Black Simon and Garfunkel, aka The Roots' Captain Kirk Douglas and Questlove, cover Lorde's "Royals." (via Laughing Squid)
In 1969 at a school in Shoreditch, England, children young and old learned to experiment with avant-garde music composition using tape recorders, loops, electronics, and other techniques. The BBC documented the program with this short documentary, "Music In School: A New Sound." I would like to have been a student of these teachers. (via Toys & Techniques)
Recommended if You Like is Boing Boing's weekly podcast of Brian Heater's cafe conversations with musicians, cartoonists, writers, and other creative types.
Come spend 45 minutes in the Red Hook living room shared by Hospitality's singer and percussionist a day after the launch of their sophomore record. The expectations are elevated this time out, after the healthy amount of buzz generated by the band's self-titled indie-pop debut. You wouldn't know it from outward appearances, however. All is calm in the Brooklyn band's apartment. Dinner is on the stove and Michel is halfway through Psychotic Reactions and Carburetor Dung. The tour, after all, is still a few months away.
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"Wheels That Go," a gorgeous 1967 short film by Jim Henson, starring his son Brian, with music by pioneering jazz and electronic music composer Raymond Scott. You'd recognize Scott's big band music from hundreds of Looney Tunes and Merrie Melodies cartoons. Many of those familiar tunes are available on the compilation Reckless Nights & Turkish Twilights. Scott's experimental electronic pieces, like the one in this film, can be heard on the collections Manhattan Research Inc. and the Soothing Sounds For Baby series. (via Experimental Music on Children's TV)
Animated by Samuel Lewis for Elliot The Bull's
Mack writes, "XyloVan is a roving musical mutant vehicle that our family built four years ago. Thousands of musicians, kids, Burners and amateur XyloVanists have enjoyed banging on the van, everywhere we've taken it.
But its weird old heart blew a gasket last summer on the way to the playa, and we had to have it towed home.
We're raising money to give it a new motor, some front-end work and general upgrades to get it back on the road, plus we're building a strobing, pulsing new lights-and-sound system for its reappearance this summer in Black Rock City, NV.
Please give our Indiegogo campaign a look - we're offering some pretty neat hand-machined perks to our generous donors. Thanks!"
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Nullify your coffee with Musicians With Guns's Overstepping Artifacts
. Musicians With Guns is a project by a Ricardo Montalban
; see Astroblast
for more of the same.
John Twells tallies the synthesizers that shaped modern music
. tl;dr: Minimoog, Odyssey, Prophet-5, Fairlight, PPG Wave, Juno, Yamaha's CS-80 and DX7, and Korg's MS-20, M1 and Triton. Oh, yes, and Roland's 303 and 101. [via MeFi
, where a good tally of travestatious omissions accrues] — Rob
Here's electronic music pioneer Bruce Haack appearing on Mister Rogers' Neighborhood in 1968 with experimental children's dance educator Esther Nelson. Two years later, Haack went on to compose the quintessentially strange electronic music/acid rock record The Electric Lucifer. If you're not hip to The Electric Lucifer, it's a concept album that employs an array of instrumentation including, Moogs, guitar, voice, and a DIY vocoder to tell an epic story of the battle between heaven and hell. It's was reissued on CD several years ago and is just now available on vinyl again too! Below, listen to the track "National Anthem to the Moon." The Electric Lucifer
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MC Chris, creator of such immortal nerdcore classics as Fett's Vette and Aqua Teen Hunger Force, has a new double album out: Foreverrr.
Foreverrr is an insane, lewd, lacivious, profane and obscene delight of a concept album about the romance between a lonely ghost and a grandmotherly sexbot who's taken up residence in a haunted house. It features songs about all five Ghostbusters (including Tully), as well as nods to Wednesday Addams and The Shining (it's also got a ton of silliness about Luigi, french fries, and dating woes).
Ultimately, though, as the liner notes say, "it's also about letting go of the past, letting go of your anger, letting go of people you love." Amid all the supernatural sex-jokes and fat beats, MC Chris slides a lot of poignant, autobiographical material about coming to grips with his alcoholic father, and learning how to cope with his anger rather than taking it out on hecklers at his shows.
One of the Ghostbusters tracks, 58.9, was released early as a memorial to Harold Ramis, and a fan made a rather good video for it.
The album ships on Tuesday: $25 gets you two CDs in sleeves; $45 gets you a tri-fold CD case and a t-shirt; and $65 gets you the tri-fold case, a hoodie, stickers, a poster, a tote and a button.
"Foreverrr" - MC Chris
Last August, I posted about a lawsuit brought by Larry Lessig and the Electronic Frontier Foundation against Australia's Liberation Music, who hold the rights to "Lisztomania," a song by the French band Phoenix. Lessig had used brief clips from Lisztomania in a presentation on remix culture, and when the lecture was posted to Youtube, Phoenix Music sent a series of bogus copyright notices and threats to Youtube and Lessig.
Now (unsurprisingly), Liberation has settled, admitting that it was wrong. It has paid a confidential sum to EFF to cover costs and pay for future work defending the rights of people whose work is censored from Youtube by bogus copyright claims. It has also promised to fix the way it polices its copyright.
The best part is the statement released by Phoenix, who were apparently aghast to learn that their label was so reactionary when it came to remixing and fair use. It's amazing to see a band bust out statements like "One of the great beauties of the digital era is to liberate spontaneous creativity - it might be a chaotic space of free association but the contemporary experience of digital re-mediation is enormously liberating."
Click through for the whole thing, it's amazing.
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Glenn sez, "R&B music was pretty bawdy before its entered the era of white appropriation and radio play. Leah Reich, an ethnographer by training and a music lover and singer by love, takes a stroll through some of the filthiest, wonderful era before all this stuff was cleaned up. Tons of links to Youtube videos and other sources."
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Sheer hilarity. (Thanks, Fipi Lele!)
See also: Black metal meets Benny Hill
Just look at it. (Sugary sweet J-pop goes death metal) (via Mefi)
Happy Fangs is the punk pop duo formed last year by singer Rebecca Gone Bad (formerly of My First Earthquake) and guitarist Michael Cobra of King Loses Crown, plus drum machine. Their self-titled EP, released last year, is a raucous force of noisy guitar and anthemic vocals that thrill me like the late-1970s sounds of X-Ray Spex, Siouxsie, and Suburban Lawns. (Listen here!) Tonight, the band plays in their hometown of San Francisco at Slim's as part of Noise Pop 2014. Tickets available here. It'll be their first show with their new live drummer, Jess Gowrie. To celebrate, we're delighted to premiere this version of the slow-burning Happy Fangs track "Alone," remixed by Mercury Rev's Anthony Molina. Listen above. (Here's the original song.) And below, the video for the single "Lion Inside You," from the Happy Fangs EP.
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