Man struck by lightning while sitting at his office desk

On Monday, Nick Gemayel was seated at his office desk in his Rochester, New York auto repair shop when he saw a bright flash spark from a light switch and heard a loud crack. Then he realized that his hand hurt like hell was blistered. A co-worker reported that he had seen lightning strike the building. It apparently arced from the light switch into Gemayel. Hospital doctors treated and released him. No word yet on what superpowers he may now have.

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The $56 USB Killer is an electrified USB stick that will fry a laptop

For €49.95, you can own a "USB Killer" that "instantly and permanently disables unprotected hardware" with a 200V DC shock. The €13.95 USB KILLER TESTER is a shield that blocks the killer from actually delivering its voltage to your machine (buy the tester, get the killer for half price). (via Schneier) Read the rest

The Complete Zap Comix, coming next year!

First published in 1968, Zap Comix is considered to be the freaky forefather of the underground comix movement that still thrives today. Created by R. Crumb, the Zap #1 solely featured his work with subsequent issues introducing such groundbreaking artists as S. Clay Wilson, Robert Williams, Gilbert Shelton, Rick Griffin, Victor Moscoso, Paul Mavrides, and "Spain" Rodriguez. Today, Fantagraphics Books keeps the Zap spirit alive and so I was thrilled to learn that they've just announced the forthcoming publication of The Complete Zap Comix. The 800 page, two-volume, slipcased, hardcover set will hit stores in Fall 2012. From Fantagraphics:

“Fantagraphics’ The Complete ZAP Comix, as designed by Victor Moscoso, will be a classy item for the bookshelves of underground comics fans — those who can afford it, that is,” said ZAP artist Gilbert Shelton. “I imagine most of the original readers wish they still had their copy of the first edition of ZAP # 1, which sells for over ten thousand dollars now, if in perfect condition. But part of the secret of the success of underground comix was that they werecheaply produced and turned yellow and fell apart quickly, and also that they were borrowed and never returned by one’s friends, thereby forcing you to buy another copy. This will not happen with the new collected edition, which will be produced under the most rigorous of quality control.”

“Much as the effect EC’s MAD had on the mid-20th Century, ZAP was equally influential and disruptive to cultural mores at the end of the 20th Century, but without the hindrance of the old comic book code that cramped graphic novel expression for 40 years,” said ZAP artist Robert Williams.

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