When eight- and nine-year-old students at Hyde England's Flowery Field Elementary School walked into class last week, they were confronted with a crime scene. Behind the police tape was chalk outline of an elfin figure and a desk smeared with blood. Their assignment? Solve the mystery of the murdered elf. Apparently it was a writing exercise. And surprise! Some parents were pissed.
"My daughter came home and she was absolutely traumatized," one parent said. "I'm not the only parent who felt like that. A lot of the kids in Year 4 were unsettled by it."
Apparently, that did not discourage head teacher Ian Fell who encouraged the students to continue their detective work.
"I have been a teacher for 30 years and this is, in my judgement, an appropriate, engaging and exciting thing that children aged eight and nine have done," Fell said. "They have been so up for it."
(UPI and Manchester Evening News)
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Edgar Allan Poe scholar Scott Peeples explains the black magic of Poe's work nearly 170 years after he died. From TED-Ed:
The prisoner strapped under a descending pendulum blade. A raven who refuses to leave the narrator’s chamber. A beating heart buried under the floorboards. Poe’s macabre and innovative stories of gothic horror have left a timeless mark on literature. But just what is it that makes Edgar Allan Poe one of the greatest American authors? Scott Peeples investigates.
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Steven Brust is
a literary treasure and his longrunning
Vlad Taltos series, now nearing its final volume, is a good example of where his strengths lie: hardboiled plotting, snappy dialog, weirdly realistic and plausible depictions of magic, and a sensitive eye for power relationships and their depiction, all of which are on display in his latest, outstanding novel,
Good Guys, about the minimum-wage sorcerers who investigate magical crimes on behalf of a secret society.
At Hopes&Fears, Kristen Felicetti has tips from private dicks on how to lose someone who is following you, in a car, on foot, and on public transportation. Read the rest
