Matt Ruff is one of science fiction and fantasy's most consistently brilliant and innovative authors, whose recent work includes The Mirage (an incredible alternate history in which the Global War on Terror is kicked off when Christian crusaders from the blighted, tribal USA fly a plane into the United States of Arabia's Twin Towers in Dubai, giving the hawkish CIA chief Osama bin Laden the chance to launch the all-out war he's been champing for), and Lovecraft Country (an anti-racist reimagining of Cthulhu set in Jim Crow America where the real horror is white supremacy -- now being adapted for TV by Jordan Peele). In his new novel, 88 Names, Ruff adds to the canon of MMORPG heist novels (Charlie Stross's Rule 34, Neal Stephenson's Reamde, and my For the Win, to name three) with a unique take that he dubbed "Snow Crash meets The King and I."

Yesterday's column by John Naughton in the Observer revisited Nathan Myhrvold's 1997 prediction that when Moore's Law runs out -- that is, when processors stop doubling in speed every 18 months through an unbroken string of fundamental breakthroughs -- that programmers would have to return to the old disciplines of writing incredibly efficient code whose main consideration was the limits of the computer that runs on it. Read the rest

Neal Stephenson's next novel is Fall; or, Dodge in Hell, an 880-page Stephsonian brick of a novel that has ample room for two novels, and that's because Stephenson actually stuck a second novel inside the first one. Read the rest

[Kathe Koja is one of my favorite writers (actually, she's two of my favorite writers!) and her latest project, am immersive, mixed-reality dance club, is so unbelievably cool that I jumped at the chance to give her a platform to tell you about it. Don't miss her Patreon! -Cory]

Stories need an audience to be fully alive. I write novels (Christopher Wild, The Cipher, Under the Poppy, Buddha Boy, among others) and write and produce immersive events and readings (The Art of Darkness, Glitter King, Night School, ALI<E, among others), and when I work I’m always considering that audience, its shared energy and engagement with the story I’m working to tell: otherwise it’s just words in a row, props in a room. Read the rest

Tim Maughan has long been one of the most promising up-and-coming, avante garde UK science fiction writers, whose post-cyberpunk short fiction mixed radical politics with a love of graffiti and a postmodern filmmaker's eye: now, with his debut novel Infinite Detail, Maughan shows that he has what it takes to work at longer lengths, and can sustain a first-rate adventure story that grabs and never lets go, without sacrificing the political and technological insights that give his work depth that will stay with you long after the book is done. Read the rest

Spot the Surveillance is the Electronic Frontier Foundation's first VR app: it's part of the organization's Street-Level Surveillance, which has tracked and resisted the spread of ubiquitous surveillance tools, from license-plate cameras to Stingrays and beyond. Read the rest

The Anatomy of Surf rides along with surfing legend Ian Walsh as he describes the sensations of surfing, set to footage of some beautiful waves. Read the rest

The internet is perpetually amused and fascinated by the crazy, corkscrewing duck penis, but commonsense dictates that if fella ducks have crazy willies, then lady ducks will have equally amazing hoo-hahs. Read the rest

Objective Reality is a new VR installation from automato.farm, written by Bruce Sterling, in which you "play" one of a variety of inanimate objects: a rotating fan, a roaming Roomba, the electricity sparking from one outlet to the next; each object has an associated VR helmet that makes you look like your head is a giant appliance. Read the rest

Marine Imaging Technologies CEO Evan Kovacs tested out his new HYDRUS camera in low-light conditions in the Cayman Islands. Read the rest

Beat Saber is a VR version of music rhythm games like Guitar Hero. This cool demo plays in Darth Maul mode while taking the "Harder Better Faster Stronger" challenge. Read the rest

CARNE y ARENA is a timely virtual reality project from Lucasfilm, Industrial Light & Magic, and Skywalker Sound that allows people to feel the terror of being apprehended by border patrol. Read the rest

"Saccades" are the phenomenon where your eyes flick momentarily from one place to another; during saccades, you don't consciously register visual input, creating tiny moments of blindness (AKA "saccadic suppression"). Read the rest

San Francisco's Computer Museum boasts a state-of-the-art virtual reality pool program that feels so real that the tester, snooker champ Ronnie O'Sullivan, falls over after trying to lean on the VR table. Read the rest

Virtual reality is now available at prosumer-level price points, and the race is on in the same way 2D filming reached the masses twenty years ago. Matt at Cinematography Database takes a quick spin through Oculus Medium. Read the rest

As VR headsets and controllers become readily available it is only a matter of time before we are all wearing haptic underoos and doing VR yogas.

Now I can feel my heartbreak as I get shot down in Fortnite.

Via Disney:

Immersive experiences seek to engage the full sensory system in ways that words, pictures, or touch alone cannot. With respect to the haptic system, however, physical feedback has been provided primarily with handheld tactile experiences or vibration-based designs, largely ignoring both pressure receptors and the full upper-body area as conduits for expressing meaning that is consistent with sight and sound. We extend the potential for immersion along these dimensions with the Force Jacket, a novel array of pneumatically-actuated airbags and force sensors that provide precisely directed force and high frequency vibrations to the upper body. We describe the pneumatic hardware and force control algorithms, user studies to verify perception of airbag location and pressure magnitude, and subsequent studies to define full-torso, pressure and vibration-based feel effects such as punch, hug, and snake moving across the body. We also discuss the use of those effects in prototype virtual reality applications.

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Singer-songwriter Chase Holfelder of Raleigh, North Carolina did something cool. He used virtual reality to perform a cover of Jamiroquai's 1996 hit "Virtual Insanity." With an HTC Vive rig, he made all the sounds and instruments needed to play the song.

He explains how he did it in this behind-the-scenes video:

(Likecool) Read the rest