Following other proposals for standing "seats" on airplanes (link
), the Skyrider 2.0 saddle seat "is the new frontier of low-cost tickets,” according to Italian company Aviointeriors. Rather than pitch the Skyrider as an inexpensive option for fliers, I think they'd do better positioning it as a healthy luxury like standing desks. From the Boston Globe
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For airlines that have been trying to shed weight and save on fuel costs by introducing thinner seats and eliminating seatback screens, the Skyrider 2.0 makes perfect sense. According to Aviointeriors, the design allows a 20 percent increase in passengers per flight. It also weighs 50 percent less than a standard economy seat, lowering the fuel cost per passenger...
The reduced legroom brings the seat pitch (the distance between one seat and the next in front) down to 23 inches. By way of comparison, the seats on low-cost, low-rated Spirit have a seat pitch of 28 inches.
"Our team has begun exploring methods to bring testing time to zero," says Benjamin Wilkins, a design technologist at Airbnb. One method his team is exploring is this software that scans of a hand drawn sketch of a website prototype and turns it into actual website code.
This system has already demonstrated massive potential. We’ve experimented using the same technology to live-code prototypes from whiteboard drawings, to translate high fidelity mocks into component specifications for our engineers, and to translate production code into design files for iteration by our designers.
As the design systems movement gains steam and interfaces become more standardized, we believe that artificial intelligence assisted design and development will be baked into the next generation of tooling. We’re excited to share our work with the broader community of designers and developers that are exploring this emerging field and to see where this leads. Stay tuned for future updates as we continue to experiment and build. In next post of the series, Design Tools Manager Lucas Smith will dive into some of the research and literature that informs our approach.
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Nicolas Damiens and Julien Sans thought it would be cool to offer inspiring fonts based on the scrawl of some of their favorite recording artists like Bowie, Lennon, and Cobain, whose handwriting appears on the cool cover of his published journals (above). IP lawyers put the kibosh on their SongwritersFonts project real quick-like. Read the rest
I enjoyed watching Steve Schoger make changes to a poorly designed website, explaining why he made the changes as he made them.
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Seoul-based designer Yang Si Young created the "Library Chair" in answer to a personal challenge: to design a piece of furniture that's also a library; with built-in shelving and a place to read.
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Apple's education-centric new Ipad is meant to be used in rambunctious classrooms where drops and other abuse will be commonplace; it is also meant to compete with relatively easy-to-service Pixelbooks that school district IT departments can fix themselves or get repaired by a wide variety of independent, local service depots whose community-based technicians do repairs onsite and also keep local tax dollars circulating in the community.
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Braille Neue is a dual typeface designed by Kosuke Takahashi that overlays Braille and English into one simple font. For sighted people who do not currently know Braille, it's also a great mnemonic for learning Braille characters. Read the rest
Dezeen interview leading architects and designers around the world for Elevation, a new documentary on how drones will change cities. Speculative architect Liam Young points out, "Now that drones are in the hands of every person in the street, they're potentially as disruptive as the internet." Read the rest
Designer Irina Blok lives in Silicon Valley and is the creator of Google's now-iconic green Android logo. A couple of years ago, she started producing Only in Silicon Valley, a line of on-point greeting cards for "geeks."
She writes that the cards are designed to "celebrate tech culture of Silicon Valley, without taking ourselves too seriously."
Take a look...
She's got lots more over at Zazzle. Cards are $2.96 each.
Previously: Modest Silicon Valley home breaks record for highest price paid per square foot Read the rest
Peter Dahmen is a world-renowned pop-up book designer. In addition to books, he makes cards, sculptures and displays. Here he picked ten of his most satisfying. Read the rest
An art collector who died earlier this year donated a remarkable collection of escaliers to Cooper-Hewiit Museum. The tiny staircases were fashioned by French compagnons, a secretive trade group of master craftworkers. Read the rest
Indian design studio Sylvn Studio creates cardboard lamps that are as economical and eco-friendly as they are beautiful. Read the rest
Spanish artist David Moreno draws, 3D renders, and even sculpts thin wire-like material into striking floating cities, sculptures that have an architectual feel. Read the rest
Valerio Sommella just won a 2018 design award from The German Design Council for these disorienting centerpiece plates he created for Il Coccio. Read the rest
Lauren Ko of LOKOKITCHEN in Seattle bakes up pies and tarts that are so creative that fans might feel bad slicing into them. Read the rest
It's pretty clear that whoever designed the four teaser posters for Disney's Solo: A Star Wars Story, drew a great deal of inspiration from the 2015 album covers designed by Hachim Bahous for Sony Music France’s Legacy Recordings.
Imitation is an inevitability, says graphic design historian Steven Heller. “If something is good, it will knocked off,” he says. “Look at I ❤ NY. Look at Coke and Pepsi. Look at the ripoffs around the world for Starbucks.”
Heller says there appears to be enough visual similarities between Balhous design and Disney’s posters to make it seem like a copy: the condensed fonts, the weathered, textured background, the color palette, and the photo treatment of characters from the movie displayed inside the letters.
But of course, Balhous isn't the first designer to fill letters with images. Quartz offers the following examples of prior art:
Saul Bass’s rejected poster for “The Shining” (1980); Philip Castle’s poster for “Clockwork Orange,” (1972); Saul Bass’s poster for “The Cardinal” (1963)
Bahous wants credit and compensation from Disney, but if he takes it to court it will be an uphill fight. From Quartz:
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Designers need to satisfy two criteria to win a court case: They need to show “substantial similarities” (which Bahous arguably does in his Facebook post), and they need to prove that the designers had access to the original design work (in this case, his Sony CD covers). This could involve asking the Star Wars poster designers to show their inspiration boards or unpack their conceptual process at the trial.
From treehouses to homes on wheels to tiny off-grid cottages, the folks at Living Big In A Tiny House count down their five favorite tiny home tours from last year. Read the rest