In April, Moby sold a slew of his vintage synthesizers to benefit the anti-animal testing organization Physicians Committee for Responsible Medicine. Now he's parting with 1,000 of his vinyl records with the proceeds going to the same group. The collection ranges from test pressings of his own albums to post-punk classics to 12-inches that he spun during his rave and club DJ days in the early 1990s. The sale launches Thursday on Moby's Reverb LP Shop.
“These are all the records that I bought and loved and played and carried all around the world,” Moby says. “I would rather you have them than me, because if you have them, you’ll play them, you’ll love them, and the money will go to the Physicians Committee for Responsible Medicine. So everybody wins. Well, except me, because now I don’t have any records.”
(Reverb)
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Guns N' Roses is reissuing their iconic Appetite for Destruction (1987) in various editions ranging from double LP and CD sets (all with unreleased music) to the fully-blown "Locked N' Loaded" massive box set. For $999, you get "four CDs, one Blu-ray (containing hi-def 5.1 surround audio of Appetite, bonus tracks and music videos), seven 12-inch LPs, seven seven-inch singles, a hardbound book and a variety of collectibles. The selection of ephemera includes five skull face rings, a replica of the band's stage banner from their early club days, several posters, replicas of old fliers and ticket stubs and even two temporary tattoo sheets featuring life-size recreations of the band members' actual ink. The entire collection will be housed in a solid wood box wrapped in faux-leather and stamped with a 3D cross on its front doors," according to Rolling Stone.
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Check out these groovy turntable sinks. The collection is called "Vinyl" and it's the creation of Italian designer Gianluca Paludi for Olympia Ceramica. It appears, appropriately, that speakers are an available attachment.
(Design Milk)
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In 1973, the National Association Of Progressive Radio Announcers released "Get Off," a 1973 vinyl record featuring dozens of musicians delivering anti-hard drug warnings. Along with personal warnings from Grateful Dead, Alice Cooper, the Doobie Bros., BB King, Ravi Shankar, the Staple Singers, and Frank Zappa, the crew of the starship Enterprise visits a planet ravaged by hard drugs. Just say know.
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This Saturday (3/10) from 5pm-7pm, my friends at San Francisco's Tunnel Records + Beach Goods are kindly hosting a Voyager Golden Record Party with complimentary beverages! I'll be there to talk about the iconic message for extraterrestrials launched into space on a phonograph record 40 years ago. My friends Tim Daly and Lawrence Azerrad and I co-produced the first ever vinyl release of the Voyager Record this year and we were honored with a 2018 Grammy award for Best Boxed or Special Limited Edition Package.
Tunnel Records will have the Voyager Golden Record 3xLP Box Sets and 2xCD-Book edition available for sale. Can't make it? You can also order directly from our label Ozma Records.
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Ursula K. Le Guin's "Always Coming Home" (1985) is a combination novel and anthropological study of the Kesh, a culture that "might be going to have lived a long, long time from now in Northern California." Early editions of the book included a cassette of faux "field recordings," indigenous songs, and other audio of the Kesh. Now, the good people at Freedom to Spend are bringing the Kesh experience to vinyl in a lovely limited edition that includes an LP containing the audio of the original cassette, "a deluxe spot printed jacket with illustrations from Always Coming Home, a facsimile of the original lyric sheet, liner notes by Moe Bowstern, multi-format digital download code and a limited edition bookmark letterpressed by Stumptown Printers in Portland, OR." From
Freedom to Spend:
For Music and Poetry of the Kesh, the words and lyrics are attributed to Le Guin as composed by Barton, an Oregon-based musician, composer and Buchla synthesist (the two worked together previously on public radio projects). But the cassette notes credit the sounds and voices to the world of the Kesh, making origins ambiguous. For instance, “The River Song” description reads, “The prominent rhythm instrument is the doubure binga, a set of nine brass bowls struck with cloth-covered wooden mallets, here played by Ready...”
The songs of Kesh are joyful, soothing and meditative, while the instrumental works drift far past the imaginary lands. “Heron Dance” is an uplifting first track, featuring a Wéosai Medoud Teyahi (made from a deer or lamb thigh bone with a cattail reed) and the great Houmbúta (used for theatre and ceremony).
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Vinyl jukeboxes are making a comeback, and Sound Leisure built this incredible Sgt. Peppers Lonely Hearts Club Band vinyl jukebox to celebrate the album's 50th anniversary. Read the rest
Along with directing such classic films as Escape from New York, Halloween, The Fog, and The Thing, John Carpenter also composed the soundtracks. For those who want a survey of Carpenter's synth stylings, I recommend the new compilation from Sacred Bones Records, titled "John Carpenter Anthology: Movie Themes 1974-1998." The celebrate the release, Carpenter created this music video for the theme from Christine (1983), in which a woman summons an Uber and the demonic driverless 1958 Plymouth Fury shows up. Just kidding about the Uber part.
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In 1979, Hüsker Dü played their first show, paving the way for Nirvana, The Pixies, Foo Fighters, and really the entire realm of alternative rock. I have a special love for the band as they were my first club show, back in 1985 or so. (My first concert was Styx and, yes, that was amazing too.) Over the years I've become friends with Bob Mould who is a very warm, funny, earnest, and mellow gentleman. Of course Bob didn't sound mellow back when he, Grant Hart, and Greg Norton were making the ferocious music heard on this new 4xLP box set (and CD set) of Hüsker Dü's early material.
