Salvador Dalí and Walt Disney were friends. They met at a party in 1944 and soon began collaborating on a surreal animated short together. Destino didn't get finished in their lifetimes but was ordered to completion in 1999 by Walt's nephew Roy, who discovered it in the vaults. This hour-and-twenty-minute documentary tells its story.
Now, for fun, watch the Pink Floyd version of Destino:
screengrab via Destino/YouTube Read the rest
When Pink Floyd took the stage on their mid-1970s "Dark Side of the Moon" tour, they performed in front of a stunning video cut-up created by British animator Ian Emes. Above are screen projections from the 1974 French tour. Below, a reel from the 1975 North American tour. (The album audio was added by someone else later.) From Wikipedia:
Emes' first major work, 'French Windows', was started while he was subsequently a student at Birmingham College of Art and finished while he was unemployed. It was set to the Pink Floyd recording "One of These Days". After it was shown at Birmingham's Ikon Gallery, it was screened on the television programme The Old Grey Whistle Test, and thereby came to the attention of Pink Floyd. The band invited Emes to give them a private screening, and afterwards to make films to be projected during performances of The Dark Side of the Moon. His animation for their song "Time" is on Pink Floyd's Pulse DVD. He subsequently worked with Roger Waters, making live action film for his performance of The Wall – Live in Berlin.
As a result of his work for Pink Floyd, Linda McCartney asked Emes to animate Wings' "Oriental Nightfish". He has also made animations for concerts by Mike Oldfield, and directed The Chauffeur for Duran Duran.
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"There is no dark side of the Pluto really. Matter of fact it's all dark."
Shared in the Boing Boing Flickr pool, and available on Woot as a kids' pullover hoodie for $20-25. Read the rest
A few weeks ago, I blogged about my new obsession with early to mid-era Pink Floyd oddities. Following the death of astronaut Neil Armstrong this weekend, the NYT Lede blog points to a special rarity: a moon landing jam session the band recorded at a BBC TV studio during the descent of Apollo 11, the first time human beings ever set foot on another world. David Gilmour in the Guardian:
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It was a live broadcast, and there was a panel of scientists on one side of the studio, with us on the other. I was 23. The programming was a little looser in those days, and if a producer of a late-night programme felt like it, they would do something a bit off the wall. Funnily enough I’ve never really heard it since, but it is on YouTube. They were broadcasting the moon landing and they thought that to provide a bit of a break they would show us jamming. It was only about five minutes long. The song was called Moonhead — it’s a nice, atmospheric, spacey 12-bar blues.
[Video Link: "A Long, Drawn Out Trip"]
Last night I watched (and greatly enjoyed) the Pink Floyd "The Story of Wish You Were Here" documentary Richard Metzger turned me on to last week (buy it here, and my earlier post about that documentary is here).
I ended up going down one of those internet-rabbit holes where you search and watch a bunch of related stuff online. Among the rabbit-holes I fell down: the story of how the band hooked up with the now-legendary illustrator and caricaturist Gerald Scarfe. He and the band later teamed up on "The Wall," and Scarfe's visual style is now a kind of icon of that era of Big Rock and Roll. I am not a big fan of the later, big budget, grand spectacle school of rock music visuals for which they became known, but I am fascinated by the earlier material.
UK native Scarfe created "A Long, Drawn Out Trip" in 1971 after traveling to the US. As the story goes, Roger Waters and David Gilmour saw the 18-minute short when it was aired on the BBC in 1973 (only once in its entirety! remember, this is before YouTube!), and said, "That's the stuff!" The stream-of-consciousness short pokes fun at symbols of American culture. In one sequence, Mickey Mouse gets high and morphs from the Disney character we all know, to a stoned-out hippie. Read the rest
My friends Richard Metzger and Tara McGinley of Dangerous Minds re-sparked my interest in early Pink Floyd the other night, when I visited their home: they were playing a quadrophonic version of Wish You Were Here on their excellent quad-compliant speaker system, while some of the experimental films the band played during the tour for that album ran on a nearby monitor. It was a great night. Today, Richard shares word of "The Making of Wish You Were Here" (2012), a really cool documentary film about the making of that album, and that era in the band's evolution. Read the rest