In California, we're looking at power outages in the North and South as the only way to avoid massive wildfires. Meanwhile, in Copenhagen, there's a new power plant "embodying the notion of hedonistic sustainability."
Known both as Amager Bakke and Copenhill, the site is a waste to energy plant designed to convert enough tons of waste to provide clean energy for 150,000 homes. The giant chimney was intended to blow giant smoke rings, but that plan was abandoned.
The interior looks ready to star in a Bond movie:
And the exterior features enough facilities to host the X-Games, including a ski slope, freestyle park, climbing wall, and running trail.
The project is the work of Bjarke Ingels Group. Ingels promoted the project, and several other clever designs, way back in this 2011 Ted Talk:
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Cyril Borovsky purchased a 16-foot wide strip of property in Toronto. Then he built a 3 bedroom, 3 bath, four-story house. Borovsky says his design approach could be used to turn parking spaces into homes. You could also buy Borovsky's house for $3 million.
More here: 154 Hamilton Street
And other impressively slender Toronto homes: "Three buyers who found narrow plots of prime real estate and made it work" (Toronto Life)
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For decades, architectural critic and photographer John Margolies obsessively documented roadside attractions: vernacular architecture, weird sculpture, odd businesses and amusements. By his death in 2016, his collection consisted of more than 11,000 slides (he published books of his favorites, with annotations).
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McMansion Hell (previously) continues to tear through America's most affluent ZIP codes with trenchant commentary on realtors' listings for terrible monster homes; in the current edition, critic Kate Wagner visits Campbell County, Wyoming, home to some of the most ill-considered monstrosities in America. As always, she is laugh-aloud funny as she tackles the "Divorce Lawyer house," a 6,000 square foot house from 2002, listed for a mere $700k.
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Zupagrafika's new book Eastern Blocks (subtitle: "Concrete Landscapes of the Former Eastern Bloc") collects more than 100 beautiful photos of the brutalist towers of ex-Soviet nations, "‘Sleeping districts’ of Moscow, Plattenbauten of East Berlin, modernist estates of Warsaw, Kyiv`s Brezhnevki."
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McMansion Hell (previously) rounds up the ten stupidest megahomes of Waukesha County, Wisconsin ("perhaps one of the most underrated McMansion counties in the country"), which is such a target-rich environment that proprietor Kate Wagner couldn't "choose just one to do a takedown of."
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In 1982, Japanese avant-garde filmmaker Toshio Matsumoto used video cut-up techniques to deconstruct a single residential building into a disorienting architectural puzzle. The short film is titled Shift (シフト 断層). Music by Yasuke Inagaki.
From a 1996 interview with Matsumoto:
We have to do more to irritate and disturb modes of perception, thinking, or feeling that have become automatized in this way. I did several kinds of experiments from the 1970s to the 1980s that de-automatized the visual field. But when image technology progresses such that you can make any kind of image, people become visually used to that. That's why there's not much left today with a fresh impact. In this way, the problem is that the interpretive structure of narrating, giving meaning to, or interpreting the world has become so thoroughly systematized that one cannot conceive of anything else that is largely untouched. We have to de-systematize that.
(via r/ObscureMedia)
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Infinity London is a planned 220-meter skyscraper topped with a wild infinity pool that completely covers the roof. There's a new video explainer from the designer below, but let's quickly answer the obvious question of how one gets in and out of the pool.
“The solution is based on the door of a submarine, coupled with a rotating spiral staircase which rises from the pool floor when someone wants to get in or out – the absolute cutting edge of swimming pool and building design and a little bit James Bond to boot!" says designer Alex Kemsley.
The details of who will pay for the building and exactly where in London it'll be located "is yet to be confirmed."
From Compass Pools:
The pool is made from cast acrylic rather than glass, as this material transmits light at a similar wavelength to water so that the pool will look perfectly clear.
The floor of the pool is also transparent, allowing visitors to see the swimmers and sky above...
Other advanced technical features include a built-in anemometer to monitor the wind speed.
This is linked to a computer-controlled building management system to ensure the pool stays at the right temperature and water doesn’t get blown down to the streets below.
Boasting an innovative twist on renewable energy, the pool’s heating system will use waste energy from the air condition system for the building.
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MIT researchers who developed light-emitting plants are now exploring how the glowing greenery could be integrated into future building designs. In their proof-of-concept demonstration, the scientist packaged luciferase, the enzyme that enables fireflies to glow, into nanoparticles that were then suspended in solution. The plants were immersed in the solution and, through high pressure, the nanoparticles entered tiny pores in the plants' leaves. The plants maintained their glow for several hours and they've since increased the duration. Now, project lead Michael Strano, professor of chemical engineering, is collaborating with MIT architecture professor Sheila Kennedy on possible future applications of the green technology. From MIT News:
“If we treat the development of the plant as we would just another light bulb, that’s the wrong way to go,” Strano (says)....
The team is evaluating a new component to the nanobiotic plants that they call light capacitor particles. The capacitor, in the form of infused nanoparticles in the plant, stores spikes in light generation and “bleeds them out over time,” Strano explains. “Normally the light created in the biochemical reaction can be bright but fades quickly over time. Capacitive particles extend the duration of the generated plant light from hours to potentially days and weeks...."
As the nanobionic plant technology has advanced, the team is also envisioning how people might interact with the plants as part of everyday life. The architectural possibilities of their light-emitting plant will be on display within a new installation, “Plant Properties, a Future Urban Development,” at the Cooper Hewitt, Smithsonian Design Museum in New York opening May 10.
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Architecture hacker/maker Ben Uyeda of HomeMadeModern designed and built his house out of shipping containers in the high desert of Joshua Tree, California. And he documented the process in fascinating detail.
How to Build A Shipping Container House (YouTube)
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It all seemed so innocent when architecture grad student Kate Wagner started pushing her charming brand of millennial snark on us with her acerbic critiques of gaudy, poorly executed monster homes, but architecture is no laughing matter.
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In 1956, Frank Lloyd Wright proposed the Illinois Sky-City, a skyscraper taller than one mile (~1,600 meters). That's more than twice the height of Dubai's Burj Khalifa, currently the tallest structure in the world. In the video above, Dutch architest Stefan Al asks "Will there ever be a mile-high skyscraper?"
If it happens, there should be a rooftop bar named... the Mile-High Club.
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Aerial photographer and filmmaker Toby Harriman turned his lens on the soaring public housing apartment block towers in Hong Kong. Read the rest
Last month, he amazing architecture-snark criticism site McMansion Hell (previously) announced gingerbread house contest to create "the most nubtastic, gawdawful gingerbread McMansion in all of McMansion Hell!"
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The BACU Association -- the folks behind the incredible brutalist Socialist Modernism Tumblr -- have announced a limited run, 800-copy book collecting photos and details on 242 Socialist Modernist "objects" in Romania and the Republic of Moldova.
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Kate "McMansion Hell" Wagner continues her unbroken streak of excellent and incisive architectural criticism with a new piece that riffs on Stewart Brand's classic "How Buildings Learn" to discuss how McMansions have gone awry: they represent a break from the tradition of designing stuff to fit in spaces, and instead, they are spaces designed for status-displaying stuff.
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In 1918, there was plenty of speculation about 2018; in 2018, no one is talking about 2118. Bruce Sterling discusses the relationship of industrial design to science fiction; the New Aesthetic and Turinese architecture; and many other subjects with Benjamin Bratton. (via Beyond the Beyond)
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