these postcards, published by governments of the U.S.S.R. between the 1960s and 1980s, depict the bland, 1960s five-story concrete-paneled apartments known as “khrushchyovka” as if to say, “Look at the modern wonder of collective worker housing!” To Westerners, the boxy buildings telegraph the bleak authority of so-called poured-concrete “Brutalist” architecture, which was somehow popular with both democratic and totalitarian governments during the postwar years.

However, in Brutal Bloc Postcards, the images of stern rectilinear apartments, government offices, and hotels stand in stark contrast to the dramatic public monuments. These Cold War-era monuments are epic in scale, towering over the Soviet landscape; their angular, avant-garde forms convey movement, as if hurtling toward brighter future through Communism.

"Postcards From Big Brother" (Collectors Weekly)

Brutal Blog Postcards: Soviet Era Postcards from the Eastern Bloc (Amazon)

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The stark concrete style known as Brutalism is instantly recognizable in architecture, just as it is with this espresso machine by design studio Montaag of Berkeley, California. Not content with the current aesthetic offerings of espresso machines, they decided to create their own. Bare concrete became the machine's outer shell after the studio's team went on material-discovering expeditions through local salvage yards.

The result of their efforts is the AnZa (which is also available in slick white Corian):

The AnZa is not your typical appliance, collecting dust on your countertop. Concrete. Corian. Wood. Steel. Brass. Glass. These largely ordinary materials are not often found on espresso machines. But their application shows you don’t need to look far to find design elements that create a dramatically new experience—emotional, practical, or otherwise. The result is a spectacular espresso machine, and an unparalleled conversation piece.

After a successful Kickstarter campaign, this high-end coffee maker can now be pre-ordered through Indiegogo for $799 plus shipping.

(Curbed) Read the rest

The 1980s had many surreal and outré comic-book stars. I recall particularly following The Tick, Concrete, and Nexus. They were respectively a nigh-invulnerable, possibly mentally ill superhero with a chubby accountant sidekick in a moth-themed flying suit; a writer whose brain was transplanted by aliens (themselves possibly escaped slaves) into a nearly invulnerable rock-like body often performing missions of mercy; and a man (later others, including men, women, and children) picked by a nearly omnipotent being residing in the center of a planet to atone the genocide of his father by being forced to be an almost indestructible and thoroughly powerful superhero, lest he face disabling pain.

You catch the theme here, right? Omnipotence, invulnerability, superhero—all but the Tick reluctant. Into that mix, Flaming Carrot was something altogether different. Read the rest