National Park is a free typeface from The Design Outside Studio based on the "National Park Service signs that are carved using a router bit." Studio founder and University of Kansas design professor Jeremy Shellhorn was visiting Rocky Mountain National Park when inspiration hit. He writes:
I had a sketchbook with me and took some rubbings of the letterforms and asked my friend Miles Barger, the Visual Information Specialist for Rocky, if he had the typeface. He asked the sign shop. No one has it? Turns out it isn’t a typeface at all but a system of paths, points and curves that a router follows.
The router’s "bit" follows the path and gives the letters its stroke weight or thickness only when engraving a sign.
It doesn't really exist as a typeface unless a sign is made.
So my design colleague, Andrea Herstowski, students Chloe Hubler and Jenny O'Grady, NPS Ranger Miles Barger and myself decided to make this router typeface a thing.
Our National Parks belong to the people, so this typeface should too.
Helvetica Now is Monototype's new typeface created for today's screens. Read the rest
Web Typography Resources is a list of apps, tools, plugins and other stuff that will help you make words look nice on the world-wide web. Highlights include Bram Stein's typography inspector, Monotype's new SkyFonts webfont management service, and Matej Latin's book Better Web Typography for a Better Web. [Amazon]
This Saturday (6/30) in San Francisco, Brooklyn-based artist/designer Scott Albrecht opens "A Forgiving Sunset," a large solo exhibition of new woodworks, works-on-paper, and steel sculptures. Scott continues to amplify his blend of artistic vision and exquisite craftsmanship in captivating works that are based in simple typographical forms but manifested from his puzzle-like assembly of numerous individual pieces of paper, wood, or, now, steel.
“The work for this show pulls from a range of experiences and inspirations over the last two years," Albrecht says. "A recurring point of reference in the work was the social climate and the growing gaps I was seeing among relationships — both on a cultural level as well as a personal level — and my own desire to return to something more connected. When I began this collection I developed a somewhat daily habit of listening to the poem, Desiderata by Max Ehrmann. Although it was originally written in 1927, it is, among many things, a fairly timeless call for empathy, compassion and understanding, which seems just as relevant and needed today as I’m sure it did when it was written.”
A Forgiving Sunset hangs at the First Amendment Gallery until July 28. The opening reception is Saturday, June 30, from 7-10pm.
Available free on Archive.org, the 1985 Electronic Engineers Master Vol 2 contains page after page of excellent technology company logos, many of which have been lost to the obsolescence of hardware and business plans. Marcin Wichary the designer/typographer/writer behind the Segmented Type Playground and the Pac-Man Google Doodle, turned the logos into a beautifully haunting slideshow.
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Accidentally stumbled upon this amazing treasure trove of hundreds of beautiful/awful 80s tech logos. It sort of feels like a version of that “Bobson Dugnutt” screen, but those are all real.https://t.co/0eOSTTLZYS pic.twitter.com/nzrajNstcD— Marcin Wichary (@mwichary) May 28, 2018
Marcin Wichary, a wonderful designer/typographer/writer who I had the pleasure of working with at Medium years ago, created this fantastic "Segmented Type Playground." Learn more via Marcin's Twitter thread about the project. (Among many other prior projects, Marcin created the playable Pac-Man Google Doodle back in 2010.)
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For as long as I remember, I was fascinated with segmented typography – not quite vectors, not quite pixels. Inspired by a conversation with @covrter and @enf I made a little typing (and painting!) playground. Maybe you’ll like it. https://t.co/kyrOcb0rDr pic.twitter.com/4LeulXIch4— Marcin Wichary (@mwichary) May 11, 2018
Amongst people who care deeply about typography and fonts -- which is, in our typographic age, probably a reasonable chunk of people online -- there's been a low-level war about spacing after a period. Specifically: When you finish a sentence, do you type one space, or two?
But recently, a couple of scholars decided to science this one out, and ... things did not turn out well for the one-spacers.
So the researchers, Rebecca L. Johnson, Becky Bui and Lindsay L. Schmitt, rounded up 60 students and some eye tracking equipment, and set out to heal the divide.
First, they put the students in front of computers and dictated a short paragraph, to see how many spaces they naturally used. Turns out, 21 of the 60 were “two-spacers, ” and the rest typed with close-spaced sentences that would have horrified the Founding Fathers.
The researchers then clamped each student's head into place, and used an Eyelink 1000 to record where they looked as they silently read 20 paragraphs. The paragraphs were written in various styles: one-spaced, two-spaced, and strange combinations like two spaces after commas, but only one after periods. And vice versa, too.
And the verdict was: two spaces after the period is better. It makes reading slightly easier.
Mind you, the reading-speed improvement with double spaces was only 3%, so we're talking about a pretty tiny delta here.
Small enough, in fact, that this study has not so much resolved this debate as fanned its eternal, eldritch flames. Read the rest
Fonts in Use took a stab at identifying all of the fonts used in the Srirachi bottle label, which breaks all design rules but still looks awesome.
Both the packaging and contents of tương ớt sriracha hot chili sauce bottles from Huy Fong Foods, Inc. have become condiment icons in recent decades. Sometimes referred to as “rooster sauce” because of the rooster on its label (the illustrator of which is unknown), the chili sauce features a chaotic jumble of elements on its packaging in multiple writing systems.
The most prominent Latin text elements are rendered in a variety of informal script typefaces released by American Type Founders in the 20th century, namely Balloon and its shaded counterpart, Balloon Drop Shadow, as well as Brody. Smaller text on the back of the bottle is set in Impress and Tekton.
Unfortunately my skills with recognizing fonts for Chinese text aren’t good enough to identify those used on the label. Any insight is welcome.