From the Numero Group label, Savage Young Dü contains 69 tracks, 47 of which have never been issued, and 108-page hardbound book of photos, flyers, session details, and deep liner notes. Yes, Bob, Grant, and Greg were all on board with this release. No, they absolutely will not reunite for any live shows.
And in case you missed it, here's a classic Boing Boing Video/Remedy Editorial performance and interview from 2014: "Bob Mould: An Old Punk Kicks New Ass"
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Last night, NBC Nightly News aired the wonderful video below about the Voyager Golden Record vinyl box set I produced with my friends Tim Daly and Lawrence Azerrad! Forty years ago this month, NASA launched two spacecraft, Voyager 1 and 2, on a grand tour of the solar system and beyond, into the mysteries of interstellar space. Mounted to each spacecraft is a golden phonograph record, a message to introduce our civilization to extraterrestrials, perhaps billions of years from now. The Voyager Golden Record tells a story of our planet expressed in sounds, images, and science. As Lawrence said in the video, "it's a lovely reminder of what it means to be a human." Thank you to NBC Nightly News!
(GIF via Electric Space Kool-Aid)
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Our pal Adam Savage visited Jack White's Third Man Records vinyl pressing plant in Detroit and records his Brain Candy song! Then Jack and Adam talk about cutting records and the creative process. (Tested)
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Sony last pressed a vinyl record in 1989. And it'll be pressing them again by March 2018, reports The BBC, proof of the mainstream return of the ancient format—once again a billion-dollar business.
Folks always argue about quality (will mainstream product mean mainstream mastering?) but the reasons for vinyl's resurgence are complex. It's a nice thing to own, it's a pleasing retail experience, it's nostalgic, it's a better gift, it's big enough to hang on a wall, you can fend off zombies with it, and so on.
There are seriously lame aspects to vinyl, though: quality deteriorates with use; easily damaged even when stored; no metadata; no controls; fiddly hardware.
So whenever I read a "vinyl returns" article I dream of a new HD physical media format that's backward compatible with it. An LP-sized optical disk with the grooves on a clear laminate layer, perhaps. Or maybe a vinyl with a hidden flash storage layer within and exposed metal rings to read it with near the spindle. Or some kind of bad-ass sharpened metal disk played the old-fashioned way but at nyquist-busting RPM. Read the rest
Kevin Dupzyk got a behind-the-scenes tour of Third Man Records' new vinyl pressing plant in Detroit, where the art and craftsmanship of vinyl recordmaking is making a major resurgence. [via Popular Mechanics] Read the rest
It's been 20 years since Radiohead released their masterpiece OK Computer and they've just announced a lavish new remastered* edition with three unreleased tracks, eight b-sides, assorted bonus tracks, and, in the boxed edition, a hardcover book. The band aims to please with the deluxe box set by including vinyl, a cassette, and digital downloads in various formats.
Inside a black box emblazoned with a dark image of a burned copy of OK COMPUTER are three heavyweight 180 gram black 12" vinyl records and a hardcover book containing more than 30 artworks, many of which have never been seen before except by us, and full lyrics to all the tracks except the ones that haven't really got any lyrics.
Under this weighty tome are yet more surprises: a notebook containing 104 pages from Thom Yorke's library of scrawled notes of the time, a sketchbook containing 48 pages of Donwood and Tchock's 'preparatory work' and a C90 cassette mix tape compiled by us, taken from OK COMPUTER session archives and demo tapes.
* But why? The original analogue tapes are the highest definition version of the record, and nothing will ever beat them. However in the 20 years since the original release mastering technology has improved a lot, and with new equipment and techniques we can make a digital version that's an improvement of the original transfer.
Radiohead OK Computer 1997 2017
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David Bowie and Trevor Jones's soundtrack to Jim Henson's fantastical film Labyrinth, starring Bowie as Jareth the Goblin King, will be reissued on vinyl next month for the first time since its release in 1986. (These days an original pressing goes for around $75-$100.) To complement Trevor Jones's synthesizer/orchestra score, Bowie wrote five original songs for Labyrinth, including Underground, As The World Falls Down, and the classic Magic Dance.
With Magic Dance, "the song for Jareth and the baby, sung by them and the goblins in the castle throne room - I had problems,” Bowie said at the time. “The baby I used in the recording studios couldn’t, or wouldn’t, put more than two gurgles together, so I ended up doing the baby-gurgle chorus myself! It’s an up-tempo song, and visually exciting.”
Labyrinth LP (Amazon)
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That's not dust on the stylus, that's Uncle Fred!
Andvinyly presses cremated remains into a vinyl record.
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The good people at Oakland's excellent Contact Records record shop are selling these delightful Devo "Energy Dome" adapters to play your New Wave 45s in style. Locally 3D-printed by Jeremy Solterbeck, they're just a few bucks each and big fun for vinyl geeks.
ENERGY DOME 45 ADAPTERS IN OUR SHOP NOW!!! #devo #whipit #contactrecords #vinyligclub #energydome #45adapters #goldenenergy
A video posted by Contact Record Shop (@contact_records) on Nov 16, 2016 at 1:19pm PST
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