Sarah Silverman is pretty much perfect. Read the rest
I'm surprised the record company hasn't filed a takedown notice and confiscated the bird for being an illegal recording of "Another One Bites the Dust."
This is "Woodstock Al #6," a strange and fascinating DIY cassette of covers by an unidentified artist. In 2000, a fellow named Jim Fletcher sent the cassette to legendary WFMU personality and music historian Irwin Chusid. From Mei Clover who posted the audio to YouTube for posterity:
Read the restThis is a tape filled with strange, distorded guitar noodling, barely audible vocals, out-of-rhythym drums, and songs just barely recognisable to what they're supposed to be. You've never heard something like this before. The identity of Woodstock Al is unknown, and the tapes Woodstock Al 1-5 are still lost. Because these tracks are just barely recognisable, here is the track list.
1. Communication Breakdown 2. Purple Haze 3. Sunshine Of Your Love 4. Light My Fire 5. Manic Depression 6. Hello, I Love You 7. Cocaine 8. One Way Out 9. Every Day I Have The Blues 10. I Don't Live Today 11. You Got Me Floatin' 12. Paranoid 13. Sweet Child 'O Mine
Dub Will Tear Us Apart...Again by Jäh Division
From their Bandcamp page:
Read the restA supergroup born of Brooklyn’s early 21st century DIY scene, Jäh Division’s sole 2004 12-inch Dub Will Tear Us Apart earned them an instant infamy for their psychedelic dub interpretations of Joy Division classics. Featuring members of Home and Oneida and recorded in the literal shadow of the Williamsburg Bridge, Jäh Division grew from a joke between roommates Brad Truax and Barry London into a rolling improv collective that included members of Animal Collective and Oneida, among others.
Expanded with 5 extra songs--3 from the original session, 2 from a scrapped album--Dub Will Tear Us Apart… Again is the sound of Manchester beamed into Brooklyn by way of the Black Ark, all linked by some intercosmic hook-up in the depths of Barry London's Space Echo tape loop. Recorded by the core Jäh Division quartet, the original release--part of Social Registry’s 12-inch series-- featured London on vintage keyboards, Truax on bass, Home’s Chris Millstein on drums, and Oneida’s Kid Millions on Barry’s collection of synth percussion, including trash-salvaged electronic drum pads, run through dubby delays and effects and a Farfisa reverb tank.
I've been researching looper pedals for my 12-year-old guitarist son and happened upon this video of Mick Bishop using his Boss RC-300 Loop Station to create a very fun cover of "Close To Me," perhaps my favorite song by The Cure.
William Shatner is unleashing a Christmas album next month. Titled "Shatner Claus," it features guest performances by Henry Rollins (Black Flag), Iggy Pop, Rick Wakeman (Yes), Ian Anderson (Jethro Tull), Billy Gibbons (ZZ Top), and many more. Released by Cleopatra Records, "Shatner Claus" is just the latest in ol' Bill's lengthy recording career that includes "Ponder the Mystery" (2013), "Seeking Major Tom" (2011), "Has Been" (2004), "William Shatner Live" (1977), and, of course, "The Transformed Man" (1968).
Below, Shatner and Rollins "sing" Jingle Bells:
Kicking off their joint tour, Marilyn Manson and Rob Zombie offer this growling cover of The Beatles' "Helter Skelter." Over at Billboard, Gil Kaufman writes:
A few months ago Zombie and Manson got together in Los Angeles to talk about the tour and hang out and Zombie suggested they should record something to celebrate the reunion. Because Zombie is not typically one to collaborate with other artists, he says the goal was to avoid just picking a song to jam on during the shows. "I said, 'let's really figure out something,'" he says. And the answer was so obvious he's surprised they hadn't thought of it years ago.
The pair settled on a cover of The Beatles' legendarily gloomy 1968 song "Helter Skelter," one of the group's grimiest-ever tracks and one that serial killer Charles Manson used to rev up his clan of murderous followers in an attempt to spark a race war. Of course the Zombie-fied track they came up with is even darker, slower and more punishing, perfectly meshing their signature doom-laden vocals and down-tuned guitars for a modern goth pop classic. "I think it's cool because we dirtied it up, slowed it down and made it even heavier and groovier, but still true to the song," he says.
In 1994, Brazilian singer Vânia Bastos released this scorching cover of Sade's "Sweetest Taboo" sung in Portuguese. Most recently, the track is included on the new compilation "Onda De Amor: Synthesized Brazilian Hits That Never Were (1984-94)" from Soundway records.
Since everyone's doing posts about their favorite cover of Toto's "Africa," here's my frontrunner, because it's very Norwegian: metal and ironic and funny all at once. Read the rest
Known worldwide for his incredible fingerstyle guitar covers of popular songs, Alexandr Misko performs a-ha's 1985 hit "Take on Me" in his latest video.
The 20-year-old Russian musician writes, "This song is a tough one to play, but i tried my best!" (He's humble to boot!)
Previously: Air-horn version of a-ha's 'Take on Me' Read the rest
Read the restMy arrangement of the Mii Channel Music for a saxophone quartet. Uses one soprano, one alto, one tenor, and one bari. Video was compiled in Premiere Pro and audio was compiled in Audition. If you like it, make sure to hit that like button and share with friends, family, and strangers alike!
Pianist Scott Bradlee gives the old ragtime treatment to Super Mario Bros. It's as if the music was always meant to be played that way.
Here's the obligatory death metal version from the Bowser Castle music:
When I first saw Will Stahle's cover art for my novel Walkaway, I was pleased beyond all reason (and not least because I am an unabashed Stahle fanboy, as he is behind some of the greatest covers of our era, from Yiddish Policeman's Union to Autonomous to A Darker Shade of Magic to All the Birds in the Sky). Read the rest
Paweł Zadrożniak, aka Silent, created The Floppotron, the greatest new musical instrument in recent memory. Here is it playing Through the Fire and Flames from Dragonforce. Read the rest
Rob Scallon performs ingenious and odd Metallica covers, including this new one, "For Whom The Bell Tools" played on bells of all kinds. Perhaps he could encore with a similar reimagining of AC/DC's "Hells Bells."
This peppy little cover by Postmodern Jukebox turned out quite nicely. Read the rest
