Grant Thompson took a moment from his trip to Hawaii to show how to bust open a coconut without expending more energy than the coconut will provide. There are two parts: getting through the outer husk, and cracking the nut itself. Read the rest
I was ready to love Murder from the moment the game opened on a female police lieutenant waking from a rain-soaked cyberpunk nightmare about murderous robots, and walking out on her balcony to smoke a cigarette over the light-spattered skyscrapers of Future Tokyo. "Yes," I thought, "I'm in." Sadly, I spoke a little too soon.
Developed by Peter Moorhead, the creator behind the abandoned astronaut game Stranded, Murder is another brief, point-and-click adventure illustrated with beautiful pixel art. This time around, Moorehead promises players a "short story" that delves into some pretty lofty ideas: "the intersection of morality and sentience, in a future where both are commodities."
The moral crux of the story revolves around the sentient service robots of Murder's near-future world, and whether humans can ethically use them for unpaid labor. If that sounds familiar, it should. It's an idea that has been explored rather extensively by some very talented science fiction writers, and even trickled far enough into the mainstream to inspire a Will Smith movie. That doesn't meant there isn't anything left to say about it, only that the notion of robot sentience and the civil rights implications around it aren't exactly fresh ideas, and the mere mention of them is not enough to carry a story, even a short one.
Ostensibly, the game is a murder mystery; as Lieutenant Motomeru Minori, you're tasked with investigating a brutal killing, the latest in a string of mysterious deaths. But "investigate" might be a strong word—you visit one crime scene, exchange a few one-liners with some other cops, and that's about it. Read the rest